Connecting Sculpture Umsebenzi ophambili: Uyilo lwangaphakathi lwevenkile yeempahla zangaphantsi ngu-Kun Yen Lu

Uyilo olubizwa ngokuba yi-Connecting Sculpture Umsebenzi ophambili: Uyilo lwangaphakathi lwevenkile yeempahla zangaphantsi olwenziwe ngu-Kun Yen Lu ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IbhronziIngaphakathi· 2025

Connecting Sculpture Umsebenzi ophambili: Uyilo lwangaphakathi lwevenkile yeempahla zangaphantsi

ngu Kun Yen Lu

Umxhasi: Rumo Interior Design

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ingaphakathi

9,236

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#162638

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Connecting Sculpture Umsebenzi ophambili: Uyilo lwangaphakathi lwevenkile yeempahla zangaphantsi

Umbhalo weNcwadi: I-Connecting Sculpture luyilo lwangaphakathi lwevenkile yeempahla zangaphantsi eTaiwan, egubungela malunga nee-square mitha ezingama-148.7. Indawo eyavuselelwayo ibonisa iimpawu zomthengisi ezimbini zenkampani enye. Iindonga ezahlulayo zasuswa, ngokokuze indawo entsha yomthengisi ifundeke njengolwandiso lwaleyo yokuqala. Imibala engwevu, isanteel ye-angle ekhusela ubugcisa, izibane ze-neon kunye nezitena zaseSpain zikhumbuza ngemvelaphi yezorhwebo neyoshishino olubanzi. Iglasi, izipili, i-acrylic kunye neefomu ezigobileyo zichaza indawo entsha ngakumbi. Ikhawuntara esembindini idibanisa zombini iindawo zokubonisa. Uyilo ludibanisa imbali yenkampani nomfanekiso ovuselelweyo.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Connecting Sculpture Umsebenzi ophambili: Uyilo lwangaphakathi lwevenkile yeempahla zangaphantsi ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Connecting Sculpture Umsebenzi ophambili: Uyilo lwangaphakathi lwevenkile yeempahla zangaphantsi iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Connecting Sculpture Umsebenzi ophambili: Uyilo lwangaphakathi lwevenkile yeempahla zangaphantsi iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The left and right brand display areas use gray tones to create a calm ambiance, reflecting the brand's industrial wholesale origins. The central counter connects both brands, with brick walls paying homage to the old factory style. Glass and mirrors symbolize modernization, while glass-covered bricks near the new area highlight heritage and innovation. The original display uses galvanized steel and neon lights for a nostalgic feel, while the new area features sculptural curves symbolizing the modern feminine form. Metal elements echo the original steel, seamlessly blending tradition with contemporary design.
Imilinganiselo nePakishini: This project renovates a 25-32-year-old store, covering approximately 148.7 square meters. The space serves as a display area for both new and original brands. Previously, partitions divided them into separate areas. To strengthen their connection, the designers removed the partitions, making the new brand feel like a natural extension of the original. This approach enhances customer trust while distinguishing the store with a unique layout. The central counter unites both brands under one company, improving recognition and facilitating corporate management.
Iithegi: Commercial space, lingerie, wholesale, fusion of old and new, modernization, neon lights
Ubuchwepheshe Bokuvelisa: Materials: iron parts, transparent glass, galvanized angle steel, corrugated board, metal plate, stone paint, neon lights, acrylic, Spanish bricks, etc. The acrylic used extensively in the original brand area reduces the strong visual impact caused by saturated colors with a sense of transparency, but maintains the divisions brought by large-area color blocks, becoming the visual dividing line between display areas. The Spanish brick hollow design of the counter and the mirror correspond to nostalgia and the new generation, symbolizing the progress and integration of the dual brands.
Umngeni Woyilo: Each shelf was custom-made without a ready-made template, requiring the design team to tackle the challenge of integrating neon lights with angle steel. They had to open molds and collaborate with an acrylic factory to produce parts. To maintain aesthetics, laser cutting technology was used to avoid visible hardware like suspenders and screws. In the new brand area, curved glass and middle display shelves were also customized, adding complexity. Balancing functionality, durability, and execution posed challenges. The team dedicated significant time and effort while also considering store business hours, making the project even more demanding.
Uphando: In JIALI's display area, angle steel frames serve as display cabinets, while neon lights highlight the brand's localization. Movable display cabinets are inspired by stacked cardboard boxes from the store's earlier days, echoing the company's industrial origins. In the Classy brand area, the designers embraced contrast and innovation. Metal plates symbolize the company's early growth years, while curved elements reflect modern women's body ideals. From visual aesthetics to deeper meaning, the design seamlessly connects to the brand's heritage and philosophy.
Inkuthazo: JIALI, established in 1992, has thrived for 32 years. With the launch of its new brand 'Classy,' it also seeks a refreshed image. The design team removed partitions, extending the space into the new display area. Retro elements like bricks and neon lights were reinterpreted with modern techniques, blending nostalgia with innovation. This transformation connects two generations, seamlessly integrating tradition with contemporary fashion. The revitalized space not only honors JIALI's legacy but also marks an exciting new chapter for the brand.
Ubude Beprojekthi: The project finished in July 2023 in Taiwan.
Ukuhamba Komsebenzi: Initially, the owner had few opinions on space planning, but after completion, he was amazed by the aesthetic presentation and deeper meaning. He felt the designers had successfully given the brand a fresh look. By cleverly integrating the brand's history into the space, the design became an excellent focal point for customer engagement and online marketing. The setup allows new customers to understand the brand's story while enabling existing customers to connect with its renewed image. The renovation blends old and new, reshaping people's perception of the brand.
Amalungu Eqela: Kun-Yen Lu
Amagunya Emifanekiso: Rumo Interior Design