I learned most about design not at school but at the first packaging design studio I worked at, where I learned processes and ways of thinking while on the job.
01Could you please tell us a bit about your design background and education?
I learned most about design not at school but at the first packaging design studio I worked at, where I learned processes and ways of thinking while on the job.
02What motivates you to design in general, why did you become a designer?
I've always enjoyed imagining things around me and thinking, "It would be better if they were like this." I wanted to become a designer, not just to imagine, but to make them a reality.
03Did you choose to become a designer, or you were forced to become one?
I wanted to be a designer.
04What do you design, what type of designs do you wish to design more of?
Logos, flyers and other graphics
05What should young designers do to become a design legend like you?
I think it's important to keep making things without giving up.
06What distinguishes between a good designer and a great designer?
A great designer is someone who can not only provide good designs but also suggest new ideas.
07What makes a good design a really good design, how do you evaluate good design?
It fits the atmosphere of the times.
08What is the value of good design? Why should everyone invest in good design?
It can help you improve your brand image and sales.
09What would you design and who would you design for if you had the time?
Original patterns and templates. I believe that there is someone out there who will like them.
10What is the dream project you haven't yet had time to realize?
Creating my own home to make designing more enjoyable
11What is your secret recipe of success in design, what is your secret ingredient?
Having acquaintances who appreciate and like my designs.
12Who are some other design masters and legends you get inspired from?
Paul Rand
13What are your favorite designs by other designers, why do you like them?
NASA Worm Logo: This is the piece that made me realize logos were cool when I was a kid.
14What is your greatest design, which aspects of that design makes you think it is great?
Traditional Japanese family crests.
They have continued to exist without fading even after many years.
15How could people improve themselves to be better designers, what did you do?
Observe designs that you think are good or not so good, and keep thinking about what you think is good about them and what you need to fix to make them better. However, everyone has different tastes. I try not to lose my humility because I'm not always right.
16If you hadn't become a designer, what would you have done?
I would like to be involved in design in some way, like working at a select shop.
17How do you define design, what is design for you?
Something that makes life convenient and enriches it.The joy of life.
18Who helped you to reach these heights, who was your biggest supporter?
The agency's producers, sales staff, and other team members involved in the work.
19What helped you to become a great designer?
The Japanese proverb "Persistence is power" came to mind.
20What were the obstacles you faced before becoming a design master?
The mannerism of my own designs.
21How do you think designers should present their work?
In my case, I usually cannot publish my client work due to confidentiality agreements, so I think it's better to create and publish private work.
22What's your ultimate goal as a designer?
Although I cannot confirm this myself, my goal is to create a logo or design that will last for over 100 years.
23How does design help create a better society?
It helps you organize a chaotic world and create a comfortable environment.
24What would you like to see changed in design industry in the coming years?
Generative AI is causing copyright infringement of creators' copyrights, and I hope a good solution can be found.
25How long does it take you to finalize a design project?
For logos, 1-2 months
26When you have a new design project, where do you start?
Competitor research
27What is your life motto as a designer?
Enjoying everyday life
28Do you think design sets the trends or trends set the designs?
I think design and trends are intertwined.
29What is the role of technology when you design?
It saves time. Sometimes it gives me inspiration.
30What kind of design software and equipment do you use in your work?
Adobe CC, Desktop PC, iPad
31When you see a new great design or product what comes into your mind?
I wonder what kind of people were involved in making it.
32Who is your ideal design partner? Do you believe in co-design?
I don't have an ideal design partner, but I do believe in co-design.
33Which people you interacted had the most influence on your design?
The person who had the biggest influence on me was the chief of the design studio where I first worked.
34Which books you read had the most effect on your design?
Kenya Hara
35Irrelative of time and space, who you would want to meet, talk and discuss with?
A friend in the design industry who I hardly ever get a chance to meet.
36How do you feel about all the awards and recognition you had, is it hard to be famous?
I was very honored to receive the award at a time when I had lost confidence in myself.
37What is your favorite color, place, food, season, thing and brand?
White and red, places with sunlight filtering through the trees, sushi, early summer, ceramic objects,MUJI
38Please tell us a little memoir, a funny thing you had experienced as a designer?
When I was just starting out as a designer, my aunt, who loves fashionable things, brought back a package of sweets that I designed as a souvenir. I was so thrilled that she chose the product without even knowing anything about it.
39What makes your day great as a designer, how do you motivate yourself?
Get plenty of sleep.
40When you were a little child, was it obvious that you would become a great designer?
I wanted to be a designer, but I never thought about it that far.
41What do you think about future; what do you see will happen in thousand years from now?
I'm pessimistic about the global environment. I hope global warming doesn't get any worse. Maybe in 1,000 years, we'll be able to migrate to other planets? It seems like the design will evolve to a cosmic scale.
ڈیزائنر انٹرویو
21 سوالات
I first became interested in design in my mid-teens, when I was fascinated by the beautiful photos and layouts in interior design magazines.
01Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
I first became interested in design in my mid-teens, when I was fascinated by the beautiful photos and layouts in interior design magazines.
02Can you tell us more about your company / design studio?
Freelance graphic designer.
03What is "design" for you?
Small ideas to make society or life more enjoyable and enriching.
04What kinds of works do you like designing most?
Symbols and logos
05What was the first thing you designed for a company?
Lingerie gift packaging design
06What is your favorite material / platform / technology?
Paper/Printing
07When do you feel the most creative?
When a good idea strikes
08What kind of emotions do you feel when you design?
I feel excited and thrilled.
09What kind of emotions do you feel when your designs are realized?
Satisfaction, happiness
10What makes a design successful?
A bird's-eye view
11When judging a design as good or bad, which aspects do you consider first?
Overall balance
12From your point of view, what are the responsibilities of a designer for society and environment?
Don't increase waste
13How do you think the "design field" is evolving? What is the future of design?
I'm amazed at the progress of generative AI. I think there will be a return to analog someday, but I can't imagine what that will look like.
14Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I live in Japan. I feel influenced by the country's cultural heritage. The advantage is its simplicity. The disadvantage is that it lacks global appeal.
15How do you work with companies?
I usually receive orders through an agency, but sometimes we take orders directly.
16What is your "golden rule" in design?
Proper white space and balance
17What skills are most important for a designer?
Observe the details while also analyzing objectively from a bird's-eye view
18Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
Paper and pencil. Adobe Illustrator, Photoshop, Desktop PC, iPad
19What type of design work do you enjoy the most and why?
Logo creation. Some logos are only used for a short time, but if we're lucky, there's a chance they'll be loved for 100 years to come, and that's what makes it so romantic.
20Do you work as a team, or do you develop your designs yourself?
Traditional Japanese cord ornaments are a common motif for Japanese-style celebrations. The idea for developing the symbol came to me when I was looking at gift envelopes with three-dimensional, ingeniously decorated…
01Your innovative approach to transforming traditional Japanese cord ornaments into continuous line icons has garnered recognition - could you walk us through the creative journey that led to the development of Decorative Japanese Cord Icons Celebration Symbols?
Traditional Japanese cord ornaments are a common motif for Japanese-style celebrations. The idea for developing the symbol came to me when I was looking at gift envelopes with three-dimensional, ingeniously decorated knots in a store.
02The balance between simplicity and cultural richness in Decorative Japanese Cord Icons Celebration Symbols is remarkable - how did you manage to distill complex three-dimensional Japanese cord arrangements into clean, single-stroke designs while preserving their celebratory essence?
Started by stretching, transforming, and arranging the traditional knots that have been passed down since ancient times. I chose motifs from Japanese lucky charms. After that, it was a process of trial and error.
03What specific challenges did you encounter when expressing the overlapping elements of Decorative Japanese Cord Icons Celebration Symbols, and how did your solutions enhance the overall visual impact of these celebration symbols?
I had a hard time expressing the tightly packed parts. It may have been difficult to create it using actual cord, but I ignored that and prioritized the "atmosphere" of the appearance.
04The continuous line technique in Decorative Japanese Cord Icons Celebration Symbols creates a compelling visual narrative - could you elaborate on how this design choice helps convey the feeling of celebration without the presence of physical decorative cords?
I don't know if people who are not familiar with Japanese culture would understand the feeling of celebration, but I'm sure Japanese people would understand. I think it's one of the cultural symbols that is ingrained in the DNA of the Japanese people.
05Since beginning this project in 2014, how has your vision for Decorative Japanese Cord Icons Celebration Symbols evolved, and what new possibilities have you discovered in translating traditional Japanese aesthetic elements into contemporary minimal design?
The vision is still in the back of my mind, but unfortunately it's stalled. However, I haven't given up, so I'll continue to think about it.
06Your work on Decorative Japanese Cord Icons Celebration Symbols demonstrates a fascinating bridge between traditional craft and modern graphic design - how do you see this integration influencing the future of Japanese visual communication?
I would be honored if I could be an attractive bridge between traditional crafts and modern graphic design. To be honest, I don't think it will have a big impact, but I think it will be a success if people can feel a sense of Japaneseness in it, even if it is far from the orthodox traditional crafts.
07The line weight balance within limited space was a key research focus for Decorative Japanese Cord Icons Celebration Symbols - could you share your insights about achieving harmony between spatial constraints and visual impact in icon design?
Accurate line thickness is important, but I don't pursue the realism (thickness) of a real piece. I design by trusting my own senses, making use of optical illusions.
08How does Decorative Japanese Cord Icons Celebration Symbols contribute to preserving and modernizing Japanese cultural elements, and what role do you envision these icons playing in contemporary digital communication?
To be honest, I don't know if I have made any contribution, but I would be honored if receiving the A'design Award has provided an opportunity for people from cultural backgrounds other than Japan to learn about one aspect of Japanese culture.
09Could you elaborate on specific lucky motifs incorporated into Decorative Japanese Cord Icons Celebration Symbols and explain how their transformation into continuous line designs enhances their cultural significance?
The meaning of the butterfly motif: immortality, beauty. Because a caterpillar turns into a chrysalis and then a beautiful butterfly, the butterfly motif has been a symbol of rebirth and immortality in Japan. The Japanese word for "butterfly" is pronounced the same as "long," so it also represents longevity.
10As the recipient of an A' Design Award for Decorative Japanese Cord Icons Celebration Symbols, how do you plan to further expand this concept and continue innovating in the realm of culturally-inspired minimal design?
I would like to continue expanding the concept, and challenge myself to create a design that is small enough to be used as an icon on social media, and that has a Japanese feel even though it is small.
پڑھتے رہیں
مزید ڈیزائنر انٹرویوز
مزید ایوارڈ یافتہ ڈیزائنرز کے فلسفے، تخلیقی عمل اور کام کو جاننے کے لیے designers.org کے انٹرویوز پڑھیں۔
ہمارے اشتہاری شراکت داروں کی مصنوعات، خدمات اور مواقع دریافت کریں۔
عمدہ ڈیزائن عظیم پہچان کا مستحق ہے
A' ڈیزائن ایوارڈ عمدہ ڈیزائن کے لیے ایک بین الاقوامی، جیوری کی طرف سے جانچا گیا اعزاز ہے۔ A' ڈیزائن ایوارڈ میں حصہ لیں تاکہ میرٹ پر مبنی پہچان حاصل کرنے، شہرت، وقار اور اپنے کام کی تشہیر کا موقع حاصل کریں۔ اپنے کام کو A' ڈیزائن ایوارڈ کے لیے نامزد کریں اور مطلوبہ A' ڈیزائن پرائز کے لیے مقابلہ کریں۔
ڈیزائنر Mizuho Suzuki کے ساتھ تخلیق Decorative Japanese Cord Icons جشن کی علامتیں کے حوالے سے ہمارے ڈیزائن انٹرویو صفحے پر دکھایا گیا ڈیزائن انٹرویو کا ڈیٹا Design Interviews پلیٹ فارم سے آتا ہے، جہاں سرکردہ ڈیزائنرز، معماروں اور برانڈز کا ان کے ایوارڈ یافتہ ڈیزائنز، مصنوعات اور پراجیکٹس کے حوالے سے انٹرویو لیا جاتا ہے۔