Uyilo olubizwa ngokuba yi-Orbit A Collection Ingqokelela yeZihombiso olwenziwe ngu-Suyu Chen ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Lentsimbi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo loBucwebe.
IntsimbiUbucwebe· 2022
Orbit A Collection Ingqokelela yeZihombiso
ngu Suyu Chen
Umxhasi: Suyu Chen
Umwini we-Ibhaso Lentsimbi le-A' Design Award Kudidi Lwe-Ubucwebe
Umwini Webhaso Oqinisekisiweyo
Qinisekisa Isimo Sebhaso se-#131168Uyilo
Malunga ne-Orbit A Collection Ingqokelela yeZihombiso
I-Orbit A Collection yiingqokelela zezihombiso ezenziwe ngezandla eziquka ibrotshi kunye neentambo ezimbini zentamo. Isiqwenga ngasinye asifani nesinye kwaye sidibanisa isilivere esiqinileyo (sterling silver) needwangu zeplastiki, udongwe lwerezini kunye nombala. Iqhosha elifanayo leplastiki liphindaphindwa njengesiseko esibalulekileyo ukudala iimilo ezahlukeneyo ezinokunxitywa kunye nezobugcisa bomfanekiso. Iindlela zendabuko zokusebenza isilivere ezifana nokudibanisa (soldering), ukwenza ubume kunye nokwenza iiketane zisetyenziswa, kunye nokudibanisa iplastiki (plastic welding), ukugudla kunye nokufaka umbala. Ingqokelela le ibonisa ubudlelwane phakathi kobugcisa bendabuko kunye nemveliso yanamhlanje yesixhobo esinkulu.
Ukuqatshelwa
Malunga ne-Ibhaso Lentsimbi le-A' Design Award
Orbit A Collection Ingqokelela yeZihombiso ngumphumeleli weIbhaso Lentsimbi le-A' Design Award, ukuqatshelwa okuhlonitshwayo okunikwa imiyilo elungileyo eyanelisa iimfuno zobungcali neemveliso ezilindelekileyo kwimveliso ezicwangciswe kakuhle. Abaphumeleleyo beNtsimbi babonisa ubuchule obukhulu, ubuchule obuphezulu, ukuqonda kwengcali namandla okuyila abayili babo. Orbit A Collection Ingqokelela yeZihombiso iyathenjwa ukuba ibe yimveliso exatyiswa kakhulu, edunyiswayo nethandwayo esebenzayo neyinto entsha. Lo myilo uphumeleleyo weIbhaso Lentsimbi le-A' Design Award udibanisa iindlela ezilungileyo kakhulu zemboleko kwaye unezimpawu zobuchwephesha ezifanelekileyo ezidityaniswe nolwazi netalente. Orbit A Collection Ingqokelela yeZihombiso iyahlonelwa ngenxa yenkcukacha yayo kwaye yacwangciselwa ukunika uphuculo lomgangatho wobomi olunceda ukwenza ihlabathi libe yindawo engcono.
Emva Koyilo
Ikhithi Yeendaba
Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.
- Iimpawu Ezizodwa
- Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
- Imilinganiselo nePakishini
- Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm - Iithegi
- jewelry, necklace, brooch, craft, mixed material, art jewelry
- Ubuchwepheshe Bokuvelisa
- The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.
Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin) - Umngeni Woyilo
- Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
- Uphando
- By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
- Inkuthazo
- By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
- Ubude Beprojekthi
- The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
- Ukuhamba Komsebenzi
- This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
- Amalungu Eqela
- Suyu Chen
- Amagunya Emifanekiso
- Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020
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