Skip to content
Kevin Yang's Project Xylo Midi Device presents itself as a masterful study in translucent materiality and chromatic punctuation, where a horizontal elongated rectangular form rendered in crystalline p
Project Xylo Midi Device by Kevin Yang presents a refined modular electronic music system composed of four distinct translucent polycarbonate enclosures arranged in a carefully orchestrated tabletop s
Kevin Yang's Project Xylo Midi Device presents a clamshell handheld electronic instrument rendered in a pristine white polymer housing punctuated by vibrant cadmium orange accents that establish a dyn
Project Xylo Midi Device presents a modular musical interface system rendered in translucent smoky gray polycarbonate housing with vibrant cadmium orange accent components and pristine white silicone
Kevin Yang's Project Xylo Midi Device presents a modular electronic instrument system composed of multiple compact controller units arranged in a carefully orchestrated diagonal composition that guide

Royal College of Art

Gold Toys, Games and Hobby Products Design · 2025

Project Xylo Midi Device

by Kevin Yang

  • A' Design Award 2025 Gold Winner in Toys, Games and Hobby Products Design
  • Awarded April 15, 2025
  • CLIENT: Royal College of Art
  • Estimated Number of Design Views: 119,126
  • Verification code EABB9A7B67 · Verify this award
Email this page to a friend

Get a Badge

About Project Xylo Midi Device

Project Xylo reimagines midi interaction through a gamified, social platform for music making. Accessible to all skill levels, it simplifies beat creation with harmonic and tempo sync. Swappable cartridges and snap together devices support collaboration, while a retro, modular design enhances usability and style. Project Xylo is a series of portable midi devices designed for everyday music creation, offered in three sizes: sample, pocket, and midi.

Situated within the vibrant intersection of electronic music culture, maker movement innovation, and accessible technology design, Kevin Yang's Project Xylo Midi Device emerges as a compelling meditation on the democratization of creative tools, the work exemplifying a design philosophy that celebrates transparency both literally through its crystalline housing and metaphorically through its invitation to understand and engage with underlying technology, the device appears to reference the rich heritage of modular synthesizer design pioneered in mid-twentieth century electronic music studios while embracing contemporary values of accessibility and playful experimentation, the technical achievement manifests in the harmonious integration of multiple interface modalities including pressure-sensitive pads arranged in musical configurations, precision rotary encoders for continuous parameter control, and digital displays presumably offering visual feedback and parameter visualization, the compositional sophistication reveals itself in the careful orchestration of visual weight distribution where the dense clusters of white circular elements create areas of high activity balanced against more open passages allowing visual rest, the chromatic strategy demonstrates particular intelligence in its use of a predominantly achromatic foundation punctuated by precisely placed color accents that may serve both aesthetic and functional wayfinding purposes guiding users toward specific interaction zones, the transparent materiality choice transforms what might otherwise read as an opaque technological object into something approaching specimen-like visibility inviting contemplation of the relationship between surface interaction and internal mechanism, this design decision suggests philosophical alignment with educational approaches that demystify technology and encourage understanding rather than passive consumption, the modular articulation visible in the sectioned construction hints at possibilities for reconfiguration or expansion reflecting contemporary design thinking around adaptability and user customization, one might observe how the work balances professional capability with approachable aesthetics avoiding the intimidating complexity that sometimes characterizes specialized creative tools, viewers are invited to consider how design choices shape not merely functional utility but emotional relationship with creative instruments and how transparency of construction might influence confidence and curiosity in technological engagement.

Press Kit

Unique Properties
Project xylo is a series of portable midi devices designed for everyday music creation, offered in three sizes: sample, pocket, and midi. The goal is to gamify music composition, making it a social and accessible experience.

Design targeted to simplify beat-making with harmonic and tempo consonance, bridging knowledge gaps. Its nostalgic trading cartridges let users share custom sounds and compositions; devices sync to create collaborative music, turning users into part of a band's performance.
Dimensions & Packaging
XYLO Midi (Large Size): 195mm W x 92mm L x 20mm H
XYLO Pocket (Medium Size): 60mm W x 92mm L x 20mm H
XYLO Sample (Mini Size): 30mm W x 92mm L x 20mm H
Tags
Midi Device, Game, Nostalgic
Production Technology
Project XYLO undergoes prototyping using FDM printing to refine form, button layout, component placement, and device co-collab precision. The final SLA-printed model was sandblasted for a semi-transparent, Game Boy-like CMF, it went through multiple resin transparency tests to balance component visibility while maintaining the surface texture. Transitioning all electronics into the compact housing was challenging. The prototyping program, built via GODOT and run on Raspberry Pi Zero (ARM64), it faced limitations but was tested for basic functions and graphic capability.
Design Challenge
First, achieving the nostalgic semi-transparent shell required multiple CMF testing to balance resin transparency and sandblasting.

Second, developing the program and structuring the BOM to fit components was difficult due to housing size.

Third, balancing appearance with performance was tough—ESP32 lacked graphics power, leading to a switch to Raspberry Pi Zero.

XYLO underwent rapid iterations to address these, though production remains uncertain due to design complexity.
Project Duration
The project started in March 2024 and prototyped in May 2024, it is a student project at Royal College of Art, London, UK.
Operation Flow
XYLO makes music creation fun and accessible by transforming complex MIDI operations into an intuitive, hands-on experience. Users record, mix, and shape beats using simple button and slider controls, with harmonic and tempo frameworks ensuring accessible music-making. Swappable cartridges add a nostalgic touch for easy sound sharing. Devices snap together for instant sync, turning solo play into a collaborative jam—like forming a digital band anywhere.
Research
XYLO’s research simplified music composition by categorizing sound into SFX, beats, chords, and melodies. The goal was to create an intuitive tool that ensures harmonic and tempo consonance for easy beat-making and collaboration. Through sound collection, prototyping, and applied to cohort surveys, insights showed that structured tempo enhances harmony and rhythm accessibility, forming the foundation for XYLO.
Inspiration
Project XYLO was conceived to democratize music creation by transforming MIDI operations into an engaging, portable, and social experience. Inspired by the desire to lower barriers in music composition, XYLO aimed to gamify the process, making it accessible to enthusiasts of all skill levels. Design focused on integrating harmonic and tempo consonance to facilitate intuitive beat-making. Additionally, nostalgic trading cartridges reference classic game consoles, making it fun and easy to share.
Image Credits
Image #1: Photographer Yunmu Bai and Yan Qing, XYLO, 2024.
Image #2: Photographer Yunmu Bai and Yan Qing, XYLO, 2024.
Image #3: Photographer Yunmu Bai and Yan Qing, XYLO, 2024.
Image #4: Photographer Yunmu Bai and Yan Qing, XYLO, 2024.

Colors of Project Xylo Midi Device

Get Project Xylo Midi Device

Innovative Product Design Services

We transform everyday experiences through award-winning product design. Specializing in user-centric solutions, interactive devices, and consumer electronics, we blend artistic vision with functional excellence. Recent winner at European Product Design Awards.

G0E2 Shop

Grand Interview about Project Xylo Midi Device

Project XYLO was conceptualized to democratize music creation by bridging the structured world of MIDI with the intuitive, playful nature of gaming. The journey began with a desire to make music-making less intimidating—transforming what is often seen as a technical or niche skill into something engaging and accessible for users of all levels.Drawing inspiration from retro handheld consoles and rhythm-based games, the design introduces familiar interaction patterns—such as swappable cartridges, element-based controls, and portable form factors—that help lower the learning curve. The integration of harmonic and tempo consonance provides users with immediate musical feedback, allowing them to create coherent sounds without prior training. This fusion of gaming and music creation formed the foundation of XYLO: a series of tools that simplify beat-making while encouraging experimentation, collaboration, and joyful learning.

I’ve always been a huge fan of old handheld consoles—their portability and ability to transform any moment into a fully immersive experience left a strong impression on me. The sense of being “in the zone,” wherever you were, became central to XYLO’s design. The semi-transparent shell and Game Boy-inspired aesthetic pay homage to that era, creating an immediate emotional and visual link to classic gaming.The fusion of MIDI functionality with the visual language of handheld consoles was also inspired by the educational rhythm games I grew up with—particularly titles like Rhythm Heaven. These games simplified complex timing and musical ideas into tactile, joyful experiences. By echoing that form factor and nostalgia, XYLO not only spoke out design language visually, but also lowers the intimidation barrier, making music-making feel playful, accessible, and deeply personal.

The swappable cartridges concept was envisioned through a mix of nostalgic practices—drawing from the “burning” culture of the disk era and the “sharing and renting” habits common in the early retro gaming era.With XYLO, my aim for the cartridges is to let users share not just finished tracks, but the actual components that build music: a beat, a rhythm pattern, a timbre, a melody line. Each cartridge holds a unique piece of the musical puzzle. Some carts also contain user-customized instruments, “burned” and fine-tuned like collectible assets, echoing the spirit and physicality of music socializing.

The harmonic and tempo synchronization are designed to create a forgiving and musically intelligent environment where users can focus on creativity rather than technical precision.Harmonic synchronization ensures that notes and chords remain musically compatible, reducing the chances of dissonance and allowing users to explore melodies freely without needing deep theoretical knowledge. Tempo synchronization aligns rhythmic elements across devices and tracks, making it easier to build cohesive beats and collaborate in real time. These provide the basic foundation for zero-experience beginners, giving them the space and building blocks of music composition.By having these musical safeguards into the system, XYLO helps novices to produce satisfying, harmonious results from the very beginning, lowering the learning curve and making the creative process more enjoyable and inclusive.

Facing challenges beyond my technical expertise encouraged me to take a broader, more strategic view—focusing on the core design objectives first, before refining the details.I intentionally concentrated on areas where I had stronger control, particularly in CMF, visual, and interaction design, while leaving ample hardware redundancy. This ensured that iterative software development wouldn’t be hindered by premature hardware integration. That’s why, even after building an initial integrated version, I continued working with modular development boards—acknowledging the limitations of the early prototype and prioritizing flexibility in later stages.This approach gave me the time, capability, and hardware compatibility necessary to ensure a stable and functional software environment.

The three-size format of Project XYLO—Sample, Pocket, and MIDI—was developed to address varying levels of musical engagement and user expertise. The Sample version was inspired by the design language of classic MP3 players, aiming to offer a seamless, almost invisible tech experience that focuses on spontaneous sound exploration. The Pocket version draws directly from handheld gaming devices, balancing portability with playful interaction, ideal for casual beat-making on the go. The MIDI model, while still compact, is intended to offer greater functionality and a more professional language—bridging the gap between portability and advanced creative control.Together, the three devices represent a gradual progression in complexity and creative depth—from intuitive, single-sound manipulation to full-featured music production. This modular approach not only accommodates different user needs and scenarios but also reflects a natural learning curve, encouraging users to grow their musical skills within the same design ecosystem.

In my research, categorizing sound into SFX, beats, chords, and melodies helped define how users should physically interact with each musical element.For XYLO’s three devices, I aligned distinct interaction methods—buttons, sliders, knobs, pressure pads, recording input, cartridge insertion, and more—to match the character of each sound type. For example, pitch-sensitive elements like melodies benefit from continuous, pressure-based input, while beats respond better to velocity-sensitive button pads.This systematic pairing of input and sound type was crucial in making each musical component feel intuitive and expressive. In XYLO, controls are also designed to work in combination—for instance, adjusting timbre with a slider while modulating wah effects with a pressure pad. Each element of music can be shaped through physical touch in the ideal natural way, encouraging real-time creativity and deeper engagement.

As mentioned earlier, the shift from ESP32 to Raspberry Pi Zero was driven by the need for greater development flexibility and to address hardware limitations encountered during prototyping. I had developed a custom ESP32 integrated board, but its performance proved less stable than expected and required significant time for optimization—time that could be better spent refining the user experience.Switching to Raspberry Pi Zero allowed for smoother graphical output, a more accessible game development environment (GODOT), and more headroom for future software updates. This pivot ultimately enhanced the system's responsiveness, scalability, and long-term adaptability—improving both the functionality and overall experience of using XYLO.

Personally, I don’t see Project XYLO as departing from traditional MIDI, but rather as simplifying and refining its core purpose—making music creation more intuitive and approachable. While some existing products aim to lower the entry barrier, many still lean toward professional users or enthusiasts. With XYLO, I wanted to explore how game-like interaction and social sharing could help absolute beginners experience the joy of making music.In terms of influence, I believe the future of music tools may lie in combining MIDI functionality with interaction models that feel familiar to a wider audience. For XYLO, that meant drawing from the language of retro game consoles—something many people have a shared memory of. There is already a growing trend where portable, accessible tools take on forms and behaviors that feel playful and culturally resonant, helping more people take their first step into music creation without intimidation.

Art and design are universal languages spoken by humanity.I see every design as a sentence—and every component, interaction, or visual cue as a word. To speak clearly and meaningfully through design, we must understand the existing vocabulary: familiar objects, cultural references, and intuitive behaviors. With Project XYLO, I didn’t invent a new language—I borrowed well-known "words" from retro gaming and music culture and rearranged them to form something new and accessible.My advice to aspiring designers is this: don’t be afraid to reference what already exists. Innovation isn’t about abandoning the past—it’s about using it thoughtfully, like grammar, to construct new experiences. Build on what people already understand, and then add your own voice to make it meaningful. A good design doesn’t just innovate—it functions, communicates, invites, connects, and only then, truly innovates.

Related Designs

View All

Good Design Deserves Great Recognition

Nominate Your Work for the A' Design Award.

Nominate