Rene Final Call لائیو کنسرٹ اسٹیج ڈیزائن by B'in Live Co., Ltd. is a highly esteemed winner of the very prestigious 2026 A' Design Award نقرئی انعام in تقریب اور واقعات ڈیزائن Competition Category.
چاندیتقریب· 2026
Rene Final Call لائیو کنسرٹ اسٹیج ڈیزائن
Client: B’in Live Co., Ltd
A' Design Award نقرئی انعام Winner in تقریب Category
Verified Award Winner
Verify Award Status for #176733The Design
About Rene Final Call لائیو کنسرٹ اسٹیج ڈیزائن
رینے فائنل کال ایک لائیو کنسرٹ ٹور اسٹیج ہے جو ایرینا کے سامعین کے لیے ڈیزائن کیا گیا ہے۔ چار اطراف سے کھلا یہ اسٹیج 28 میٹر چوڑا، 22 میٹر لمبا اور 2.2 میٹر بلند ہے، تاکہ ہر طرف سے نظارے کی سطح متوازن رہے۔ درمیان میں نصب گھومنے والا پلیٹ فارم 3.6 میٹر تک بلند ہوتا ہے اور دس خودمختار لفٹوں کے ساتھ مل کر بدلتی ہوئی زمینی ہیئتیں تشکیل دیتا ہے۔ کنسرٹ چار ابواب میں آگے بڑھتا ہے، جو زیرِ آب منظر سے شروع ہو کر گھاس اور کیکٹس کے سیڑھی نما حلقوں تک پہنچتا ہے۔ ایک عمودی سہ جہتی ایل ای ڈی میٹرکس بہتے ہوئے انداز میں گیت کے بول پیش کرتا ہے۔ ماڈیولر اجزاء کی بدولت پورے ڈھانچے کو دوبارہ جوڑا اور استعمال کیا جا سکتا ہے۔
The Recognition
About the A' Design Award نقرئی انعام
Rene Final Call لائیو کنسرٹ اسٹیج ڈیزائن A' Design Award نقرئی انعام کا فاتح ہے، جو دلکش، عالی شان اور متاثر کن اعلیٰ ترین درجے کے ڈیزائنز کو دیا جانے والا غیر معمولی طور پر باوقار اعتراف ہے۔ نقرئی انعام کے فاتحین نہایت درخشاں اور بے حد تخلیقی کام ہیں جو اپنے ڈیزائنرز کی نمایاں مہارت، ہنر اور بصیرت کو ظاہر کرتے ہیں۔ Rene Final Call لائیو کنسرٹ اسٹیج ڈیزائن سے توقع کی جاتی ہے کہ وہ ایک شاندار، نمونہ بننے والا کام ہوگا جو قابل ذکر حد تک پیشہ ورانہ اور گہرائی سے جدید ہے۔ A' Design Award نقرئی انعام جیتنے والا یہ ڈیزائن ایک انتہائی قابل توجہ اور سراہی جانے والی ایجاد ہے جو فائدہ پہنچاتی اور فن، سائنس، ڈیزائن اور ٹیکنالوجی کی حدود کو آگے بڑھاتی ہے۔ Rene Final Call لائیو کنسرٹ اسٹیج ڈیزائن وہ تخلیق ہے جس پر بے حد رشک کیا جاتا ہے، جو خواہشات کو ابھارتی، مثبت احساسات لاتی اور حیرت اور تحیر کو جنم دیتی ہے۔
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The four-sided stage ensures balanced sightlines, combining a ten-segment outer lifting system with a central turntable for dynamic formation shifts. The concert unfolds in four chapters. It opens with an oceanic scene as a giant jellyfish descends and Led fish surround the audience. The arena transforms into a landscape as rising platforms form terraced rings of turf and cacti. A vertical 3d Led matrix creates a waterfall of lyrics and memories, with three Led rooms marking emotional chapters.
- Dimensions & Packaging
- The stage measures 28 meters wide, 22 meters long, and 2.2 meters high, with the central turntable capable of elevating to 3.6 meters, synchronizing with ten independent lifts to create varying topographies. The overhead section includes mechanisms for the whale balloon, suspended truss rotation platforms, five 3D Led matrices, two adjustable lighting trusses, and four large jellyfish installations. The musicians' pit adopts a recessed layout for acoustic depth, with Unplugged segments extending onto the main stage for direct interaction.
- Tags
- 360 Degrees Stage, 3D LED Matrix, Time, Immersive Experience, Modularity, Playfulness, René Liu, Touring Concert, Final Call
- Production Technology
- The stage structure adopts standard modular components for reassembly and reuse. Mirror-finished lifting platforms extend light refraction, while the 3d Led matrix, composed of pixel-controlled light strips, delivers high transparency and immersive depth. The top dome integrates these Led arrays with dynamic trusses to form a unified light field. The curved floor Led minimizes masking panels to preserve circular continuity. The color strategy transitions from marine blue to grassy green, then narrows into a monochrome emotional palette before returning to pure white.
- Design Challenge
- The key challenge was the four-sided stage, which required precise adjustment of truss heights, lift levels, and sightline clearances at each venue. Transforming underwater scenes into live turf within four minutes demanded exact stagecraft, storage planning, and crew coordination. Under-stage compartments housed ten lifts, inflatable whale and bear props, and modular grass panels, requiring careful zoning and preplanning. The curved Led floor also needed micro-modular calibration to keep the circular imagery seamless while ensuring on-site safety.
- Research
- The 2025 Rene Final Call Live Tour turns themes of time and memory into a spatial narrative of flight. A four-sided stage with a central turntable and ten lifts mirrors life's peaks and valleys. Four chapters, ocean, earth, memory, and Light, move from underwater calm to shared vibrancy, then reflection and illumination. A vertical 3D Led matrix cascades lyrics and visuals, while Led 'rooms' recall past works. Whale and bear props spark childlike wonder, and a paper airplane links performer and audience. Modular hardware enables reuse, reducing energy waste as the artist's 30-year journey becomes a rediscovery of memory.
- Inspiration
- Rooted in the concept of 'flight,' the concert revisits the artist's lifelong creative journey and emotional memories. Time fragments are transformed into spatial metaphors, as a four-sided stage is deconstructed and reassembled into four narrative chapters, searching, growing, courage, and companionship. The audience travels across time, beginning in a tranquil underwater world and moving through kinetic lighting and shifting scenes. Each chapter reflects life's highs and lows, guiding spectators to rediscover youth, emotion, and innocence in a moving escape from reality.
- Project Duration
- The project finished in 2025 in Taiwan.
- Operation Flow
- Audiences were first soothed by the 'underwater silence' of the opening scene before erupting in excitement as the whale appeared. The turf sequence fostered a sense of togetherness-fans sitting and singing along-becoming the most acclaimed segment for its intimacy. The vertical Led lyric waterfall immersed the audience, while the 'room' sequence awakened collective memories among long-time fans. Functionally, the four-sided layout ensured that even the farthest spectators could clearly see the artist's expressions, vastly improving proximity and engagement.
- Team Members
- B’IN LIVE CO., LTD.
Producer: Yu-Yang Chou and Wen-Yu Shih
Production Assistant: Pei-Min Yeh, Wen-Chi Chang and Wen-Ying Tseng
Production Manager: Ming-Wen Tan
Stage Manager: Kuo-Hao Chou
Stage Design: Pei-Lun Kuo
Lighting Design: Rokerfly Design - Jen Wei Chan
Lighting Programmer: Ta-Hsiang Hsu
Laser Design: Chieh-Hsiu Li
Visual Design: Phototaxis.tv
Visual Design Coordinator: Nelson Wu - Image Credits
- B’IN LIVE CO., LTD.
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