Poem Sapce Ilokwe Encinci yeNkozo ngu-Bonan Li

Uyilo olubizwa ngokuba yi-Poem Sapce Ilokwe Encinci yeNkozo olwenziwe ngu-Bonan Li ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFashoni, Isinxibo kunye neSambatho.

IbhronziIfashoni· 2025

Poem Sapce Ilokwe Encinci yeNkozo

ngu Bonan Li

Umxhasi: Bonan Li Studio

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ifashoni

75,622

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#169597

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Poem Sapce Ilokwe Encinci yeNkozo

Poem Sapce lilokwe encinci yenkozo edibanisa indlela ehlaziyiweyo yokusonga kunye nokusika ngaphandle kwenkozo. Ilokwe yenziwe ngelaphu elilukwe ngesandla elenziwa ziingcali zendawo kwiingingqi ezininzi, zigcina iindlela zemveli zokuluka. Ukunciphisa ubungakanani belaphu ngokwendawo kubumba ilaphu, kudale amasongo athathu-dimensional endalo endaweni yokusika izinto zilahlwe. Indawo nganye yokusonga izinziswa ngesandla kwaye ibhalwe kwikhadibhodi ukwenzela imveliso encinci. Amasongo abunjiweyo ashukuma nomzimba aze anike ukholisa nesakhiwo ngaxeshanye.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Poem Sapce Ilokwe Encinci yeNkozo ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Poem Sapce Ilokwe Encinci yeNkozo iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Poem Sapce Ilokwe Encinci yeNkozo iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The Shrink Pleat Minimal Waste Dress redefines sustainable fashion by integrating innovative pleating techniques with zero-waste cutting. Crafted from locally handwoven fabrics sourced globally, this design preserves traditional craftsmanship while reducing energy consumption. By harnessing localized fabric shrinkage, it forms organic, three-dimensional silhouettes with minimal material waste.
Imilinganiselo nePakishini: Length: 1500 mm x Width: 800 mm x Thickness: 50 mm
Iithegi: sustainable fashion, zero-waste design, innovative pleating, fabric shrinkage technique, handwoven textiles, three-dimensional garment, traditional craftsmanship, small-batch production, sculptural fashion, eco-conscious design
Ubuchwepheshe Bokuvelisa: The design employs zero-waste cutting and an innovative pleating technique that utilizes localized fabric shrinkage to create organic, three-dimensional forms. Each pleat position is meticulously hand-fixed and mapped onto cardboard for small-batch production, ensuring precision and minimizing waste in the manufacturing process.
Umngeni Woyilo: The most challenging aspect of this project was balancing sustainability with structural innovation. Achieving precise pleat placement through fabric shrinkage required extensive testing, as different textiles reacted unpredictably. Additionally, sourcing ethically handwoven fabrics while maintaining production feasibility posed logistical challenges. Overcoming these obstacles involved iterative experimentation, collaboration with artisans, and refining techniques to ensure both aesthetic integrity and minimal waste.
Uphando: This research explores sustainable garment construction through fabric behavior analysis and zero-waste design. The objective was to develop an innovative pleating method that minimizes waste while enhancing three-dimensionality. Using an experimental approach, I tested localized fabric shrinkage and pleat fixation techniques, documenting results through draping, hand-marking, and pattern adjustments. Material tests were conducted to study fabric reactions, with findings informing a scalable, small-batch production model. The research promotes sustainability by reducing textile waste and preserving traditional weaving techniques.
Inkuthazo: The intersection of traditional craftsmanship and contemporary sustainability inspired the Shrink Pleat Minimal Waste Dress. I sought to challenge conventional garment construction by exploring fabric behavior through pleating and shrinkage techniques. Drawing from research on localized textile manipulation, I developed a method to create dynamic, sculptural forms while minimizing waste. This project reflects my commitment to preserving heritage weaving techniques.
Ubude Beprojekthi: This project was exhibited in Cave of the Day, Cave of the Night in Brooklyn, New York. It began in New York in 2013 and was completed in mid-2014 in New York.
Ukuhamba Komsebenzi: The Shrink Pleat Minimal Waste Dress transforms through a unique pleating method that shapes the fabric organically using controlled shrinkage. Instead of traditional cutting, the fabric naturally adjusts, creating sculptural folds that move with the body. Each pleat is carefully placed to enhance form and flexibility, offering comfort and structure. This approach reduces fabric waste while achieving a dynamic, flowing silhouette that feels effortless yet meticulously crafted.
Amagunya Emifanekiso: Photographer Hao Zeng