Ceramics Extension Ukufakwa Kobugcisa ngu-Tairan Hao and Shan Xu

Uyilo olubizwa ngokuba yi-Ceramics Extension Ukufakwa Kobugcisa olwenziwe ngu-Tairan Hao and Shan Xu ngumwini obekekileyo webhaso elinobukhazikhazi le-2020 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo loBugcisa obuHle kunye nokuFakwa kwoBugcisa.

IbhronziUbugcisa obuHle· 2020

Ceramics Extension Ukufakwa Kobugcisa

ngu Tairan Hao and Shan Xu

Umxhasi: Tairan Hao

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ubugcisa obuHle

18,499

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#104079

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Ceramics Extension Ukufakwa Kobugcisa

Olu fakelo lwenziwa yimifanekiso eqingqiweyo eyenziwe ngezandla eyenziwe ngoonobumba bezinto ezenziwe ngobugcisa kunye nemifanekiso eqingqiweyo ye-3D eprintiweyo. Ubugcisa kunye noyilo luzama ukunxibelelana nemvakalelo enamandla kubaphulaphuli ukuba yonke into, wonke umntu, yonke into iyandiswa ngokungapheliyo. Ubukho bokukrolwa, inxibelelana nenxalenye yezinto abazibonayo ukuba ziyinyani, kodwa ezinye izinto ezibonisiweyo zizibuko, ezingalunganga. Unxibelelwano lwenza ukuba abantu bacinge ukuba bayangena kwilizwe leengcinga ezenzelwe bona.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Ceramics Extension Ukufakwa Kobugcisa ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Ceramics Extension Ukufakwa Kobugcisa iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Ceramics Extension Ukufakwa Kobugcisa iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
Imilinganiselo nePakishini: half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
Iithegi: Installation, Art, 3D Printing, Ceramics, Sculpture
Ubuchwepheshe Bokuvelisa: 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
Umngeni Woyilo: The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
Uphando: The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
Inkuthazo: The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
Ubude Beprojekthi: The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
Ukuhamba Komsebenzi: When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
Iipathenti: Copyrights belong to Shan Xu and Tairan Hao, 2017
Amalungu Eqela: Designer: Shan Xu
Artist: Tairan Hao
Amagunya Emifanekiso: Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017