Jinglan Bay Art Iziko Lentengiso ngu-Nic Lee

Uyilo olubizwa ngokuba yi-Jinglan Bay Art Iziko Lentengiso olwenziwe ngu-Nic Lee ngumwini obekekileyo webhaso elinobukhazikhazi le-2024 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IsilivereIngaphakathi· 2024

Jinglan Bay Art Iziko Lentengiso

ngu Nic Lee

Umxhasi: China Resources Land South China Guangxi Co.

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ingaphakathi

22,229

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#152974

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Jinglan Bay Art Iziko Lentengiso

IJinglan Bay Art liyindawo yangaphakathi yeziko lentengiso elikwiLiuzhou, ummandla weentaba onamanzi ajikelezayo. Umphakathi ugubungela ii-square metres ezili-1705 kwaye uquka iindawo zokwamkela iindwendwe, ezentengiso, ezokuboniswa, ezemidiya yedijithali kunye neendawo zeeVIP. Endaweni yokukopa umbono wendalo ngeemilo, kusetyenziswa ukukhanya nesithunzi ukubonisa iintaba eziphakamileyo namanzi anzulu. Iterrazzo emnyama ipholishwe yaba njengesipili, ukuze umbono wangaphandle kunye nokuhamba kweendwendwe kubonakale kuyo. Ilitye eliluhlaza kwindawo yokungena lidala ubunzulu bomfula phakathi kweentaba. Ezinye izinto ezisetyenzisiweyo ziquka imable eqotyiweyo, ipeyinti yeeminerali, umthi omnyama kunye ne-oki.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Jinglan Bay Art Iziko Lentengiso ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Jinglan Bay Art Iziko Lentengiso iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Jinglan Bay Art Iziko Lentengiso yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Imilinganiselo nePakishini: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Iithegi: sales center, landscape, museum, indoor architecture, interior design
Ubuchwepheshe Bokuvelisa: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Umngeni Woyilo: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Uphando: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Inkuthazo: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Ubude Beprojekthi: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Ukuhamba Komsebenzi: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Amagunya Emifanekiso: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.