Ni Jie Guo tomonidan yaratilgan Looping Flower Ikebana Madaniy Makoni — Ichki Makon va Ko'rgazma Dizayni tanlov toifasida nufuzli 2024 A' Design Award Bronza Mukofoti mukofotining yuqori baholangan g'olibidir.
BronzaInterer· 2024
Looping Flower Ikebana Madaniy Makoni
muallif: Ni Jie Guo
Mijoz: Blankspace
Interer toifasida A' Design Award Bronza Mukofoti g'olibi
Tasdiqlangan mukofot g'olibi
#151842 uchun mukofot holatini tasdiqlashDizayn
Looping Flower Ikebana Madaniy Makoni haqida
Ikebana san'ati to'rt fasl oqimida hayot haqida meditatsiya bo'lib, u yapon estetikasida qisqa lahzalarni mutlaq qo'lga kiritish, gul va shox hayotini qayta qurish hamda tuzilma va estetikaning innovatsion to'qnashuvini o'z ichiga oladi. Butun makonning dizayni Kusatsuki-ryu ruhiga asoslangan bo'lib, an'anaviy yapon me'morchiligidan elementlarni ajratib olib, ularni zamonaviy me'moriy tilga aylantiradi va abstrakt yapon elementlari orqali zamonaviy qurilish va estetika o'rtasidagi munosabatni o'rganadi.
Tan olinish
A' Design Award Bronza Mukofoti haqida
Looping Flower Ikebana Madaniy Makoni A' Design Award Bronza Mukofotining g‘olibi bo‘lib, bu ijodkorlik, zukkolik va topqirlik bilan ajralib turuvchi a’lo dizaynlarga beriladigan o‘ta nufuzli e’tirofdir. Bronza g‘oliblari o‘z dizaynerlarining keng tajribasi, tasavvuri va topqirligini tasdiqlovchi juda mohir va hayratlanarli darajada ijodiy buyumlardir. Looping Flower Ikebana Madaniy Makoni yuqori qadrlanadigan, hayrat bilan qaraladigan va suyukli, diqqatga sazovor darajada kasbiy va innovatsion buyum bo‘lishi kutiladi. A' Design Award Bronza Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiyadagi eng yaxshi amaliyotlarni o‘zida mujassam etadi va tafsilotlarga e’tibori bilan a’lodir. Looping Flower Ikebana Madaniy Makoni ehtiyojlarni go‘zal qondiradi, istaklarga tegadi, tuyg‘ularni maftun etadi va qiziqishni jalb qiladi.
Dizayn ortida
Press-kit
Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.
- Noyob xususiyatlar
- This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
- O'lchamlar va qadoqlash
- Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
- Teglar
- Ikebana, Japanese Aesthetics, Natural Features, Relaxed
- Ishlab chiqarish texnologiyasi
- In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
- Dizayn muammosi
- Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
- Tadqiqot
- The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
- Ilhom
- In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
- Loyiha muddati
- The project started in August 2022 and finished in December 2022 in China .
- Ish jarayoni
- To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
- Jamoa a'zolari
- NI JIE GUO
- Rasm mualliflari
- BLANKSPACE
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