مەزمۇنغا ئاتلاش
Jurga Rakauskaite-Larkin نىڭ Vicereines of Ireland Akademik Kitab ئەسىرى

Jurga Rakauskaite-Larkin نىڭ Vicereines of Ireland Akademik Kitab ئەسىرى بېسىپ چىقىرىلغان ۋە نەشر قىلىنغان مېدىيا لايىھەلەش مۇسابىقە تۈرىدە ناھايىتى ئابرويلۇق 2022 A' Design Award تۆمۈر مۇكاپاتى نىڭ يۇقىرى قەدىرلىك غالىبى.


تۆمۈربېسىپ چىقىرىش· 2022

Vicereines of Ireland Akademik Kitab

لايىھەلىگۈچىسى Jurga Rakauskaite-Larkin

خېرىدار: The Office of Public Works

بېسىپ چىقىرىش تۈرىدىكى A' Design Award تۆمۈر مۇكاپاتى غالىبى

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لايىھە

Vicereines of Ireland Akademik Kitab ھەققىدە

Vicereines of Ireland Irlandiye tarixidiki étibardin chette qalghan bir guruppa ayallar heqqidiki akademik kitabtur. Dizayn bu ayallarning bay maddiy dunyasini özide ipadileshtürüp, ularning heriketliridiki insaniyliqni de aks ettüridu. Renglik palitra bu ayallardin birining boyaq palitrasida saqlinip qalghan gül-pembe renglik boyaqlardin élinghan. Kitabning ich beti Italiyening kona marmar naqishlik deptiridin ilham alghan bolup, eslide en’eniwi chéchima marmar naqishlash usuli bilen yasalghan, andin sansiwiy usulda qaytidin ishlengen. Qattiq muqawaning muqawa süritining arqisida altun folga rama bésilghan, buning bilen süritte körsitilgen ayal képi aldigha chiqip turidu.

ئېتىراپ

A' Design Award تۆمۈر مۇكاپاتى ھەققىدە

Vicereines of Ireland Akademik Kitab A' Design Award تۆمۈر مۇكاپاتىنىڭ غالىبى، بۇ ياخشى لايىھىلەنگەن ئىجادىيەتلەردىن ساقلىنىدىغان كەسپىي ۋە سانائەت تەلەپلىرىنى قاندۇرىدىغان ياخشى لايىھىلەرگە بېرىلىدىغان ئابرويلۇق ئېتىراپتۇر. تۆمۈر غالىبلىرى ياراتقۇچىلىرىنىڭ زور ماھارىتى، يۇقىرى ئالاھىدە كەسپىلىكى، مۇتەخەسسىسلەرچە چۈشەنچىسى ۋە ئىجادىي قابىلىيىتىنى نامايان قىلىدۇ. Vicereines of Ireland Akademik Kitab ناھايىتى قەدىرلىنىدىغان، ھەيرانلىق بىلەن كۆرۈلىدىغان ۋە سۆيۈلىدىغان، ئەمەلىي ھەم يېڭىلىقچان ئىجادىيەت بولۇشى ئۈمىد قىلىنىدۇ. A' Design Award تۆمۈر مۇكاپاتىنى يەڭگەن بۇ لايىھە كەسىپنىڭ ئەڭ ياخشى ئەمەلىيەتلىرىنى بىرلەشتۈرىدۇ ھەمدە بىلىم ۋە ئىستېدات بىلەن باغلانغان لاياقەتلىك تېخنىكىلىق ئالاھىدىلىكلەرگە ئىگە. Vicereines of Ireland Akademik Kitab ئەستايىدىللىقى بىلەن ھۆرمەتكە سازاۋەر بولۇپ، دۇنيانى تېخىمۇ ياخشى ئورۇنغا ئايلاندۇرۇشقا ياردەم بېرىدىغان تۇرمۇش سۈپىتىنى ياخشىلاشنى تەمىنلەش ئۈچۈن لايىھىلەنگەن.

لايىھەنىڭ ئارقا يۈزى

ئاخبارات توپلىمى

لايىھەلىگۈچى تەمىنلىگەن ئىناۋەتلەر، گۇرۇپپا ئەزالىرى ۋە تېخنىكىلىق تەپسىلاتلار.

ئۆزگىچە ئالاھىدىلىكلەر
Aim of the design was to capture rich material world, and also to reflect these women's humanity. The choice of a simple cover rather than grand portrait, that mainly appear on the covers of art history books, reflects this approach. The gilded frame that usually surrounds many portraits is placed not around the portrait image but behind it, on the hard cover, allowing the image of the woman to come forward. It encourages reader to look beyond the superficial image of women as decorative partners to powerful men.
ئۆلچەم ۋە ئورالما
Size:
21.46 x 2.79 x 24.51 cm portrait,
Cover:
Hardcover with Luxor 220 Gold foil block on the front and spine
Dust jacket with Matt Black foil block on the front and spine,
Printed: 4/4 CMYK,
Binding:
Hardcover, head and tail gold bands, 2.5 mm boards, thread sewn,
Black silk ribbon,
Repro:
Images supplied digitally, image and colour corrections,
One set of digital colour proofs
خەتكۈچلەر
book, irishdesign, irishculture,
ئىشلەپچىقىرىش تېخنىكىسى
The making of the book was a dialogue between the written content, the visual material discovered during the research, and current design practices. One of the key sources used in the writing of the book was an old Italian marbled notebook that belonged to one of the women. This inspired the creation of artwork for the book's end papers. The book's colour palette was sent to an artist, who created six bespoke patterns using a traditional spot marbling technique. After selecting the most suitable, the pattern was digitally manipulated to give this traditional pattern a contemporary look.
لايىھە قىيىنچىلىقى
As an academic book, there were specific design conventions which had to be followed. The challenge was to strike a balance between meeting these criteria and reflecting the seriousness of the book's content, while also pushing the creative boundaries to modernise the image of the art history book. A bold colour palette, unexpected cover image (and application of it), use of a ribbon bookmark inspired by the diaries of the vicereines and the choice of contemporary serif typography all helped to overcome this challenge.
تەتقىقات
The research for the design grew out of several years of original research for the book. This research was carried out in public and private archives across Ireland, Britain and the USA, and attracted funding from bodies including the Paul Mellon Centre for Studies in British Art. The main sources were the letters and diaries of these women, as well as their private collections of textiles, sketches and personal objects. One of the most inspiring of these objects was the paint palette of one of the women featured in the book. The book's colour scheme was taken from the blush pink paint colours that have survived on the palette since the 1780s.
ئىلھام
The book tells the untold story of a group of overlooked women in Irish history. As the wives of the countrys rulers, they were the female faces of the British administration in Ireland before independence. Even though their privileged world was one of shimmering fabrics, sparkling pearls and blossoming flowers, many of these women worked hard to relieve crushing poverty, promote Irish fashion and mitigate injustices. Despite their pioneering efforts, they have long been almost entirely forgotten in Irish history. Their story, and the value of telling it for the first time, inspired the project.
تۈر داۋاملىشىش ۋاقتى
Project started in 2019 and was finished in 2021 in Dublin, Ireland.
گۇرۇپپا ئەزالىرى
Editor: Myles Campbell
Project Manager: Mary Heffernan
Publisher: Irish Academic Press
Printed: Kopa Print
رەسىم مەنبەسى
Image #1 Unknown artist, The Right Hon. The Countess of Buckinghamshire (detail), 1778. Reproduced courtesy of the National Library of Ireland
Image #2 Ausra Lazauskiene, Marbling artist
Image #4 Robert French (photographed by), The vicereine’s boudoir at the Viceregal Lodge, Dublin, Reproduced courtesy of the National Library of Ireland.
Image #5 After Sir Thomas Lawrence, Lady Henrietta Cole, Lady Grantham, later Countess de Grey, National Trust, Florence Court, County Fermanagh
Henri Gascar, Frances Talbot (née Jennings), Duchess of Tyrconnell, Bridgeman Images.
Maria Phipps, Countess of Mulgrave, later Marchioness of Normanby
Montego Bay, Jamaica, Photograph by Scott Wicking, reproduced courtesy of the Marquis and Marchioness of Normanby.

Photographer: Kevin Fox, 'We Shoot'

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