National Gallery Athens Imyuziyam ngu-Parmenidis Longuepee Mari Team

Uyilo olubizwa ngokuba yi-National Gallery Athens Imyuziyam olwenziwe ngu-Parmenidis Longuepee Mari Team ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Legolide le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IgolideIngaphakathi· 2022

National Gallery Athens Imyuziyam

ngu Parmenidis Longuepee Mari Team

Umxhasi: National Gallery of Greece

Umwini we-Ibhaso Legolide le-A' Design Award Kudidi Lwe-Ingaphakathi

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Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#129529

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-National Gallery Athens Imyuziyam

Kwisakhiwo sanamhlanje seminyaka yee-1960 seNational Gallery eAthens, amagumbi okubonisa akhelwe ngokufana nokuhamba-hamba kwindawo evulekileyo. Ingaphakathi ikhiwe njengolandelelwano lweendawo zotshintsho ezinemikhoso yemithi yokufumana ulwazi, kunye namagumbi okubonisa amhlophe anezilinge ezixhonywe ngendlela ekhethekileyo ngokwesakhiwo somsebenzi ngamnye wokubonisa. Ngokukulawula iindlela zokujonga, ubunzulu bombono kumagumbi nakwisixeko, ukukhanya ngokubanzi ngokuhambelana nokukhanya kwangaphandle, kunye nokuthomalalisa izinto ezisetyenziswayo neenkcukacha zobugcisa ukuze kubekwe elubala imisebenzi yobugcisa, indawo inika impembelelo yokukhetha ngokukhululekileyo.

Ukuqatshelwa

Malunga ne-Ibhaso Legolide le-A' Design Award

National Gallery Athens Imyuziyam ngumphumeleli weIbhaso Legolide le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo yeklasi yokuqala, ephawulekayo nentle. Abaphumeleleyo beGolide ziimveliso ezintsha kakhulu, ezinombono ongaphaya nezikhazimlayo ezibonisa ubuchule, ubulumko nobuchule babayili bazo. National Gallery Athens Imyuziyam iyathenjwa ukuba ibe yimveliso edunyiswe kakhulu, ebeka umkhwa nekumgangatho wesikhumbuzo enikela ixabiso elingazange libonwe. Lo myilo uphumeleleyo weIbhaso Legolide le-A' Design Award yiprojekthi emangalisayo nehlonelwayo eluncedo kakhulu kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. National Gallery Athens Imyuziyam idala iimvakalelo ezinzulu zonqweno, ivusa umdla, ikhuthaza ukuyila kwaye iyasikhwebela.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Imilinganiselo nePakishini: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Iithegi: museography, interior space, gaze, minimalism
Ubuchwepheshe Bokuvelisa: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Umngeni Woyilo: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Uphando: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Inkuthazo: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Ubude Beprojekthi: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Ukuhamba Komsebenzi: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Amalungu Eqela: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Amagunya Emifanekiso: All photos own to the team.