Spark Isigqi Sohambo Segithare Yombane ngu-Maxwell Brazo

Uyilo olubizwa ngokuba yi-Spark Isigqi Sohambo Segithare Yombane olwenziwe ngu-Maxwell Brazo ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZixhobo zoMculo.

IbhronziIsixhobo soMculo· 2022

Spark Isigqi Sohambo Segithare Yombane

ngu Maxwell Brazo

Umxhasi: Maxwell Brazo

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Isixhobo soMculo

39,941

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#126635

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Spark Isigqi Sohambo Segithare Yombane

I-Spark sisigqi sohambo segithare yombane esiyilelwe ukuthwaleka lula nokuveliswa ekhaya. Umzimba, intamo, kunye nebhodi yeefreti kuprintwa ngendlela ye-fused filament fabrication kusetyenziswa iifayibha zomthi eziphinda zisetyenziswe kunye nezinto ezidibeneyo ze-aramid, endaweni yomthi oqinileyo. Izinto zombane nezomatshini ziyafumaneka ngokubanzi, kwaye ukudityaniswa kusebenzisa inkqubo yosinga engafuni ukudibaniswa ngokutyhidiswa (solderless wiring system). I-Spark igqityiswa ngeendlela zesiko, kubandakanywa ukukrwelwa (sanding), ukubekwa kweefreti, kunye nokugqunywa ngentlaka ye-nitrocellulose lacquer. Ibhulorho engenantloko (headless fixed bridge) igcina ubude bomlinganiselo bepakethe bugcinwa ubukhulu obumfutshane.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Spark Isigqi Sohambo Segithare Yombane ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Spark Isigqi Sohambo Segithare Yombane iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Spark Isigqi Sohambo Segithare Yombane iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Focuses on sustainability, accessibility, and adaptability through use of computer aided design software and at-home manufacturing. Fully printed guitar body, neck, and fret board using alternatives to hardwoods. Recycled plastic and wood fiber composites used are able to be fully finished and assembled using simple and standard methods. All electrical and mechanical components are domestically sourced and widely available.
Imilinganiselo nePakishini: Product Dimensions: Width 133.35mm (5.25in) x Depth 57.15mm (2.25in) x Height 768.35mm (30.25in), Scale Length: 25.5in, Fret-Board Radius: 9.5 - Modern C Neck Profile - Single Coil & Humbucker Passive Pickups
- Body/Neck/Fretboard (Timber-fill/Nylon AF80 Aramid)
- Headless Fixed Bridge and Double-Ball End Combo Headpiece
- Angled Switch Tele Titanium Control Plate
- Neck Plate (Bolt-On Style)
- Electrosocket Jack Mount
- Low Profile Truss Rod
- Stainless-Steel Hardware and Threaded Inserts
- Solderless Wiring System
Iithegi: Guitar, Electric, Travel, 3D Printed, Sustainablity, Instrument, Music, Design
Ubuchwepheshe Bokuvelisa: Realized through Computer-Aided Design and Fused Filament Fabrication technologies. Domestically sourced electrical and mechanical components. Finished using traditional methods (sanding, seating frets, binding, nitrocellulose lacquer finish, etc.).
Umngeni Woyilo: Bio-composite filaments used, while recyclable and or compostable, do not provide adequate structural support for full-scale stringed instruments under tension. Complications with recycled wood-fiber composite filaments required research and testing of additional materials with more effective mechanical properties. Key attributes considered were creep resistance (resistance against deformation under long-term load), tensile strength, elongation at break, density, and ease of printing.
Uphando: Initial research into fundamental basics and history of electric guitar construction was crucial to ensure a playable end product. Standardized dimensions of classic high-end models helped to provide a familiar aesthetic and a framework to work within, and use of widely available and popular components to inform the overall design. Influenced by concepts such as compact modularity, right to repair, and the future of at-home manufacturing.
Inkuthazo: An exploration to replicate traditional luthier processes through new-age methods of small scale manufacturing and the pursuit of material alternatives for guitar-making. Informed by the idea that making a guitar should be more accessible and experiential; the vision for a transformative guitar able to be printed and assembled at home, inspired by vintage Fender, Steinberger, La Baye 2x4, and lap steel guitars.
Ubude Beprojekthi: The continuation of thesis work while at Rochester Institute of Technology, this project has spent some time in design and development. Prototyping done in 2021 and final working model and process book to be completed in 2022. Based out of Litchfield, Connecticut.
Ukuhamba Komsebenzi: Printable and playable, an innovative solution to cost-effectively produce and assemble your own guitar using recyclable materials, encompassed within a compact full-scale travel silhouette.
Amagunya Emifanekiso: Image #1: Creator Maxwell Brazo, 2022.
Image #2: Creator Maxwell Brazo, 2022.
Image #3: Creator Maxwell Brazo, 2022.
Image #4: Photographer Maxwell Brazo, 2022.
Image #5: Creator Maxwell Brazo, 2022.