Past at Last Ifashoni Ezinzileyo ngu-Tihana Miksa

Uyilo olubizwa ngokuba yi-Past at Last Ifashoni Ezinzileyo olwenziwe ngu-Tihana Miksa ngumwini obekekileyo webhaso elinobukhazikhazi le-2021 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFashoni, Isinxibo kunye neSambatho.

IsilivereIfashoni· 2021

Past at Last Ifashoni Ezinzileyo

ngu Tihana Miksa

Umxhasi: Tihana Mikša

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ifashoni

36,948

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#113802

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Past at Last Ifashoni Ezinzileyo

Ugxininiso kwizakhiwo zeengubo lukwiimihlwa ezityebileyo, ezidlalayo kunye nombala ongalinganiyo. Ngenxa yoko, iingubo ngokwazo zilingene, zilula kwaye ziyimilo evalekileyo ngaphandle kwangenelelo ezifunekayo kwisakhiwo. Le misebenzi ihlola umba wokubonakala, ukuchukumiseka, ubunjani bezinto, intshukumo ephilayo kunye nobugcisa besakhiwo kwiilwembu. Imibala ayinantobeko kwaye ayinambala, ngaphandle kobomvu obukrwitshayo phakathi kwalo luhlu olufipheleyo.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Past at Last Ifashoni Ezinzileyo ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Past at Last Ifashoni Ezinzileyo iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Past at Last Ifashoni Ezinzileyo yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Iithegi: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Ubuchwepheshe Bokuvelisa: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Umngeni Woyilo: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Inkuthazo: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Ubude Beprojekthi: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Amagunya Emifanekiso: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.