Oita Soho Indawo Yokutyela YaseJapan Yesimanje ngu-Mika Kanayama

Uyilo olubizwa ngokuba yi-Oita Soho Indawo Yokutyela YaseJapan Yesimanje olwenziwe ngu-Mika Kanayama ngumwini obekekileyo webhaso elinobukhazikhazi le-2024 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IsilivereIngaphakathi· 2024

Oita Soho Indawo Yokutyela YaseJapan Yesimanje

ngu Mika Kanayama

Umxhasi: Muzo

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ingaphakathi

24,153

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#151700

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Oita Soho Indawo Yokutyela YaseJapan Yesimanje

I-Oita Soho yayilwe ukudala indawo ephucukileyo, epholileyo enempembelelo yaseJapan yaye igcina ulwazi olwasekwa kwindawo yokutyela yokuqala ye-Oita, engekho sesikweni yaye iluhlaza ngezityalo kulo lonke indawo. Le ndawo yayifuna ngaphezu kweendlela eziqhelekileyo zoyilo lwaseJapan lwanamhlanje oluncinci ukuze ibonelele ngamava ahlukileyo, amangalisayo ayintlanganiso yamacandelo obuhle nenkcubeko. Lo msebenzi waphefumlelwa sisincoko sikaTanizaki esithi "Ekunconyeni Izithunzi" esixoxa ngokusetyenziswa, intsingiselo nobuhle bobumnyama nezithunzi kubugcisa baseJapan, kuyilo nakwizakhiwo.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Oita Soho Indawo Yokutyela YaseJapan Yesimanje ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Oita Soho Indawo Yokutyela YaseJapan Yesimanje iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Oita Soho Indawo Yokutyela YaseJapan Yesimanje yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.

The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Imilinganiselo nePakishini: The area of project is
Ground Floor - 67sqm
First Floor - 69sqm
Iithegi: Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
Ubuchwepheshe Bokuvelisa: Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout.
Umngeni Woyilo: As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
Uphando: The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
Inkuthazo: The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
Ubude Beprojekthi: The project was completed in January 2023 in London.
Ukuhamba Komsebenzi: Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Iipathenti: Copyrights belong to Muzo, 2023
Amagunya Emifanekiso: Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert