Plus 81 Ibhari, iKlabhu yasebusuku ngu-Takahiro Todoroki

Uyilo olubizwa ngokuba yi-Plus 81 Ibhari, iKlabhu yasebusuku olwenziwe ngu-Takahiro Todoroki ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IbhronziIngaphakathi· 2026

Plus 81 Ibhari, iKlabhu yasebusuku

ngu Takahiro Todoroki

Umxhasi: Engine, Inc

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ingaphakathi

6,585

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#183476

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Plus 81 Ibhari, iKlabhu yasebusuku

IPlus 81 yibhari kunye nendawo yangaphakathi yeklabhu yasebusuku emiswe kwivenkile enkulu esele yaguga. Ubuso besakhiwo bufana nendawo yolwakhiwo lwexeshana egqunywe ngamaphephandaba aseJapan, kwaye indawo yokungena ifihlwe emva kwevenkile yemifanekiso, nto leyo edala utshintsho oluthe ngcembe ukuya kwindawo yangaphakathi. Ibhari embindini yeyona nto isekelezelweyo kuyilo, ngelixa iindawo ezijikelezileyo zixhasa ukutya, iindawo zokuhlala zokuphumla, ikaraoke kunye neendibano zabucala. Uphahla olunegridi olunezibane ze-RGB luphendula kubude obuphantsi bophahla kwaye longeza isingqi esibonakalayo. Izinto ezisetyenzisiweyo ziquka intsimbi egqunywe ngezinki, izipili ezikroliweyo kunye nomgangatho werezini onemibhalo yegrafiki.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Plus 81 Ibhari, iKlabhu yasebusuku ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Plus 81 Ibhari, iKlabhu yasebusuku iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Plus 81 Ibhari, iKlabhu yasebusuku iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This project introduces a Neo Tokyo Speakeasy hidden within an aging mall, blending into its surroundings with a facade resembling a temporary construction site clad in Japanese newspapers. A concealed entrance through a figure shop creates a narrative transition into a vibrant interior. The design contrasts secrecy and spectacle, revealing a dynamic nightlife space. A grid ceiling with RGB lighting compensates for low height while generating visual rhythm, transforming spatial limitations into an immersive experience.
Imilinganiselo nePakishini: Total area: 240 sqm. Ceiling height: 2355 mm. Structure: steel frame. Materials: wood panels, plaster with aggregates, etched mirrors, zinc-galvanized steel, resin, LED neon. Ceiling: timber frame with paint and random zinc panel cladding. Floor: pigmented mortar with urethane coating and kanji graphics. Walls: wood panels, plaster, mirrors, printed wallpaper. Lighting: 50 lux ambient, 2700K. Equipment includes projection mapping floor, digital display columns, and Void Acoustics sound system.
Iithegi: Club, Bar, Lounge, Speakeasy, Japanese, Philippines, Anime, Manga
Ubuchwepheshe Bokuvelisa: The spatial design integrates club, bar, dining, and karaoke functions through strategic zoning and circulation planning. A central bar anchors the layout, while surrounding areas enable continuous movement. Acoustic performance was optimized by avoiding flat surfaces and applying geometric wall patterns. Materials include zinc-galvanized steel with exposed rivets, etched mirrors with integrated RGB lighting, and resin-coated flooring with graphic typography. Construction methods were systematized to match local skill levels, supported by detailed drawings and modular fabrication techniques.
Umngeni Woyilo: The main challenge was designing a high-impact nightlife space within the constraints of a low ceiling and limited footprint in an aging commercial building. Additionally, the complexity of the design led many contractors to decline participation, and initial costs exceeded the budget. These issues were addressed by simplifying construction systems and clearly communicating design intent through detailed drawings. Continuous adjustments and rework were required to achieve the intended quality under inconsistent construction conditions and scheduling delays.
Uphando: This is an applied interior and experience design research. The objective was to create a multifunctional nightlife venue within a low ceiling and limited footprint by reinterpreting Japanese subculture. The methodology integrated zoning, atmospheric design, acoustic control, and narrative sequencing over a 3-month design and 7-month construction period. Data were gathered through user scenarios, site constraints, and mock-ups using drawings, 3D models, lighting tests, and material studies. The result enhanced user engagement and commercial performance.
Inkuthazo: The design is inspired by Japan 1980s and 1990s subculture and bubble era nightlife, reinterpreted in a contemporary context. It draws from manga, neon, and retro materials to evoke nostalgia and energy. The concept also reflects the idea of multifunctional entertainment spaces, similar to karaoke culture in Japan. Given the limited scale, the project aims to maximize usage beyond nightlife by creating zones adaptable for dining, socializing, and private gatherings, merging cultural memory with modern urban lifestyles.
Ubude Beprojekthi: This project began its design phase in Japan in 2023 and opened in Manila, Philippines, in May 2025.
Ukuhamba Komsebenzi: The venue operates as a lounge bar and restaurant on weekdays and transforms into a nightclub on weekends. It accommodates diverse user needs, including dancing, dining, drinking, and karaoke. Guests enter through a hidden route, gradually building anticipation before reaching the main space. The layout encourages exploration, allowing users to move freely between zones such as bar counter, lounge seating, and private rooms. This layered experience creates excitement and discovery, making each visit unique and engaging.
Amagunya Emifanekiso: Photographer : Katsumi Hirabayashi