Porous Manifold جاپانی ٹیروم by Ryumei Fujiki and Yukiko Sato

Porous Manifold جاپانی ٹیروم by Ryumei Fujiki and Yukiko Sato is a highly esteemed winner of the very prestigious 2019 A' Design Award نقرئی انعام in لطیف فنون اور آرٹ تنصیب ڈیزائن Competition Category.

چاندیلطیف فن· 2019

Porous Manifold جاپانی ٹیروم

by Ryumei Fujiki and Yukiko Sato

Client: F.A.D.S + Fujiki Studio, KOU::ARC

A' Design Award نقرئی انعام Winner in لطیف فن Category

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The Design

About Porous Manifold جاپانی ٹیروم

یہ ایک عارضی جاپانی ٹیرووم ہے جس کی نمائش Echigo-tsumari Art Triennale 2018 میں کی گئی ہے اور اس کا گھونسلا ڈھانچہ ہے جس میں دو تاتامی جگہ دس فٹ مربع میں سرایت کی گئی ہے۔ اس نمائش میں معماروں سے کہا گیا کہ وہ اس موضوع پر جواب دیں کہ 20ویں صدی میں یکساں جگہ کے تصور پر کیسے قابو پایا جائے۔ کنکال کو بے ترتیب پیٹرن کا استعمال کرتے ہوئے ڈیزائن کیا گیا تھا جسے یکساں جگہ کو مسخ کرنے کے لیے ورونوئی ڈویژن کہا جاتا تھا۔ اور یہ تجویز کیا گیا تھا کہ ایک بڑی تعداد میں سوراخوں کے ساتھ فن تعمیر کو کیا کھولا اور بند کیا جا سکتا ہے جو کہ ایک زندہ چیز کی طرح باہر کے ساتھ بات چیت کرنے کی ضرورت ہے۔

The Recognition

About the A' Design Award نقرئی انعام

Porous Manifold جاپانی ٹیروم A' Design Award نقرئی انعام کا فاتح ہے، جو دلکش، عالی شان اور متاثر کن اعلیٰ ترین درجے کے ڈیزائنز کو دیا جانے والا غیر معمولی طور پر باوقار اعتراف ہے۔ نقرئی انعام کے فاتحین نہایت درخشاں اور بے حد تخلیقی کام ہیں جو اپنے ڈیزائنرز کی نمایاں مہارت، ہنر اور بصیرت کو ظاہر کرتے ہیں۔ Porous Manifold جاپانی ٹیروم سے توقع کی جاتی ہے کہ وہ ایک شاندار، نمونہ بننے والا کام ہوگا جو قابل ذکر حد تک پیشہ ورانہ اور گہرائی سے جدید ہے۔ A' Design Award نقرئی انعام جیتنے والا یہ ڈیزائن ایک انتہائی قابل توجہ اور سراہی جانے والی ایجاد ہے جو فائدہ پہنچاتی اور فن، سائنس، ڈیزائن اور ٹیکنالوجی کی حدود کو آگے بڑھاتی ہے۔ Porous Manifold جاپانی ٹیروم وہ تخلیق ہے جس پر بے حد رشک کیا جاتا ہے، جو خواہشات کو ابھارتی، مثبت احساسات لاتی اور حیرت اور تحیر کو جنم دیتی ہے۔

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimensions & Packaging: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Tags: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Production Technology: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Design Challenge: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Research: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiration: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Project Duration: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Operation Flow: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patents: F.A.D.S + Fujiki Studio, KOU::ARC
Team Members: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Image Credits: Masahiro Hoshida, Fujiki Studio, KOU::ARC