The Ori Uyilo Lwangaphakathi Lwendlu Yokuhlala ngu-Zouii Design

Uyilo olubizwa ngokuba yi-The Ori Uyilo Lwangaphakathi Lwendlu Yokuhlala olwenziwe ngu-Zouii Design ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IbhronziIngaphakathi· 2025

The Ori Uyilo Lwangaphakathi Lwendlu Yokuhlala

ngu Zouii Design

Umxhasi: Zouii Design

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ingaphakathi

11,475

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#168797

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-The Ori Uyilo Lwangaphakathi Lwendlu Yokuhlala

Ori yiyilo lwangaphakathi lwendlu yokuhlala kwiflethi eneemitha ezisisikwere ezingama-112.3 eTaiwan. Le ndlu iquka amagumbi okulala amathathu, igumbi lokuhlala, indawo yokutyela kunye namagumbi okuhlambela amabini. Ukukhanya kukhokela ubume bendawo. Isibane esixhonyiweyo saseJapan siphawula umnyango wokungena, iifestile ezisuka phantsi ukuya phezulu zibonisa uMlambo iYanshuei, kwaye uphahla olujikelezayo lukhokelela ukukhanya kwindawo yokutyela. Uphahla olujikelezayo lukwafihla neempayipi zasekhitshini logama lugcina ubude begumbi. Iindonga zigqunywe ngombala omhlophe onjengobisi opeyintwe ngezinto zemveli, kwaye iitayile zobumba ezinemifanekiso enjengenyoka zigubungela umgangatho wasemnyango wokungena. Amagumbi amabini okugcina izinto athatha indawo yamashelufu abekwe rhoqo.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

The Ori Uyilo Lwangaphakathi Lwendlu Yokuhlala ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. The Ori Uyilo Lwangaphakathi Lwendlu Yokuhlala iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. The Ori Uyilo Lwangaphakathi Lwendlu Yokuhlala iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This project's design strategy forgoes strict stylistic constraints, instead weaving a spatial language imbued with the patina of time, inspired by the homeowner's love for European vintage furniture. By balancing the tranquility of Japanese aesthetics with Scandinavian simplicity, the space merges historical depth with contemporary sensibilities. Light plays a key role: a Japanese pendant defines the entrance, floor-to-ceiling windows frame the Yanshuei River, and a curved ceiling guides illumination toward the dining area. The layout was reimagined by swapping the TV and sofa, enhancing flexibility for future adaptations.
Imilinganiselo nePakishini: The site spans 112.3 square meters, featuring three bedrooms, a living room, a dining area, and two bathrooms. To enhance flexibility, the design team reduced the study's size, allowing it to function as a guest or children's room in the future. The dining table was repositioned into the social area, making it a central hub for family activities rather than a separate space. Additionally, two independent storage rooms replaced fixed cabinetry, ensuring ample storage while preserving openness and spatial fluidity, creating a more adaptable and harmonious living environment.
Iithegi: Light Tone, Light and Shadow, Subtractive Design, Eco-friendly Building Materials, Open Plan, Reduced Design.
Ubuchwepheshe Bokuvelisa: The project's material selection focuses on natural textures and a composed aesthetic, using low-saturation tones to highlight the depth of time. The walls feature mineral paint in a milky white hue with gray undertones, creating a refined yet warm visual experience. Serpentine-patterned ceramic tiles in the entrance mimic natural stone veining, fostering a tranquil yet intricate transition. Wood and zebra patterns introduce a striking yet balanced contrast, enhancing the space with meticulous detailing. Through these elements, the design achieves a harmonious blend of subtle texture and visual depth.
Umngeni Woyilo: The greatest technical challenge of this project lay in the complexity of the kitchen's piping system. Originally, multiple pipelines were dispersed across the kitchen ceiling, requiring the design team to balance the need for concealment with the preservation of a sense of height. Ultimately, by incorporating curved ceiling elements, the design successfully minimized the visual impact of the piping. The seamless circulation, combined with a comfortable ceiling height, further enhanced the spatial fluidity.
Uphando: This project's design concept emphasizes 'the narrative of light and shadow' and 'subtractive design,' achieving a balance between functionality and poetic expression. Furniture revolves around the homeowner's antique European collection, seamlessly blending with Scandinavian simplicity to evoke historical warmth and modern refinement. The dining area reinforces this philosophy, using a composed backdrop that allows furnishings to shape the living narrative. By integrating light, materials, and circulation, the design crafts a space that transcends mere form, creating a harmonious and immersive experience.
Inkuthazo: A home is more than its structure and layout; it is a dynamic space filled with personal memories and emotions. This project's design concept revolves around the interplay of light, materials, and spatial flow, shaping an environment that reflects the resident's unique character. Named 'Ori,' meaning 'light' in Hebrew, the project symbolizes the fluidity of daily life illuminated by light. Envisioned in 2022, The Ori was designed as a sanctuary where light, shadow, people, and objects engage in a continuous dialogue, fostering harmony and an ever-evolving living experience.
Ubude Beprojekthi: The project finished in January 2024 in Taiwan.
Ukuhamba Komsebenzi: Six months after completion, a follow-up visit revealed that the homeowner had already begun adjusting the furniture layout, responding to natural light, mood, and daily needs to create a more personalized living space. They praised the storage room design, noting its flexibility exceeded expectations by enhancing storage efficiency while maintaining visual simplicity. With clutter neatly organized, natural light flowed more freely, enriching the home's ambiance. This evolving interaction between space and inhabitant affirmed the design's success in fostering adaptability and harmony in daily life.
Amalungu Eqela: Ching-Yi Lin, Hsien-Ming Hsu, Yi-Hong Tsai, Hsiu-Ting Hsieh
Amagunya Emifanekiso: Uncolored Studio