Uyilo olubizwa ngokuba yi-Coming of Age Ukufota olwenziwe ngu-Ismail Niyaz Mohamed ngumwini obekekileyo webhaso elinobukhazikhazi le-2020 Ibhaso Lentsimbi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lokuFota kunye nokuLungisa iiFoto.
IntsimbiUkufota· 2020
Coming of Age Ukufota
Umxhasi: Ismail Niyaz Mohamed
Umwini we-Ibhaso Lentsimbi le-A' Design Award Kudidi Lwe-Ukufota
Umwini Webhaso Oqinisekisiweyo
Qinisekisa Isimo Sebhaso se-#96148Uyilo
Malunga ne-Coming of Age Ukufota
EJapan, Ukuza kweXesha kubhiyozelwa xa amantombazana namakhwenkwe beneminyaka engama-20 ubudala. Sisihlandlo esibalulekileyo xa beshiya ulutsha lwabo kwaye baba ngabantu abadala abanamalungelo, uxanduva kunye nenkululeko. Yinto esemthethweni kanye kwisehlo sobomi. Amantombazana ngokwesiko banxiba i-kimono kunye ne-kimono yabafana okanye isuti yaseNtshona. Rhoqo ngonyaka umcimbi uphawulwa ngoMvulo wesibini kuJanuwari.
Ukuqatshelwa
Malunga ne-Ibhaso Lentsimbi le-A' Design Award
Coming of Age Ukufota ngumphumeleli weIbhaso Lentsimbi le-A' Design Award, ukuqatshelwa okuhlonitshwayo okunikwa imiyilo elungileyo eyanelisa iimfuno zobungcali neemveliso ezilindelekileyo kwimveliso ezicwangciswe kakuhle. Abaphumeleleyo beNtsimbi babonisa ubuchule obukhulu, ubuchule obuphezulu, ukuqonda kwengcali namandla okuyila abayili babo. Coming of Age Ukufota iyathenjwa ukuba ibe yimveliso exatyiswa kakhulu, edunyiswayo nethandwayo esebenzayo neyinto entsha. Lo myilo uphumeleleyo weIbhaso Lentsimbi le-A' Design Award udibanisa iindlela ezilungileyo kakhulu zemboleko kwaye unezimpawu zobuchwephesha ezifanelekileyo ezidityaniswe nolwazi netalente. Coming of Age Ukufota iyahlonelwa ngenxa yenkcukacha yayo kwaye yacwangciselwa ukunika uphuculo lomgangatho wobomi olunceda ukwenza ihlabathi libe yindawo engcono.
Emva Koyilo
Ikhithi Yeendaba
Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.
- Iimpawu Ezizodwa
- Coming of age day is a ceremony celebrated in Japan when they turn 20 years old, they are officially considered adults in the society and have more rights, responsibilities and liberties. It is a formal event held once in a lifetime which is held on every second Monday of January each year where girls wear Kimono's and boys wear suit and tie or a traditional men's kimono. It is also a spiritual event where many go to a Shrine to pray for health and prosperity.
- Imilinganiselo nePakishini
- Nikon D4
1/100 sec f2.8
14mm
ISO 160 - Iithegi
- japan, culture, traditional, kimono, bamboo
- Ubuchwepheshe Bokuvelisa
- Nikon D4 DSLR
AF-S NIKKOR 14-24mm F2.8G ED - Umngeni Woyilo
- The most difficult part of this project was the crowd of tourists visiting the Bamboo garden. I had to make sure that no one was on the frame. Even then the background had people which had to be removed in the post production stage.
- Uphando
- Bamboo has a lot of significance in the Japanese culture relating to human character. Bamboo is hollow inside how a young adult should ideally be when they leave their teens: leaving behind all the negativity of the teen years behind and receive knowledge and wisdom for the growth, and find wisdom in emptiness. The hard body of the bamboo firmly sways with the wind with harmony which is a symbol of humility. It is also a very strong tree which survives in in the harshest climates from extreme winters to hot summers. These characteristics are important in human life.
- Inkuthazo
- The photo shoot was taken in a Temple called Hokokuji in Kamakura. I chose this location because of the Bamboo Garden inside the temple.
Bamboo is a very strong plant and it is a symbol of prosperity and it is also a symbol of purity and innocence and good luck in Japanese culture. Bamboo trees are the fastest growing plants in the world and it is important to the culture and tradition of Japan. - Ubude Beprojekthi
- It was a day project starting and ending on 22 November 2015. The location was Hokokuji Temple, Kamakura, Japan
- Ukuhamba Komsebenzi
- I took a full day to do this shoot as there were many factors involved in this project like Hair and makeup, kimono fitting, traveling etc. One of the biggest challenge was the crowd. I spent a lot of time waiting for the people to pass and to clear the area and had to do post processing to remove unwanted objects from the frame later.
- Amalungu Eqela
- Ismail Niyaz Mohamed (Photographer)
Ismail Niyaz Mohamed (Art Direction)
Nagisa Sakurai (Hair & Makeup Artist)
Misaki Kawaguchi (Model) - Amagunya Emifanekiso
- Ismail Niyaz Mohamed (Photographer)
Okuxhasiweyo
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