An outdoor furniture piece that can function both as seating and as table top. The design research process for Omni began during the pandemic, with a primary focus on understanding the evolving needs in the furniture…
01What is the main principle, idea and inspiration behind your design?
An outdoor furniture piece that can function both as seating and as table top. The design research process for Omni began during the pandemic, with a primary focus on understanding the evolving needs in the furniture market. A comprehensive market research study was conducted to identify the specific requirements of the pandemic and postpandemic market. The findings revealed a growing demand for outdoor furniture due to the increased popularity of outdoor activities and a heightened emphasis on comfort and flexibility. Through an extensive study of public spaces, particularly public parks and college campuses, we meticulously examined the diverse activities taking place. Our observations allowed us to categorize these activities into two distinct types based on the desired furniture requirements: work and leisure. Building upon these insights, our research delved into the typical forms and arrangements of public seating, examining the interactions between individuals and public seating, as well as the limitations in functionality and aesthetics commonly associated with such seating.
02What has been your main focus in designing this work? Especially what did you want to achieve?
Seating in public space that provide flexibility, functionality and aesthetics. We want to achieve a public furniture piece that serves both as seating and table top, is movable and aesthetically elegant. The piece can be placed outdoor and arrange freely into sitting and tabletop positions. Effortlessly rotate to switch between seating and tabletop modes, or effortlessly move it around outdoor spaces to create diverse seating arrangements or functional clusters that cater to different occasions and gatherings.
03What are your future plans for this award winning design?
Promote and publicize the idea. Working on perfecting the prototype/
04How long did it take you to design this particular concept?
6 months to a year
05Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
The pandemic drove us to view the world differently and found the market for such a original furniture piece that is currently missing from the market.
06Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
We currently hold to rights to ourselves and we are actively looking for companies to take over production.
07What made you design this particular type of work?
Research into the market and find the demand to be filled, along with our interest in the organic form.
08Where there any other designs and/or designers that helped the influence the design of your work?
For the production method, we looked into Panton Chair.
09Who is the target customer for his design?
General public.
10What sets this design apart from other similar or resembling concepts?
There is no similar concepts. It's a unique hybrid, serving as both a tabletop and a chair, cannot be classified by any existing categories. Its complex organic form also bear no similarity to any of the existing piece, and makes it distinct from the traditional public seating/table.
11How did you come up with the name for this design? What does it mean?
"Omni" is a prefix derived from Latin meaning "all" or "every." It is often used to convey the idea of being all-encompassing or universal. This piece is omni in it is both a table and a chair, is movable to go everywhere, and is for everyone in the general public.
12Which design tools did you use when you were working on this project?
Rhino, Maya
13What is the most unique aspect of your design?
Its originality in both its function and its form. Functionally, it's a unique hybrid, serving as both a tabletop and a chair, cannot be classified by any existing categories. Geometrically, its complex organic form also bear no similarity to any of the existing piece, and makes it distinct from the traditional public seating/table. It can be placed outdoor and arrange freely into sitting and tabletop positions. When utilizing alone, Omni can be arranged into different compositions to serve various kinds of needs. The curvature offers comfort to a wide range of sitting positions from sitting to reclining. The arrangements are only limited to users' creation and imagination.
14Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
Chenyang and Xinyi
15What is the role of technology in this particular design?
For our technology, we prioritize lightweight materials for easy mobility, durability for outdoor use, achieving organic and elegant forms, and ensuring ease of mass production. Our vision drove the technology aspect.
16Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
We looked into the market demand for outdoor activities, and lots of other furniture pieces for production method.
17What are some of the challenges you faced during the design/realization of your concept?
Prototype production. It is hard to convey the idea.
18How did you decide to submit your design to an international design competition?
We want to see this piece promoted, publicized and populated in the public spaces to introduce some fun, beauty, and flexibility to brighten up the public space beyond the traditional seating.
19What did you learn or how did you improve yourself during the designing of this work?
This project challenged us to think creatively and push the boundaries of conventional design, leading to personal growth and development as a designer. During the design process, we learned the importance of versatility and adaptability in creating innovative solutions. We also honed my skills in material selection, market research and ergonomic design to ensure both functionality and aesthetics.
ڈیزائن لیجنڈ انٹرویو
19 سوالات
We both attended the University of Pennsylvania's Stuart Weitzman School of Design and are trained architects.
01Could you please tell us a bit about your design background and education?
We both attended the University of Pennsylvania's Stuart Weitzman School of Design and are trained architects.
02What motivates you to design in general, why did you become a designer?
What motivates us to design stems from our shared journey at the University of Pennsylvania's Stuart Weitzman School of Design. Here, our fascination with the interplay between social dynamics and design's influence on public spaces flourished. This mutual interest inspired us to pursue careers in design, where we delve into the intricacies of human-space interaction across different scales. As our curiosity expanded to encompass social science, we recognized design as a powerful avenue for translating our passion into meaningful impact.
03Did you choose to become a designer, or you were forced to become one?
We choose to become designers (or forced by our own interest in design to become designers)
04What do you design, what type of designs do you wish to design more of?
Product, furniture, architecture.
05What should young designers do to become a design legend like you?
While we appreciate the sentiment, we're not design legends yet! However, for aspiring young designers, we believe in the importance of dedication, continuous learning, and embracing curiosity. Building a strong foundation in design principles, exploring diverse perspectives, and actively seeking opportunities to apply creativity and innovation are crucial steps toward making a lasting impact in the field.
06What distinguishes between a good designer and a great designer?
Distinguishing between a good designer and a great designer lies in their approach to problem-solving and innovation. A good designer may excel in sharing functional or aesthetic ideas, while a great designer creates original solutions to address societal issues.
07What makes a good design a really good design, how do you evaluate good design?
We believe in the integration of function and aesthetics as the cornerstone of good design. A successful design is one where both elements are harmoniously combined, each enhancing the other.
08What is the value of good design? Why should everyone invest in good design?
A good design not only enhances the aesthetic appeal of the environment but also contributes to the efficiency and functionality of society.
09What would you design and who would you design for if you had the time?
The general public
10What is the dream project you haven't yet had time to realize?
A ski resort
11What is your secret recipe of success in design, what is your secret ingredient?
Stay observant.
12Who are some other design masters and legends you get inspired from?
We drew inspirations from a lot of architects.
13What are your favorite designs by other designers, why do you like them?
Noguchi Lamp
14What is your greatest design, which aspects of that design makes you think it is great?
We are proud of all our designs.
15How do you define design, what is design for you?
For us, design is not just about aesthetics; it's a powerful tool for addressing both existing and unforeseen challenges within spaces, whether public or private. It serves as a direct solution, mitigating problems or bringing them to light. Design, to us, is a celebration of life, harmonizing both form and function to enhance the human experience.
16When you see a new great design or product what comes into your mind?
Its functionality
17Who is your ideal design partner? Do you believe in co-design?
We are co-designers.
18What makes your day great as a designer, how do you motivate yourself?
We find that creativity often blossoms after engaging in thoughtful conversations and collaborative brainstorms. Additionally, we've noticed that moments of relaxation can spark unexpected bursts of creativity. Whether it's through lively discussion or quiet reflection, we embrace these diverse sources of inspiration to fuel our creative process and bring fresh ideas to life in our designs.
19When you were a little child, was it obvious that you would become a great designer?
Not at all
ڈیزائنر انٹرویو
35 سوالات
We both attended the University of Pennsylvania's Stuart Weitzman School of Design, where our shared interest in the interplay between social dynamics and design's influence on public spaces flourished.
01Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
We both attended the University of Pennsylvania's Stuart Weitzman School of Design, where our shared interest in the interplay between social dynamics and design's influence on public spaces flourished. This mutual fascination inspired us to pursue careers as designers, delving into the intricacies of human-space interaction across various scales. Over time, our curiosity expanded to encompass social science, leading us to recognize that design offers a powerful avenue for translating our shared passion into meaningful impact.
02Can you tell us more about your company / design studio?
Our design team embodies the collaborative creativity and passion for three-dimensional space of Xinyi and Chenyang. Our mission is to explore the potential of geometry and space, unlocking new possibilities for human interaction. Through experimentation and innovation, we strive to create environments that engage and inspire.
03What is "design" for you?
For us, design is not just about aesthetics; it's a powerful tool for addressing both existing and unforeseen challenges within spaces, whether public or private. It serves as a direct solution, mitigating problems or bringing them to light. Design, to us, is a celebration of life, harmonizing both form and function to enhance the human experience.
04What kinds of works do you like designing most?
We are passionate about creating designs that prioritize human interaction. Our work is not static; it actively engages with its environment, inviting people to interact with it. We are committed to fostering unique and stimulating interactions between our designs and individuals, enriching the overall experience and fostering a sense of connection and discovery.
05What was the first thing you designed for a company?
Our debut design as a team, Omni outdoor furniture, embodies our deep comprehension of open spaces, adaptable forms, and the requirements of outdoor environments. It reflects our commitment to creating furniture that seamlessly integrates with its surroundings, offering versatility and functionality while enhancing the outdoor experience.
06What is your favorite material / platform / technology?
Our current material of choice is durable plastic, engineered to withstand the rigors of outdoor environments without succumbing to weathering or degradation. With the advancement of 3D printing technology, we're exploring exciting possibilities for pushing the boundaries of form and presentation in outdoor furniture design. This innovative approach allows us to create unique, customizable pieces that combine durability with aesthetic appeal, ensuring our designs stand the test of time while making a statement in any outdoor setting.
07When do you feel the most creative?
We find that creativity often blossoms after engaging in thoughtful conversations and collaborative brainstorms. Additionally, we've noticed that moments of relaxation can spark unexpected bursts of creativity. Whether it's through lively discussion or quiet reflection, we embrace these diverse sources of inspiration to fuel our creative process and bring fresh ideas to life in our designs.
08Which aspects of a design do you focus more during designing?
Our design philosophy revolves around prioritizing functionality and addressing existing problems. We believe that by focusing on solving practical challenges, the form and aesthetic appearance of our designs naturally emerge. Our process is driven by a commitment to ensuring that our creations not only look good but also serve their intended purpose effectively, resulting in designs that seamlessly marry both form and function.
09What kind of emotions do you feel when you design?
A mix of contentment and anxiety.
10What kind of emotions do you feel when your designs are realized?
We feel fulfilled, and at the same time motivated to improve more.
11What makes a design successful?
A design is successful when it exposes or resolve a certain issues or concerns. A design is also successful when it makes the designer content.
12When judging a design as good or bad, which aspects do you consider first?
We believe in the integration of function and aesthetics as the cornerstone of good design. A successful design is one where both elements are harmoniously combined, each enhancing the other.
13From your point of view, what are the responsibilities of a designer for society and environment?
Designers have a responsibility to address social and environmental issues through their work. This responsibility spans various scales, from large-scale urban planning to small, everyday objects. By leveraging our skills and creativity, designers aim to create designs that contribute positively to society and the environment, promoting sustainability and social well-being in every project.
14How do you think the "design field" is evolving? What is the future of design?
The future of design will involve the integration of advanced technologies with simpler, more streamlined forms. This fusion will enhance functionality while maintaining elegance and simplicity, resulting in designs that are both innovative and accessible.
15Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
Our design inspiration draws from the forms of clouds and water, which only stabilize when they meet their purpose. We nurture our creativity by observing and learning from natural forms and creations, allowing the organic beauty and functionality of nature to inform and guide our design process.
16How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
Our design style embraces simple forms that address existing issues. Each design prioritizes its primary function while maintaining its geometric integrity. The hallmark of our work is the dynamic interaction between space and people, creating environments that are both functional and engaging.
17Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
Living and working in the United States has profoundly influenced our design journey. The fusion of diverse cultures and the freedom to express ourselves have provided us with rich inspiration and the courage to innovate. This environment has nurtured our creativity, allowing us to explore new ideas and push the boundaries of design.
18What are your suggestions to companies for working with a designer? How can companies select a good designer?
Any designer can excel within a company if they share the same interests and focus. The key criterion for selecting a designer should be the alignment between the designer’s work style and aesthetics and the company’s culture. When these elements click, it fosters a harmonious and productive working relationship, leading to successful and impactful design outcomes.
19Can you talk a little about your design process?
We started by observing daily lives to find out the need of people, and then go through a research to dive deep into the core of the problem, to nail down the "problem" our design is going to solve and the market that is currently in demand that our design can fill in. The design research process for Omni began during the pandemic, with a primary focus on understanding the evolving needs in the
furniture market. A comprehensive market research study was conducted to identify the specific requirements of the pandemic and postpandemic market. The findings revealed a growing demand for outdoor furniture due to the increased popularity of outdoor activities and a heightened emphasis on comfort and flexibility. Through an extensive study of public spaces, particularly public parks and college campuses, we meticulously examined the diverse activities taking place.Building upon these insights, our research delved into the typical forms and arrangements of public seating, examining the interactions between individuals and public seating, as well as the limitations in functionality and aesthetics commonly associated with such seating. This analysis provided valuable insights that guided our design direction.
20What are 5 of your favorite design items at home?
It's hard to describe a typical day in our lives because each day feels different. It's never exactly the same—unexpected "accidents" happen, and interesting things are discovered daily (especially living in New York and Miami. These cities never fail to surprise us.) But that's the beauty of life.
22Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
Although we are still young designers in the field, we will say that experimentation is never wrong.
23From your perspective, what would you say are some positives and negatives of being a designer?
On the positive side, being designers allows us to see the world differently, appreciating the beauty in the small details of everyday life that often go unnoticed by others. We learn to cherish these little things. However, the downside is the challenge of gaining recognition and the difficulty of selling our work.
24What is your "golden rule" in design?
Focus on functionality and problem-solving.
25What skills are most important for a designer?
Ability to communicate. Communication between needs and design is the most important skill for a designer.
26Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
Our tools may vary from project to project, but the most important one for us is the sketchbook. It allows us to record ideas from daily life and facilitates the development of our designs, making it an essential part of our creative process.
27Designing can sometimes be a really time consuming task, how do you manage your time?
We know that during the design process, we might get lost in the design and ignore the time. So time allocation and setting up goals is important during the initial planning period.
28How long does it take to design an object from beginning to end?
The idea generation process took shape around 3 months during pandemic. Then the polishing process took 6 months to a year.
29What is the most frequently asked question to you, as a designer?
How do you balance functionality and aesthetics in your designs?
30What was your most important job experience?
Experience at architecture offices. Working at architecture firms allows us to approach furniture design with a unique perspective, integrating architectural principles and enhancing functionality, aesthetics, and spatial harmony in furniture creation.
31What type of design work do you enjoy the most and why?
We enjoy furniture, product, and architectural design. It's fascinating to switch from designing a large-scale building to focusing on a lamp, as they often complement each other. This dynamic approach allows us to see designs more holistically and find balance between these disciplines.
32What are your future plans? What is next for you?
As designers, we strive to stay open-minded to opportunities we encounter in daily life, that is to say we plan to pursue furniture and product design along with architectural and interior design. Our focus will remain on producing genuine designs characterized by originality, creativity, functionality, sustainability and aesthetics.
33Do you work as a team, or do you develop your designs yourself?
We work as a team and also develop individual projects.
34How can people contact you?
instagram @janechyy @xiiiiiiinyih
35Any other things you would like to cover that have not been covered in these questions?
More design ideas in the oven. Feel free to reach out if you're interested!
پڑھتے رہیں
مزید ڈیزائنر انٹرویوز
مزید ایوارڈ یافتہ ڈیزائنرز کے فلسفے، تخلیقی عمل اور کام کو جاننے کے لیے designers.org کے انٹرویوز پڑھیں۔
ہمارے اشتہاری شراکت داروں کی مصنوعات، خدمات اور مواقع دریافت کریں۔
عمدہ ڈیزائن عظیم پہچان کا مستحق ہے
A' ڈیزائن ایوارڈ عمدہ ڈیزائن کے لیے ایک بین الاقوامی، جیوری کی طرف سے جانچا گیا اعزاز ہے۔ A' ڈیزائن ایوارڈ میں حصہ لیں تاکہ میرٹ پر مبنی پہچان حاصل کرنے، شہرت، وقار اور اپنے کام کی تشہیر کا موقع حاصل کریں۔ اپنے کام کو A' ڈیزائن ایوارڈ کے لیے نامزد کریں اور مطلوبہ A' ڈیزائن پرائز کے لیے مقابلہ کریں۔
ڈیزائنر Xinyi Huang and Chenyang Yu کے ساتھ تخلیق Omni کثیر المقاصد کرسی کے حوالے سے ہمارے ڈیزائن انٹرویو صفحے پر دکھایا گیا ڈیزائن انٹرویو کا ڈیٹا Design Interviews پلیٹ فارم سے آتا ہے، جہاں سرکردہ ڈیزائنرز، معماروں اور برانڈز کا ان کے ایوارڈ یافتہ ڈیزائنز، مصنوعات اور پراجیکٹس کے حوالے سے انٹرویو لیا جاتا ہے۔