The Opposite Ingqokelela Yeempahla Ezalukiweyo ngu-Yishu Yan

Uyilo olubizwa ngokuba yi-The Opposite Ingqokelela Yeempahla Ezalukiweyo olwenziwe ngu-Yishu Yan ngumwini obekekileyo webhaso elinobukhazikhazi le-2024 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFashoni, Isinxibo kunye neSambatho.

IsilivereIfashoni· 2024

The Opposite Ingqokelela Yeempahla Ezalukiweyo

ngu Yishu Yan

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ifashoni

662,508

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#157237

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-The Opposite Ingqokelela Yeempahla Ezalukiweyo

I-Opposite yingqokelela yeempahla ezalukiweyo enokunxitywa sisini sombini eyilelwe ukuba inxitywe ngeendlela ezininzi. Le ngqokelela yenziwe ngeendlela ezingasiki nto nezingalahli nto (zero-cut kunye ne-zero-waste), ngoko akukho lapho ilahlwayo. Ukwaluka ngedijithali kusetyenziselwa ukwenza izakhiwo ezinobukhulu obuthathu eziguqukayo kunye nokwakhiwa kweempahla okutshintshayo. Iimpahla ezivela kwizinxibo ezimbini zinokutshintshiselwana zize zidityaniswe ngeendlela ezahlukeneyo, nto leyo evumela umntu ngamnye onxibayo ukuba azenzele isitayela sakhe. Uyilo olulingana wonke umntu lulingana uninzi lwabantu abanomzimba ophakathi. I-Opposite iyayibuzisa imibono eqhelekileyo malunga nempahla yamadoda neyabasetyhini.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

The Opposite Ingqokelela Yeempahla Ezalukiweyo ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. The Opposite Ingqokelela Yeempahla Ezalukiweyo iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. The Opposite Ingqokelela Yeempahla Ezalukiweyo yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Imilinganiselo nePakishini: This garment is an all-size design and will fit most people of average build.
Iithegi: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Ubuchwepheshe Bokuvelisa: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Umngeni Woyilo: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Uphando: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Inkuthazo: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Ubude Beprojekthi: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Ukuhamba Komsebenzi: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Amalungu Eqela: Academic adviser: Kinor Jiang & Jinyun Zhou
Amagunya Emifanekiso: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova