The Opposite توقۇلما كىيىم كوللېكسىيەسى by Yishu Yan is a highly esteemed winner of the very prestigious 2024 A' Design Award كۈمۈش مۇكاپاتى in مودا، كىيىم ۋە كىيىم-كېچەك لايىھەلەش Competition Category.
كۈمۈشمودا· 2024
The Opposite توقۇلما كىيىم كوللېكسىيەسى
by Yishu Yan
A' Design Award كۈمۈش مۇكاپاتى Winner in مودا Category
Verified Award Winner
Verify Award Status for #157237The Design
About The Opposite توقۇلما كىيىم كوللېكسىيەسى
The Opposite — كۆپ خىل ئۇسۇلدا كىيگىلى بولىدىغان قىلىپ لايىھىلەنگەن، ئەر-ئايالغا ئورتاق توقۇلما كىيىم كوللېكسىيەسى. بۇ كوللېكسىيە نۆل كېسىش ۋە نۆل ئىسراپچىلىق ئۇسۇللىرى بىلەن ياسالغان بولۇپ، ھېچقانداق رەخت تاشلىۋېتىلمەيدۇ. رەقەملىك توقۇش تېخنىكىسى ئارقىلىق ئېگىلىشچان ئۈچ ئۆلچەملىك قۇرۇلمىلار ۋە ئۆزگەرتىشچان كىيىم تۈزۈلمىلىرى شەكىللەندۈرۈلگەن. ئىككى قۇر كىيىمدىكى بۇيۇملارنى ئۆزئارا ئالماشتۇرۇپ، ئوخشىمىغان بىرىكمىلەردە ماسلاشتۇرغىلى بولىدۇ، بۇ ھەر بىر كىيگۈچىنىڭ ئۆزىگە خاس ئۇسلۇب يارىتىشىغا ئىمكان بېرىدۇ. بارلىق چوڭلۇققا ماس بۇ لايىھە ئوتتۇراھال بەدەنلىك كۆپىنچە كىشىلەرگە ماس كېلىدۇ. The Opposite ئەرلەر كىيىمى ۋە ئاياللار كىيىمى ھەققىدىكى ئادەتتىكى قاراشلارغا سوئال قويىدۇ.
The Recognition
About the A' Design Award كۈمۈش مۇكاپاتى
The Opposite توقۇلما كىيىم كوللېكسىيەسى A' Design Award كۈمۈش مۇكاپاتىنىڭ غالىبى، بۇ گۈزەل، ئۇلۇغۋار ۋە تەسىرلىك ئەڭ يۇقىرى دەرىجىلىك لايىھىلەرگە بېرىلىدىغان ئالاھىدە ئابرويلۇق ئېتىراپتۇر. كۈمۈش غالىبلىرى لايىھىلىگۈچىلىرىنىڭ ئالاھىدە ماھارىتى، ئىستېدادى ۋە ئۆتكۈرلۈكىنى كۆرسىتىدىغان ناھايىتى پارلاق ۋە ئىنتايىن ئىجادىي ئەسەرلەردۇر. The Opposite توقۇلما كىيىم كوللېكسىيەسى ئاجايىپ، ئۈلگىلىك، ئالاھىدە كەسپىي ۋە چوڭقۇر يېڭىلىقچان ئەسەر بولۇشى ئۈمىد قىلىنىدۇ. A' Design Award كۈمۈش مۇكاپاتىنى يەڭگەن بۇ لايىھە سەنئەت، ئىلىم-پەن، لايىھە ۋە تېخنىكىنىڭ چېگرالىرىنى كېڭەيتىدىغان ناھايىتى دىققەتكە سازاۋەر، ھەيرانلىق بىلەن كۆرۈلىدىغان ئىختىرا. The Opposite توقۇلما كىيىم كوللېكسىيەسى كۆپچىلىك ھەۋەس قىلىدىغان، ئارزۇ-ئىستەكلەرنى قوزغايدىغان، ئىجابىي ھېسسىياتلارنى ئېلىپ كېلىدىغان ھەمدە ھەيرانلىق ۋە قايىللىق پەيدا قىلىدىغان ئىجادىيەت.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
- Dimensions & Packaging
- This garment is an all-size design and will fit most people of average build.
- Tags
- Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
- Production Technology
- This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
- Design Challenge
- The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
- Research
- This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
- Inspiration
- The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
- Project Duration
- This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
- Operation Flow
- The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
- Team Members
- Academic adviser: Kinor Jiang & Jinyun Zhou
- Image Credits
- Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova
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