Silver Fine Arts and Art Installation Design · 2020
Wisdom Path Climbing Tower
- A' Design Award 2020 Silver Winner in Fine Arts and Art Installation Design
- Awarded April 15, 2020
- CLIENT: Senezh Management Workshop
- Estimated Number of Design Views: 47,815
- Verification code 1DF39B382D · Verify this award
About Wisdom Path Climbing Tower
The nonfunctioning water tower has been decided by the Workshop management to reconstruct to become a climbing wall. Being the highest point around it is well visible outside the Workshop. It has the scenic view on Senezh lake, Workshop territory and pine forest around. Upon completion of their studies students participate in a ceremonial climbing to the very top of the tower being an observation point. Spiral movement around the tower is a symbol of experience gaining process. And the highest point is a symbol of life experience that is eventually transforms into the stone of wisdom.
Press Kit
- Unique Properties
- The owner of the ex water tower will be reconstructed to become a climbing wall. This is a bright dominating structure on the territory of Management Workshop where young executives and managers are trained. That is why upon completion of their studies young specialists perform a ceremonial climbing to the very top of the observation point. Spiral movement around the tower is a symbol of experience gaining process, symbol of life experience that is transforms into the into the stone of wisdom.
- Dimensions & Packaging
- Tower height 24 m, diameter 6 m, total artistic painting square 450 sq.m
- Tags
- mural art, spray art, public art, fine arts, wisdom, experience, water tower, climbing
- Production Technology
- Surface cleaning and dismounting of obsolete elements of the towers construction; surface priming and painting it white; painting of surface with facade paint in gradient from green in the lower part to blue in the upper part; layout development in accordance with technical parameters and layout marking on the tower taking into consideration the viewpoints; artistic painting using aerosol spray paint; replacing old doors and windows; the job was done on trucks with aerial devices using safety gear.
- Design Challenge
- Complicated cylindric shape of the tower created most difficulties for development of composition and layout. It was necessary to find comprehensible images and create an integral plot to reflect the new function of the tower and Workshops territory en masse. The gradient of the staircase spiral shows movement from the ground to the sky, movement of a character from bottom to the top, growing up and achievement of the highest point. The characters are slightly deformed circularly for the proportions to be natural when viewed from ground level.
- Project Duration
- This artistic object was presented at the Youth Forum on June 10, 2019 at the premises on Senezh Management Workshop in Solnechnogorsk town near Moscow. The Forums participants were youth policy experts from the whole country. Project works started in April 2019. Possible ways of using the tower and artistic design concepts were discussed. The project started late May 2019, overall implementation of artistic design took 10 days including all preparatory work required.
- Operation Flow
- The tower is located on the premises of Management Workshop. It is the highest point in the neighborhood that is why it is well visible outside the Workshop for the key plot to be targeted at the audience. The observation point has an excellent view on Senezh lake, Workshop territory and pine forest around. When used as the climbing wall, the painting will not be rubbed off and will have a long life.
- Research
- The territory have changed its functionality. The tower is the highest object surrounded by a scenic lake and a pine forest. New function of the territory gave a hint for new ways of using the tower: upon completion of the studies, you can climb to the observation point for a ceremony. Outer surface of the tower required some facelifting. The structures attractivity gave the idea of creating an art object with the reflection of the meaning of its new function. Protruding balconies can be transformed into part of climbing equipment thus creating a full-scale climbing wall.
- Inspiration
- A mountain is a history in stone, it accumulates key events and the Earths experience. Experience is represented by knowledge and skills accumulated over time. And wisdom is a petrified experience. The steps spirally wind around the tower clockwise. The higher you are on a spiral of time, the more experienced and wiser you are. There was an idea to use the younger version of a climber in the lower part of the tower, who will become more adult in both literal.
- Image Credits
- Main image: Photographer Dmitry Kudinov, Wisdom Path, 2019
Image #1: Photographer Dmitry Kudinov, Wisdom Path, 2019
Image #2: Photographer Dmitry Kudinov, Wisdom Path, 2019
Image #3: Photographer Dmitry Kudinov, Wisdom Path, 2019
Image #4: Photographer Dmitry Kudinov, Wisdom Path, 2019 - Patents
- Copyright belongs to Dmitry Kudinov
Colors of Wisdom Path Climbing Tower
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Large-Scale Mural Art and Public Installations
We transform buildings and structures into captivating works of art. Our team specializes in large-scale murals, spray art, and public installations that tell meaningful stories. From concept to completion, we create site-specific artworks that engage communities and elevate spaces.
G0E3 ShopDesign Interview about Wisdom Path Climbing Tower
Initial inspiration came from the object, its shape. I am talking about the water tower which was supposed either to be reconstructed (practical application was unknown) or renovated because it has lost its direct function long ago, but it still dominated the area. The initiative came from the Rector of Senezh Management Workhop, and our task was to do something with the object.
It turned out that the cylindric shape of the object was very complicated for a composition. We had several examples of our foreign colleagues but the approach there was a little bit different and there was their own style. Therefore, we had to reinvent how to work with it. There were difficulties. The main starting point was the environment itself. The object was surrounded by a large forest and a beautiful lake. The task was to reflect a topic of climbing up. As a pattern we took Elbrus (the highest mountain in Russia, 5642 m). The context itself gave us a tip – movement from the ground to the sky. It is shown in the gradient – transition from green to blue. And the story here is about becoming a professional. It does not matter what you do, these are the social lifts which you take spirally. The object itself had a spiral staircase some time ago for climbing upstairs. That was also taken as a basis for the composition and the plot. The reverse plot with the hooks was based on another idea – support provided by Senezh Workshop to its students. Since we often work with industrial climbers, we know their aesthetics and culture. These guys are special kind of people, many of them climbed to Elbrus. We also wanted to pay certain respect to their work because they give us a lot of support being responsible for our safety. These two kinds of support (support by the Workshop and support provided to us) were reflected in these connected hooks.
Our job is done there but we keep monitoring what is going on there. The Workshop Rector will make this tower a climbing wall. This will be the primary function, and everybody who is accommodated at the venue can try it. Balconies and tips are already in place. These are the existing infrastructure elements, the small balconies used for cellular communication before but not anymore. They will be used for safety ropes. The second function is the completion stage for the students. You cannot call it a gala concert, there will be some kind of a prom. The spiral staircase will be reinstalled within the tower. There will be a view on the lake, the forest and the whole territory of the Workshop from the windows. It is a very picturesque location. This symbolical climbing of the students will occur once they complete their studies. Maybe they will throw something in the air. It is very interesting to watch what is going on without our participation.
Development of both technical aspects and the concept took about a month including approval of documentation. There were sketches ready when we arrived at the object. It took us several days to implement the key plot. The reverse plot took literally one evening. We were already deep in the context. There was a direct dialogue which allowed us to react promptly. It was really quick – three days for the key plot and one evening for the reverse plot.
I have already said above, this was the result of joint brainstorming. This is the owner’s territory, therefore we should take his wishes into consideration. There was nothing like moderation, the trust level was extremely high. That is why we made some minor changes but we tried to achieve the acceptable result. There were some raw issues and we realized that they would not work at this scale and cylindric shape. We have not even shown some of our concepts to the owners because it made no sense – these concepts were too raw. While collecting information we came to this final concept. The idea is ours, concept description is ours. I can point out that when I made my presentation of the project, I briefly presented the concept description. There was a quote: wisdom is experience in stone. This has become the foundation, literally and figuratively, as a plot basis. It was liked a lot that is why this quote appeared in the lower part of the tower and is not visible from the first glance.
The object itself was out of our jurisdiction therefore we realized that we were doing it for someone else. But the author project stays the author project. Our projects are spread around various cities and locations, that is why you always know that you may never come back to this location. But you can monitor the process through social media and the Internet. For instance, when we were awarded with silver award, I shared this information with the Rector. I do not know how they publicized it, but I started getting messages from people who worked there before saying that ‘we won’. So, it is not only me but also people involved in this project who keep monitoring it and support this whole story as their own personal experience.
It is difficult to say, we had a request and we had to work on it. It was not initiated by us. It was challenging to work with such format because this was a very interesting object, definitely not typical and not a standard one. That was very interesting
There was certain influence, but rather indirect. Getting deeper into the context had much more influence. There were no direct references. We got it together from scratch basing on technical specifications, limiting and moderating ourselves. Self-criticism is an important element. When we had a dialogue with owners and other people, we had this influence. They were the carriers of more unique information, they knew more and they produced these triggers. In fact, neither the references nor other designers works played a role here.
The target audience are the students who will study at the Management Workshop. As far as I know, they are managers. The task of the Workshop is to carry the message about the social lifts and certain growth. Since the territory is quite big, there are also people living in a neighboring small town because the tower is visible from outside the territory. So, there is the direct and indirect target audience.
First difference is the format itself. The cylindrical tower which is rarely an object worldwide. We tried to look for some references and other people experience. We managed to find only 2-3 good examples which were impressive enough. We wanted to work with such format. Second, the initiative of the owners because we could not have done without their trust and their initiative. The tower may have been destroyed completely and maybe that was more sound financially for the owners. But they chose a path of renovation of existing infrastructure elements. Before the whole territory was in a miserable condition. Investment was desperately required, and they managed to source these investments and the territory started to change rapidly. Some major events started to be held. And they attracted certain attention.
I have already briefly said about that. This is really quite interesting because there was a visual concept and a cloud of tags and meanings which needed to be worked on. The concept description required to have a concentrated idea. While describing this project I realized that there is experience accumulated over years and this ascending movement and social lifts are related to a person growing up. And experience transforms into wisdom. Sometimes they say: he is too wise for his age. It takes time to gain this experience. If you relate it to mountains and landscapes in general this higher density of the ground and formation of the mountains represent this experience gained over years, layer by layer. All these components, all triggers that were obvious resulted in this quintessence phrase saying that wisdom is experience in stone. Initially I did not point it out. Originally, we produced the English phrase ‘wisdom path’ also being a reflection of the same thing. Essentially, we came to understanding that this is a concentrate of meanings which I think reflect the whole idea of the project.
I already said before that I consider graphic design to be a tool for visualization. We assembled the picture from separate elements. We realized that we had quite a simple sketch, and we needed skills to move it to the larger format and scale. Designer’s tool set allows you to understand certain issues. But every time you have to go through technical criteria: what and how will be implemented? For instance, we have this spiral going which divides characters and plots into fragments. Since this spiral goes around, we needed to calculate brick by brick how big should be the interval, how many elements we should take. It was not clear on the sketch. Later on, we projected all this on the building facade. That provided us with solution for some specific features of the project. Since the tower is cylindric, there were issues to be adjusted during the implementation process. Generally, these tools were represented by graphic editors and most of the work was done by hands. There were no extra elements except for projecting using a projector.
I think that the most unique aspect of this project is trust. Nobody controlled us, we had deadlines and we understood how to structure our work. There were short visits by the owners, but they were of a sightseeing tours type. There were guests, high-rank officials who were told about what was supposed to be there. The owner being impressed by the concept did not make any attempts to interfere. He was just monitoring the process and told people what would be implemented there. Through our work we realized that people are interested in processes, too, not only the final result.
We collaborated directly with our client. The project was initiated by Mr. Alexei Kasprzhak, the Rector of Senezh Management Workshop. We had a team of industrial climbers dealing with technical issues, including surface cleaning and preparation, priming and painting of the gradient. They did it quickly and professionally. Later on, they were responsible for safety measures when working at heights. And there were 3 people responsible for production being me as an author, Kirill Oshestin responsible for working on the ground and my father, Sergei Kudinov assisting with technical aspects and painting works. He was also monitoring the materials and was responsible for their delivery. That was this small team that implemented this project.
Technology was presented in two aspects: transmission of an image at a large scale using the projector but that was not perfect due to cylindric shape. So, we needed to make corrections taken the shape. The second aspect was special equipment and industrial climbers. Working at heights requires experience and responsibility for yourself and your team. This is very important, therefore people having special skills had their own area of responsibility. There were also truck-mounted aerial devices which needed to be operated. This is the minor part of technology utilized in this project. If it is transformed into a climbing wall later, some extra elements will be required to be working after us.
Many issues here were connected to related areas. We do not implement any project without prior analytical work. You cannot have inspiration from nothing. You need initial data. You need to understand the context and cultural codes: where it is located, how it will be used, how people will see it. As a minimum: the tower is located between the building and the forest. The tower windows located on the sides of the tower face these elements. Technically it gave us a tip that it made no sense to show the slots on the sides. We had the front part well visible from the entrance and the reverse side visible from the lake. There are footpaths from the lake and people who return from the lake may see the reverse side. It is very important indeed to collect technical data, analytical and mental data. This represents part of our work, a very important element of it.
The most unexpected challenge was the tower’s shape, a cylinder where we had to locate our composition and transfer it technically. The bricks helped us being some sort of a net providing parameters. And it was extremely hot when we were working. We had to start very early in the morning to avoid heat. In the afternoon the sunlight was at the frontal part where we did most of our work. You have to be extremely careful when it is hot. You lose your concentration, you get tired much faster. Being close to the lake and the forest helped a lot, walks in the evening brought us back to our senses.
This was our first experience of applying for a competition ever, and this one also being an international one. We present our portfolio at Behance platform. We understand that the professional community monitors this platform very closely. It provides very good feedback. You get into certain topics and publications and you are granted with badges. For instance, this work was granted with a badge within Illustration category, Street Art sub-category. It was not our first project presented there but it looks like some of the Award managers noticed it and wrote us a letter offering participation. At that time this project has not been published and they offered us to present other works for a competition. And we have decided to concentrate on the tower, among others. Maybe we don’t have enough time to follow major international competitions. So far, we do not understand what we should expect from these results. We desperately want to communicate more with our foreign colleagues and work more in foreign countries. It is interesting to know the approaches to such projects. Having surfed through the winners list I realized that every year super professionals participate in this competition and they have numerous nominations and awards.
This is just the confirmation of our experience: you need to treat your project consciously. You cannot do any work without connecting it to the context and functionality. You need to take a lot of elements into consideration: how it will be utilized, who will use it, how important is your work. For many people, culture and design are ephemeral products without any physical element and difficult to touch. As I said before, good design should not be visible. This relates mostly to consumer products and their use. Our function is to transform certain objects. For instance, there is this tower. If it disappears at a certain moment, many people will not notice that. But if this tower becomes an artistic object, then it becomes a bright dominating element. Brightness is not the best criteria. I mean that we have to transform it to an element having certain meaning. It has some meaning in the first place.
It is always interesting to watch the destiny of your works. And if you follow it for years there are people finding out that this is your work, and their attitude becomes more positive. They start treating you as a long-time friend, especially if they saw your work live. The person may not know you personally, but a person saw it on the Internet, the attitude changes. I had such situation: a person I know visited the Management Workshop as a speaker. I needed to talk to him on the phone. He texted me: I am here in Solnechnogorsk. I asked, whether he is at Senezh Management Workshop by any chance? He said ‘yes’. I told him that he would see our objects there, the entrance, the Tower. He said that he noticed them and that it was cool to know that these are your objects. And he was happy to find out, it is great when the people you know see your works live.