Ten Áp Phích by Kalyani Kamat Bambolkar and Ling Lee

Ten Áp Phích by Kalyani Kamat Bambolkar and Ling Lee is a highly esteemed winner of the very prestigious 2020 A' Design Award Bạc in Thiết kế Đồ họa, Minh họa và Truyền thông Thị giác Competition Category.

BạcĐồ họa· 2020

Ten Áp Phích

by Kalyani Kamat Bambolkar and Ling Lee

Client: Kingston University, Kingston School of Art

A' Design Award Bạc Winner in Đồ họa Category

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Colors

The Design

About Ten Áp Phích

Thiết kế là chiến dịch cho sự kiện Fashion show của Đại học Kingston. Việc chụp ảnh cho chiến dịch này được thực hiện bằng cách tạo 'X' đánh dấu trên cơ thể của người mẫu, biểu thị tính biểu tượng của quần áo trên cơ thể người mẫu. 'X' cũng đánh dấu kỷ niệm 10 năm thành lập trường thời trang của trường đại học Kingston. E-vite đã được gửi tới tất cả các vị khách và các áp phích cũng như tài liệu quảng cáo đã được trưng bày trong Bảo tàng Thiết kế Luân Đôn.

The Recognition

About the A' Design Award Bạc

Ten Áp Phích là người chiến thắng giải thưởng A' Design Award Bạc, một sự công nhận đặc biệt danh giá dành cho các thiết kế thượng hạng đẹp lộng lẫy, cao quý và gây ấn tượng. Những người chiến thắng giải Bạc là những tác phẩm cực kỳ xuất sắc và giàu sáng tạo, minh họa chuyên môn, tài năng và sự nhạy bén nổi bật của các nhà thiết kế. Ten Áp Phích được kỳ vọng là một tác phẩm tuyệt vời, mẫu mực, chuyên nghiệp đáng kể và đổi mới sâu sắc. Thiết kế chiến thắng giải thưởng A' Design Award Bạc này là một phát minh rất đáng chú ý, được ngưỡng mộ, mang lại lợi ích và thúc đẩy ranh giới của nghệ thuật, khoa học, thiết kế và công nghệ. Ten Áp Phích là một sáng tạo được vô cùng ghen tị, khơi dậy ham muốn, mang lại cảm xúc tích cực và khơi gợi sự kinh ngạc, thán phục.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Kingston University completed 10 years of its MA fashion course, so they decided to showcase their student's finest works at The Design Museum, London. The brief was to design posters without showing the actual student’s work and typical fashion elements. The posters were designed by showing marks of clothes on one’s body in the shape of ‘X. These posters were displayed all around the event and further used in other design elements, such as E-invites, brochures, stage slideshow etc.
Dimensions & Packaging: Brochures were printed out in 297 x 420 mm and folded into half.
Posters were printed out in 841 x 1189mm.
Tags: poster, design, fashion, visual communication, fashion show, art, brochure, E-invite
Production Technology: The posters were a culmination of both photography and graphic design. After the photoshoot, the raw images were enhanced in Adobe Photoshop and designed filling in the details about the event date, time and venue.
The photos were also used for E-invites and brochures. The E-invites were sent out a week before the event so that the guests could RSVP. The brochures had details and schedule of the event and contact information about each of the fashion students that participated.The photos were also used for E-invites and brochures. The E-invites were sent out a week before the event so that the guests could RSVP. The brochures had details and schedule of the event and contact information about each of the fashion students that participated.
Design Challenge: The marks were created with the help of ribbons, clothes and rope. But, the marks were quickly fading away and not visible in the shots. The struggle was to make the shots quick and clear.
Research: A fashion event was hosted by Kingston University in the month of October to celebrate the tenth anniversary of their MA Fashion course. 10 fashion students were selected to showcase their works. The brief was to design posters without showing the actual student’s work and typical fashion elements. The repetition of ’10’ initiated the concept of using ‘X’ as an identity for this event. Initial concepts consisted of graphics created around ‘X’. However, this was not approved by the fashion department’s leadership, as according to them, the graphical posters did not reflect fashion. Interestingly they did like the concept of using ‘X’ as a part of branding. After having experimented with few concepts, a thought came about representing fashion as people instead of clothes. To accomplish this, an idea of showing marks left on one's body in the form of ‘X' by these designer clothes was finalised. A photo shoot was done and marks were created with the help of ribbons, clothes and rope. The photos were then integrated into posters, brochures and E-invites.
Inspiration: A fashion event was hosted by Kingston University in the month of October to celebrate the tenth anniversary of their MA Fashion course. 10 fashion students were selected to showcase their works. The repetition of ’10’ initiated the concept of using ‘X’ as an identity for this event. The brief was to design posters without showing the actual student’s work and typical fashion elements. This led to an idea of showing marks left by these designer clothes on one’s body in the shape of ‘X’ to symbolize this event.
Project Duration: The project started at the end of September 2017 and finished in October 2017 in London, UK.
Operation Flow: The posters were designed for the audience to get excited about the fashion show. As the images on the posters did not reveal the work of the students in any way, it created curiosity about the event.
Patents: The posters and images are owned by Kingston University.
Team Members: Designer: Kalyani Kamat Bambolkar
Designer: Ling Lee
Image Credits: All Photo credits: Kalyani Kamat Bambolkar