Uyilo olubizwa ngokuba yi-Ishidaya Primary Function: Indawo yokutyela yaseJapan olwenziwe ngu-Atsushi Kawaguchi ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.
IbhronziIngaphakathi· 2026
Ishidaya Primary Function: Indawo yokutyela yaseJapan
Umxhasi: Ishidaya
Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ingaphakathi
Umwini Webhaso Oqinisekisiweyo
Qinisekisa Isimo Sebhaso se-#180958Uyilo
Malunga ne-Ishidaya Primary Function: Indawo yokutyela yaseJapan
Book Text: I-Ishidaya yindawo yokutyela yaseJapan ekumbindi wesithili saseHanoi. Le projekthi isebenzisa i-Taisho Roman, ixesha apho iinkcubeko zaseJapan nezaseNtshona zazidibana khona, njengesakhelo sayo, ilamla phakathi kobuhle baseJapan kunye nobunjani baseNtshona besakhiwo. Isakhelo somthi esingaphezu kwekhawuntara sidibanisa ukwakhiwa kwemveli kunye nejometri ye-Art Deco kwaye sisebenza njengento ephambili ebonwayo. Endaweni yokuba libe luhombiso, lumilisela indlela yokuqonda ngokukhanya kunye neembono ezitshintshayo. Isiphumo sisithuba esizolileyo esidibanisa iimbekiselo zenkcubeko kwaye sinikeza ukutolikwa okucacileyo kokutya kwexesha langoku eHanoi.
Ukuqatshelwa
Malunga ne-Ibhaso Lebhronzi le-A' Design Award
Ishidaya Primary Function: Indawo yokutyela yaseJapan ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Ishidaya Primary Function: Indawo yokutyela yaseJapan iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Ishidaya Primary Function: Indawo yokutyela yaseJapan iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.
Emva Koyilo
Ikhithi Yeendaba
Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.
- Iimpawu Ezizodwa
- This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
- Imilinganiselo nePakishini
- Renovation of existing buildings
- Iithegi
- Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
- Ubuchwepheshe Bokuvelisa
- The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
- Umngeni Woyilo
- In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
- Uphando
- For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
- Inkuthazo
- ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
- Ubude Beprojekthi
- The project started in August 2024 in Hanoi and finished in April 2025.
- Ukuhamba Komsebenzi
- Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging. - Amagunya Emifanekiso
- All photos / HIROYUKI OKI
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