The Lory Duck Chandelier

About The Lory Duck Chandelier

The Lory Duck is designed as a suspension system assembled from modules made of brass and epoxy glass, each resembling a duck sliding effortlessly through cool waters. The modules also offer configurability; with a touch, each can be adjusted to face any direction and hang at any height. The basic shape of the lamp was born relatively quickly. However, it needed months of research and development with countless prototypes to create its perfect balance and the best look from all possible angles.

Calaras Serghei's The Lory Duck Chandelier emerges from a rich tradition of zoomorphic decorative arts that has captivated human imagination across millennia, transforming functional domestic objects into vehicles of symbolic meaning and aesthetic delight through the incorporation of animal forms that resonate with deep cultural associations of freedom, grace, and natural beauty. The work demonstrates exceptional command of metalworking traditions, with the brushed brass surfaces revealing the hand of skilled artisanship in every carefully modulated curve and precisely executed edge, the material selection itself speaking to longstanding associations between golden metals and solar radiance, warmth, and enduring value. Compositionally, the designer achieves remarkable dynamism through the asymmetrical arrangement of three bird forms at varying heights and orientations, creating visual movement and interest while maintaining coherent unity through the consistent material palette and the rhythmic repetition of the elongated silhouettes. The formal vocabulary balances opposing qualities with sophisticated assurance, juxtaposing the aggressive angularity of the pointed tails and beaks against the soft maternal roundness of the bodies cradling their glowing orbs, this tension between sharpness and gentleness suggesting the complex nature of avian life and perhaps metaphorically the dual qualities of protection and aspiration that birds have symbolized across world cultures. The integration of function and form achieves seamless synthesis as the frosted glass spheres that house the light sources become the anatomical bellies of the birds, their soft luminosity suggesting both the warmth of incubating eggs and the ethereal glow of creatures touched by celestial light. Technical accomplishment extends to the suspended installation format, with the thin black cords providing necessary structural support while visually disappearing against the neutral ground, allowing the brass forms to appear magically floating as if genuinely airborne. One might observe how the work participates in contemporary movements toward biophilic design, bringing references to natural forms into interior environments as a means of maintaining human connection to the organic world within constructed spaces. The viewer is invited to contemplate how these eternal birds, frozen in their graceful suspension, might speak to enduring human desires for lightness, freedom, and the transformation of practical necessity into poetic expression.