Chengzhe Zhang tomonidan Wonderland Primary Function: Ko'rgazma markazi interyer dizayni

Chengzhe Zhang tomonidan yaratilgan Wonderland Primary Function: Ko'rgazma markazi interyer dizayni — Ichki Makon va Ko'rgazma Dizayni tanlov toifasida nufuzli 2020 A' Design Award Kumush Mukofoti mukofotining yuqori baholangan g'olibidir.

KumushInterer· 2020

Wonderland Primary Function: Ko'rgazma markazi interyer dizayni

muallif: Chengzhe Zhang

Mijoz: Shanghai Hongshida Real Estate Development Co., LTD

Interer toifasida A' Design Award Kumush Mukofoti g'olibi

24,169

Tasdiqlangan mukofot g'olibi

#92667 uchun mukofot holatini tasdiqlash

A' Design Award saytida ko'rish Press-reliz Mukofot nishoni

Ranglar

Dizayn

Wonderland Primary Function: Ko'rgazma markazi interyer dizayni haqida

Book Text: Wonderland — Xitoyning Shanxay shahridagi ko'rgazma markazi interyeri. Dizayn Min sulolasi rassomi Tsyu Ying tomonidan chizilgan "Taoyuan Wonderland" manzarali suratidan ilhomlanib yaratilgan bo'lib, tinch makonga yashil, pushti va oq ranglarni qo'llaydi. Kulrang shifer devor avvaliga manzarani yashiradi, so'ngra yo'l bo'ylab yurgan sari asosiy o'n metr balandlikdagi zal namoyon bo'ladi. Markaziy o'tish yo'li konferensiya zonasi, ko'rgazma zonasi va choyxonaga olib boradi. Polda turadigan kitob javonlari va geometrik o'yma to'siqlar zonalarni ajratib turadi. 5000 dan ortiq shaftoli gulbarglaridan iborat osilgan shisha inshoot qo'lda o'rnatilgan.

Tan olinish

A' Design Award Kumush Mukofoti haqida

Wonderland Primary Function: Ko'rgazma markazi interyer dizayni A' Design Award Kumush Mukofotining g‘olibi bo‘lib, bu go‘zal, ulug‘vor va ta’sirchan eng yuqori darajadagi dizaynlarga beriladigan favqulodda nufuzli e’tirofdir. Kumush g‘oliblari o‘z dizaynerlarining ajoyib mahorati, iste’dodi va o‘tkirligini ko‘rsatuvchi juda yorqin va o‘ta ijodiy asarlardir. Wonderland Primary Function: Ko'rgazma markazi interyer dizayni ajoyib, namunaviy, diqqatga sazovor darajada kasbiy va chuqur innovatsion asar bo‘lishi kutiladi. A' Design Award Kumush Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiya chegaralarini kengaytiruvchi juda e’tiborga loyiq, tahsinga sazovor ixtirodir. Wonderland Primary Function: Ko'rgazma markazi interyer dizayni ko‘pchilik havas qiladigan, istaklarni uyg‘otadigan, ijobiy tuyg‘ular olib keladigan hamda hayrat va ajablanish uyg‘otadigan ijoddir.

Dizayn ortida

Press-kit

Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.

Noyob xususiyatlar: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
O'lchamlar va qadoqlash: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Teglar: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Ishlab chiqarish texnologiyasi: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Dizayn muammosi: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Tadqiqot: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Ilhom: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Loyiha muddati: The Project started in January 2018 in Shanghai China
Ish jarayoni: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Jamoa a'zolari: Mingxin Lu
Yunhui Tang
Rasm mualliflari: Main Image: Photographer Hai Zhu, 2018