Uyilo olubizwa ngokuba yi-Sisu Isaluni Yeenwele olwenziwe ngu-Jun Kameda ngumwini obekekileyo webhaso elinobukhazikhazi le-2023 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IbhronziIngaphakathi· 2023

Sisu Isaluni Yeenwele

ngu Jun Kameda

Umxhasi: Sisu

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ingaphakathi

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Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#142733

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Sisu Isaluni Yeenwele

ISisu yisaluni yeenwele ebekwe njengomqeshi kwisakhiwo esidala sentsimbi. Indawo yomqeshi ngaphambi kokulungiswa yayineefestile ezifihlwe ngeendonga ezakhelwe ngaphakathi kunye neebhodi zangaphandle ezenza ngaphakathi kumfiliba. Nangona kunjalo amandla abekhona kwiifestile ezibanzi zokuvumela ukukhanya kwendalo. Ngaloo ndlela ingaphakathi / ingaphandle yahlengahlengiswa ukongeza ingqiqo yokuvuleka kwaye isebenzise iifestile ukuba ibe yinto engokomfanekiso yendawo. Izitulo ze-iconic kunye nezibuko zinxibelelana ngesigama soyilo esiqhelekileyo esifana nokusetyenziswa kweplywood ye-lauan edayiwe kunye neenkcukacha zegophe.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Sisu Isaluni Yeenwele ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Sisu Isaluni Yeenwele iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Sisu Isaluni Yeenwele iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The overall design concept for Sisu was to fill the space including the skeleton and built in walls with white like a canvas and compose furniture upon it. The space aims to be sustainable by its minimalism. The chairs and other interior features are designed to be easily maintenanced for a prolonged period of time. The initial interior design is limited to very few materials and reduced decorativity, eventually emphasizing the wooden features and tidiness.
Imilinganiselo nePakishini: Total floor area: 61.52 square meters
Iithegi: interior design, furniture design, hair salon, minimalist design, renovation
Ubuchwepheshe Bokuvelisa: The concrete skeleton floor was polished then coated with clear urethane to be finished. The wooden chair and mirror uses dyed lauan plywood.
Umngeni Woyilo: Average Japanese beauty salons tend to place a table, usually functioning as a consultation area, facing the entrance. To break the stereotype, a large white tile-covered rectangular solid was installed at Sisu and let it function more than just a consultation space, such as a work desk for operation besides haircut, or a display platform to put flowers and art objects. It may be a small challenge, but had a considerable effect on the entire space. In combination with the furniture’s deep wooden color, it adds a comfortable feel to the refined white space unlike other beauty salons as if users are at a familiar residential space.
Inkuthazo: The tenant space before renovation had windows hidden with built-in walls and exterior signboards which made a dim interior. However the potential was at the wide windows to let in natural light. Thus the interior/exterior was adjusted to add a sense of openness and take advantage of the windows to become a symbolic feature of the space.
Hair salons have few furniture features compared to other shop formats. To assure uniqueness with limited budget, the design fundamental was at the originally designed chairs, to become an iconic feature for Sisu and influence other design details within the one-room space to realize interrelation.
Ubude Beprojekthi: The project started in January 2021 and finished in July 2021 at Nagoya, Aichi, Japan.
Ukuhamba Komsebenzi: SISU was designed to be run by the owner alone. Thus the focus was on his operation flow efficiency and to allow awareness towards customer's situation despite their or owner's position in the salon space. The concrete skeleton floor was polished then coated with clear urethane to be finished, making it easy to sweep cut hair.
The vertical window blinds control natural light intensity and lets it be the main light source especially during daytime. It makes natural light become an essential factor of the space identity regardless of time period, and also accentuates the window view of outside trees.
Iipathenti: Copyrights belong to SISU / STUDIO ALUC 2022
Amalungu Eqela: Jun Kameda
Amagunya Emifanekiso: Photographer Kenta Hasegawa