Chen Xiao and Chen Dilong کا ڈیزائن The Ancestor House ہوٹل انتہائی معزز 2020 A' Design Award آہنی انعام کا فنِ تعمیر، عمارت اور ڈھانچہ ڈیزائن مقابلے کے زمرے میں ایک نہایت قابل قدر فاتح ہے۔
لوہافنِ تعمیر· 2020
The Ancestor House ہوٹل
کلائنٹ: Yushe Design& JAZ BUILD
فنِ تعمیر زمرے میں A' Design Award آہنی انعام فاتح
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The Ancestor House ہوٹل کے بارے میں
اجدادی گھر ایک ہوٹل ہے جو چین کے ژووُجی گاؤں میں 1898 میں تعمیر کی گئی ایک خاندانی حویلی کی تزئین و آرائش سے تشکیل دیا گیا ہے۔ یہ عمارت ایک روایتی صحن نما رہائش گاہ ہے جس میں تین ہال، دو بازو اور چار اندرونی صحن شامل ہیں۔ ہوئژو طرز کے سامنے کے حصے اور دیواروں کی مرمت کی گئی اور انہیں سٹیل اور کنکریٹ کے ڈھانچے سے مضبوط کیا گیا۔ خراب شدہ لکڑی کے فریموں کو اصل شکل کے مطابق دوبارہ تعمیر کیا گیا، جبکہ محفوظ شہتیروں اور پتھر کی بنیادوں کو برقرار رکھا گیا۔ ہٹائی گئی خاکستری ٹائلوں کو فرش سازی اور چھت کی تفصیلات میں دوبارہ استعمال کیا گیا۔ ایک شیشے کی سکرین والی دیوار لابی میں دن کی روشنی لاتی ہے۔ ہوٹل میں 14 کمرے پیش کیے جاتے ہیں۔
اعزاز
A' Design Award آہنی انعام کے بارے میں
The Ancestor House ہوٹل A' Design Award آہنی انعام کا فاتح ہے، جو ان اچھے ڈیزائنز کو دیا جانے والا باوقار اعتراف ہے جو اچھی طرح ڈیزائن کی گئی تخلیقات سے متوقع پیشہ ورانہ اور صنعتی تقاضوں کو پورا کرتے ہیں۔ آہنی انعام کے فاتحین اپنے تخلیق کاروں کی عظیم مہارت، اعلیٰ تخصص، ماہرانہ فہم اور تخلیقی صلاحیت کو ظاہر کرتے ہیں۔ The Ancestor House ہوٹل سے توقع کی جاتی ہے کہ وہ ایک نہایت قدر کی جانے والی، سراہی جانے والی اور عزیز تخلیق ہوگا جو عملی اور جدید ہے۔ A' Design Award آہنی انعام جیتنے والا یہ ڈیزائن صنعت کے بہترین طریقوں کو یکجا کرتا ہے اور مہارت اور ہنر سے جڑی ہوئی قابل تکنیکی خصوصیات رکھتا ہے۔ The Ancestor House ہوٹل اپنی باریک بینی کی وجہ سے قابل احترام ہے اور معیار زندگی کی ایسی بہتری فراہم کرنے کے لیے ڈیزائن کیا گیا ہے جو دنیا کو ایک بہتر جگہ بنانے میں مدد دیتی ہے۔
ڈیزائن کے پیچھے
پریس کٹ
ڈیزائنر کی فراہم کردہ کریڈٹس، ٹیم ممبران اور تکنیکی تفصیلات۔
- منفرد خصوصیات
- The return to pastoral life has long been an ideal of Chinese literary tradition and turned into nostalgia for rural lands. The property was the family mansion first built in 1898 by Zhou Ansheng, the grandfather of the client who tasked us for the renovation. However, it has been largely derelict for decades since the family members left hometown for better living.
The original building was a traditional Chinese courtyard dwelling — three-hall structure with two wings and four internal courtyards. Except for the characteristic Huizhou-style facade and roof which are well preserved, most of the other original features — the loam walls, wooden roof trusses, timber beams and columns, grey tiles are severely damaged. Under such condition, the building might seem to be of little value to some villagers, but for Zhou’s family, it is a century-old dream and memory. Also for us, it was just like an uncut jade to be carved into great works. - ابعاد اور پیکیجنگ
- Floor Area：1202㎡
- ٹیگز
- Architectural Design, Interior Design, Landscape Design, Adaptive Re-Use, Hotel, Residence,
- پیداواری ٹیکنالوجی
- After discussion, we made it a priority to restore and repair the existing building, keep the original spatial layout, revive the sense of sophistication and stateliness that existed when the original property was first built, an ode to its past.
As a result, the original structure of Huizhou-style façade and walls were revamped and reinforced by steel-concrete structure so as to eliminate air/wind leakage and potential structural risks. The severely damaged through type timber frame were rebuilt according the original structure. Some undamaged beams and stone plinths under the wooden pillars were kept intact, the demolished ones such as grey tiles are recycled for pavements and roof decoration, echoing the history to the house and the local culture on the tectonic side as well as showing sustainable ecological construction philosophy.
We are fortunate to work with timber structure engineers and excellent local craftsman, which are exceedingly difficult to find given the exodus of local labor from countryside to big cities for their living.
The disadvantage of traditional courtyard dwelling layout is insufficient of light, thus a side wall of the lobby had to be replaced by glass screen walls to bring in light. The transparency also enhanced the connectivity between the indoor spaces and the open courtyard.
Stepping into the lobby through the low robust rubble wall and a stone-paved courtyard embellished with two local red plum trees, the family-style setup is perfect for those who want quietude, away from the bustling city. The interiors consist of two ideas, simplicity and space. We brought in few pieces of furniture with simple lines, good quality and extremely polished, which perfectly fuse different hues and texture. Wooden grills and local limestone floor merged together to create a sense of warmth, naturalness. The new reflects the past without imitating it.
The back hall connects the two floors and with an exquisite wooden stair and provides access and privacy for all the 14 rooms. The two courtyards divide the spatial patters and create various circulation route, providing a playful walking experience as well as impressive views. - ڈیزائن چیلنج
- There were always gaps between the ideal of design and the reality of the craftsmen’s experience and techniques, for example, at first, we would like to do antique finish of the facade wall to show the history of the house, but with several rounds of negotiation and mutual compromises, it turns out to be fresh white. Anyway, for our design team, this project was a most thorough practice of our “buildingless” approach. The completion of the project hasn’t left a sign of new building on the village, but the landscape at the village entrance, the alleys around the house, and the interior and exterior spaces of the building, were all more harmonious with the people’s life and the village, and more friendly to visitors from outside.
This project has inspired some in-depth thinking in us. The “architecture without architects” in rural areas has revealed a specific situation where it was very hard for architects with trained ways of thinking to truly “root” himself in the village, for his trained experience was not necessarily what was needed there. Our intention for the project of “buildingless building” was to provoke reflection and improvement of the simple “architecture without architects” in villages, to avoid applying experiences of our practices in cities directly to rural projects, especially taking the projects as shows of personal styles. In our opinion, the most appropriate way of today’s village construction should be one that makes people feel at ease in the space without deliberate interference, as described by a famous saying in Tao Te Ching by Lao Tsu:”A great sound is inaudible, and a great image is formless.”
Undoubtedly, this is a rural form that is expected by metropolitans. In the context of China's “beautiful villages” and “village rejuvenation”, Changxing, as one of the main positions for the revitalization of the rural areas in Zhejiang Province, has been formulated in various aspects such as strengthening capital investment, housing system reform, and rural human settlements. With nearly 40 supporting policies and measures, we have reason to expect this new model to attract interesting people to gather, nourish the rural ecology and develop healthily.In the near future, we believe, lots of characterful country house hotels would follow. - تحقیق
- Courtyards are spiritual place for Chinese ancient literati, and still a longing place for urbanite where they can be assured of being personally pampered in beautiful rural surroundings to get away from the hustle and bustle. Famous Chinese writer Lin Yutang, also best known is the West for his English writing once described his ideal home：“Garden within a house, house within a garden, courtyard among rooms, trees among courtyard, sky above trees, moon in sky”, reflecting the most distinctive feature of Chinese home design of all ages is the stone-paved courtyard, just similar in effect to a Spanish cloister, and symbolizing peace, quiet and repose.
- تحریک
- Globalization and rapid urbanization promise better lives, but also widen the gap between rural and urban regions. We may say, rural China is in a terrible predicament of identity anxiety and cultural deficiencies. In this dual situation, how can architects do to “urbanize the countryside" sustainably, raise the status of rural areas, and inspire rural self-confidence?
We think the best solution to rural revitalization would never be building new houses over old ones. The most appropriate yet difficult way of Chinese rural construction is one that makes people feel at ease in the space without deliberate interference nor a imitation of the ancient, as described by a famous saying in Tao Te Ching by Lao Tzu: “ A great sound is inaudible,and a great image is formless. - پراجیکٹ کا دورانیہ
- Design Phase：2017.3-2018.7
Construction：2017.11-2019.11
Project Location: Zhouwujie Village, Changxing County, Huzhou City, Zhejiang Province - آپریشن کا بہاؤ
- Before getting down to the renovation work, the designers and craftsmen checked the status of the timber structure and walls, and decided on renovation methods for the most crucial parts, including the roof, the timber frame and the exterior walls. On the roof, only one layer of small black tiles were laid for rain proof, where lots of leakage points could be found. As a result, new timber roof boarding and waterproof membranes would be laid underneath the tiles. As for the main structure, the pillars and most main beams were severely damaged, so most of them need to be rebuilt.
For us, the architecture itself should be like the one born in the earth. We think the best solution to rural revitalization would never be building new houses over old ones, not to mention undisciplined occupation of land. - ٹیم کے اراکین
- Design Firm: Yushe Design & JAZ BUILD
Principal Architect：Chen Xiao、Li Zhiqiang、Xu Yi、Gao Shantong
Architectural Design：Li Na、Pang Di、Liang Xiuzhu
Interior Design：Mao Lili、Chen Peng、Zhao Xikang
Landscape Design：Yu Haoyan、Chen Jingfeng、Ma Jiang
Timber Frame Design and Construction: Chen Dilong、Li Juan、Huang Limin - تصویری کریڈٹس
- Photography: Fancy Image
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