Skip to content
Longmen Realm نمائشی ڈیزائن by Ecust Creplus Design

Longmen Realm نمائشی ڈیزائن by Ecust Creplus Design is a highly esteemed winner of the very prestigious 2026 A' Design Award کانسی انعام in داخلی جگہ اور نمائش ڈیزائن Competition Category.


کانسیداخلی سجاوٹ· 2026

Longmen Realm نمائشی ڈیزائن

by Ecust Creplus Design

Client: Lingshan Museum

A' Design Award کانسی انعام Winner in داخلی سجاوٹ Category

Colors

The Design

About Longmen Realm نمائشی ڈیزائن

"لونگ من ریلم" نمائش میں لونگ من غاروں سے تعلق رکھنے والے 76 نوادرات پیش کیے گئے ہیں، جن میں بدھ مت کے مجسمے، پتھر پر تراشے گئے نقش و نگار اور خطاطی کے عکس (رَبِنگز) شامل ہیں۔ اس ڈیزائن میں مکانی ترتیب، تنصیبی عناصر اور روشنی کے ذریعے میوزیم کی جگہ کو ازسرِنو تشکیل دیا گیا ہے تاکہ نوادرات کا واضح مشاہدہ اور تفہیم ممکن ہو سکے۔ فضا میں معلق بینرز، عکس افگن فرش اور مجموعی نظامِ روشنی مل کر ایک منظم بصری ماحول پیدا کرتے ہیں۔ تعاملی عناصر ناظرین کی شرکت اور عکس بندی کی ترغیب دیتے ہیں، جس سے ثقافتی ورثے تک عوامی رسائی بہتر ہوتی ہے۔

The Recognition

About the A' Design Award کانسی انعام

Longmen Realm نمائشی ڈیزائن A' Design Award کانسی انعام کا فاتح ہے، جو ان ممتاز ڈیزائنز کو دیا جانے والا انتہائی باوقار اعتراف ہے جو تخلیقی صلاحیت، چالاکی اور ذہانت سے پہچانے جاتے ہیں۔ کانسی کے فاتحین نہایت ماہرانہ اور حیرت انگیز طور پر تخلیقی نمونے ہیں جو اپنے ڈیزائنرز کے وسیع تجربے، تخیل اور ذہانت کی تصدیق کرتے ہیں۔ Longmen Realm نمائشی ڈیزائن سے توقع کی جاتی ہے کہ وہ ایک نہایت قدر کی جانے والی، سراہی جانے والی اور عزیز شے ہوگا جو قابل ذکر حد تک پیشہ ورانہ اور جدید ہے۔ A' Design Award کانسی انعام جیتنے والا یہ ڈیزائن فن، سائنس، ڈیزائن اور ٹیکنالوجی میں بہترین طریقوں کو شامل کرتا ہے اور تفصیلات پر توجہ میں ممتاز ہے۔ Longmen Realm نمائشی ڈیزائن ضروریات کو خوبصورتی سے پورا کرتا، خواہشات کو چھوتا، جذبات کو مسحور کرتا اور تجسس کو اپیل کرتا ہے۔

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The exhibition presents 76 artifacts from the Longmen Grottoes, including sculptures, reliefs, and calligraphic rubbings. Through spatial design, scenography, and lighting, the project adapts the museum gallery to improve how visitors view and understand the works. By combining historical artifacts with installation design, the exhibition supports cultural interpretation and public awareness of heritage. Within 45 days of opening, the exhibition recorded over 450000 visitors.
Dimensions & Packaging
Total exhibition area: 2000 m². The exhibition includes suspended textile banners, sculptural installations, mirror-finished flooring, and lighting systems integrated with the octagonal ceiling structure to enhance spatial depth and visual layering.
Tags
Longmen Grottoes, Exhibition Design, Installation, Museum Space
Production Technology
The exhibition integrates spatial design, installation structures, textile banners, reflective flooring, and programmable lighting systems. Fabric structures are used to suspend large scale imagery, while mirror-finished flooring enhances spatial reflection. Installations derived from calligraphic brushstrokes translate traditional visual elements into contemporary spatial forms.
Design Challenge
The main challenge was presenting ancient sculptures shaped by long-term historical processes in a contemporary exhibition format while maintaining their cultural context. The design introduced large suspended banners, reflective flooring, and a central lotus structure to organize the space. In the calligraphy section, brushstroke forms were transformed into installations, creating a relationship between traditional artifacts and spatial design.
Research
The project is based on research into the sculptural forms of the Longmen Grottoes and the spatial characteristics of the museum gallery. The study analyzed proportions, carving styles, and calligraphic inscriptions to identify visual elements adaptable to exhibition design. These findings informed artifact placement, installation structures, and lighting strategies, enabling the exhibition to balance historical authenticity with immersive contemporary presentation.
Inspiration
The exhibition draws inspiration from the artistic language of the Longmen Grottoes, including Buddhist sculpture, stone reliefs, decorative patterns, and calligraphy from the Northern Wei period. Through research into these elements, the design reinterprets traditional aesthetics using a contemporary spatial and visual approach.
Project Duration
The project design began in February 2025 in Shanghai, China, and the exhibition opened in July 2025 at Lingshan Scenic Area, Wuxi, China.
Operation Flow
Visitors move through a spatial narrative that transitions from historical interpretation to immersive experience. Sculptures and calligraphic artifacts are arranged around large-scale installations that guide circulation and visual focus. Suspended Buddha banners, reflective flooring, and dynamic lighting create layered perspectives as visitors move through the space. A central lotus seat invites visitors to pause, interact, and photograph, transforming the exhibition into both a contemplative and participatory cultural experience.
Team Members
Chief Project Planner: Weiping QIN
Deputy Project Planner: Yidong FAN
Creative Director: Hao Shan
Art Director:Yueqi DING
Graphic Designer: Haoming XIAN, Jingning ZHANG, Yizhou Hua, Shuyi TANG, Zhonghang LI
Image Credits
Photo Credits: ECUST Creplus Design,Wuxi Lingshan Cultural Tourism Group
Video Credits: Wuxi Lingshan Cultural Tourism Group

Sponsored

Explore Beyond Designers.org

Discover products, services and opportunities from our advertising partners.

Good Design Deserves Great Recognition

Nominate Your Work for the A' Design Award.

Nominate