Porous Manifold Yapon Choyxonasi by Ryumei Fujiki and Yukiko Sato

Porous Manifold Yapon Choyxonasi by Ryumei Fujiki and Yukiko Sato is a highly esteemed winner of the very prestigious 2019 A' Design Award Kumush Mukofoti in Tasviriy San'at va San'at Installatsiyasi Dizayni Competition Category.

KumushTasviriy San'at· 2019

Porous Manifold Yapon Choyxonasi

by Ryumei Fujiki and Yukiko Sato

Client: F.A.D.S + Fujiki Studio, KOU::ARC

A' Design Award Kumush Mukofoti Winner in Tasviriy San'at Category

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The Design

About Porous Manifold Yapon Choyxonasi

Bu Echigo-tsumari Art Triennale 2018 da namoyish etilgan vaqtinchalik yapon choyxonasi bo'lib, o'n fut kvadratga o'rnatilgan ikkita tatami maydoniga ega ichki tuzilishga ega. Ushbu ko'rgazmada me'morlardan 20-asrda hukmron bo'lgan bir hil makon tushunchasini qanday engish mumkinligi mavzusiga javob berish so'ralgan. Skelet bir hil bo'shliqni buzish uchun Voronoi bo'limi deb nomlangan tasodifiy naqsh yordamida yaratilgan. Ko'p sonli teshiklari bo'lgan arxitekturada tirik mavjudot kabi tashqi bilan aloqa qilish uchun kerak bo'lganda ochilishi va yopilishi mumkinligi taklif qilindi.

The Recognition

About the A' Design Award Kumush Mukofoti

Porous Manifold Yapon Choyxonasi A' Design Award Kumush Mukofotining g‘olibi bo‘lib, bu go‘zal, ulug‘vor va ta’sirchan eng yuqori darajadagi dizaynlarga beriladigan favqulodda nufuzli e’tirofdir. Kumush g‘oliblari o‘z dizaynerlarining ajoyib mahorati, iste’dodi va o‘tkirligini ko‘rsatuvchi juda yorqin va o‘ta ijodiy asarlardir. Porous Manifold Yapon Choyxonasi ajoyib, namunaviy, diqqatga sazovor darajada kasbiy va chuqur innovatsion asar bo‘lishi kutiladi. A' Design Award Kumush Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiya chegaralarini kengaytiruvchi juda e’tiborga loyiq, tahsinga sazovor ixtirodir. Porous Manifold Yapon Choyxonasi ko‘pchilik havas qiladigan, istaklarni uyg‘otadigan, ijobiy tuyg‘ular olib keladigan hamda hayrat va ajablanish uyg‘otadigan ijoddir.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimensions & Packaging: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Tags: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Production Technology: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Design Challenge: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Research: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiration: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Project Duration: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Operation Flow: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patents: F.A.D.S + Fujiki Studio, KOU::ARC
Team Members: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Image Credits: Masahiro Hoshida, Fujiki Studio, KOU::ARC