Yinyun Umsebenzi Ophambili Wobugcisa Bodongwe ngu-Fabcraft Design Lab

Uyilo olubizwa ngokuba yi-Yinyun Umsebenzi Ophambili Wobugcisa Bodongwe olwenziwe ngu-Fabcraft Design Lab ngumwini obekekileyo webhaso elinobukhazikhazi le-2020 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweeFomu kunye neeMveliso eziShicilelwe nge-3D.

IbhronziUkushicilela nge-3D· 2020

Yinyun Umsebenzi Ophambili Wobugcisa Bodongwe

ngu Fabcraft Design Lab

Umxhasi: Fabcraft Design Lab

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ukushicilela nge-3D

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Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#101663

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Yinyun Umsebenzi Ophambili Wobugcisa Bodongwe

I-Yinyun sisakhiwo sobugcisa bodongwe esakhiwe ngamayunithi angama-85 angafaniyo aprintiweyo nge-3D. Ii-alignithim zoyilo oluvelisayo zasetyenziswa ukukhupha idatha yombane nokubonisa ngokubonakalayo le datha kwiyunithi nganye, ekunye zidala isiphumo esiguqukayo (gradient effect). Amayunithi enziwa ngoshicilelo lodongwe lwe-3D, kusetyenziswa umxube wodongwe olumhlophe (porcelain) noluthuthu lwamalahle olubuyiselweyo kwiziko lombane. Inkqubo yoshicilelo ikwadala umzobo onemininingwane phezu komphezulu wesiqwenga ngasinye. Akukho mayunithi mabini afanayo. Esi sakhiwo sibekwe ngokusisigxina kwiholo yemboniso eTaipei, eTaiwan.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Yinyun Umsebenzi Ophambili Wobugcisa Bodongwe ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Yinyun Umsebenzi Ophambili Wobugcisa Bodongwe iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Yinyun Umsebenzi Ophambili Wobugcisa Bodongwe iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Imilinganiselo nePakishini: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Iithegi: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Ubuchwepheshe Bokuvelisa: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Umngeni Woyilo: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Uphando: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Inkuthazo: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Ubude Beprojekthi: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Ukuhamba Komsebenzi: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Amalungu Eqela: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Amagunya Emifanekiso: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab