Tibetan Thangka Art מוזיי by AND Studio is a highly esteemed winner of the very prestigious 2024 A' Design Award אין זילבער in אַרכיטעקטור, בנין און סטרוקטור דיזײַן Competition Category.

זילבעראַרכיטעקטור· 2024

Tibetan Thangka Art מוזיי

by AND Studio

Client: And Studio

A' Design Award אין זילבער Winner in אַרכיטעקטור Category

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The Design

About Tibetan Thangka Art מוזיי

דער להאַסאַ טאַנגקאַ מוזיי איז אַ מוזיי פֿאַר טאַנגקאַ־קונסט, וואָס געפֿינט זיך בײַם פֿוס פֿון די בערג אין להאַסאַ. דער בנין איז אָרגאַניזירט אין דעם שטייגער פֿון אַ טיבעטישן מאָנאַסטיר און שאַפֿט אַ דיאַלאָג מיטן באַרג און מיטן הימל. אַן אויסערלעכער וועג קלעטערט צווישן די וואָלומענס און פֿירט צו אַ הויכן פּלאַץ, בשעת אַן אינערלעכער וועג אָרדנט אײַן די אויסשטעלונג־חללים. טראַדיציאָנעלע שטיינערנע ווענט ווערן איבערגעטײַטשט אויף ס'נײַ ווי טאָפּלטע ווענטילירטע בעטאָן־ווענט, וואָס פֿאַרבעסערן די איזאָלאַציע און פֿאַרמינערן דעם ניצן פֿון ענערגיע. לאָקאַלע מאַטעריאַלן און לאָקאַלע אַרבעטער זײַנען גענוצט געוואָרן. דער מוזיי פֿאָדערט אונטער טאַנגקאַ־קונסט און טיבעטישע קולטור.

The Recognition

About the A' Design Award אין זילבער

Tibetan Thangka Art מוזיי איז אַ געווינער פֿון דעם A' Design Award אין זילבער, אַן אויסערגעוויינלעך פּרעסטיזשע אָנערקענונג וואָס ווערט געגעבן צו שיינע, דערהויבענע און איבערצײַגנדיקע שפּיץ-דיזײַנס. זילבער-געווינער זענען העכסט בריליאַנטע און זייער קרעאַטיווע ווערק וואָס ילוסטרירן די אויסגעצייכנטע מומחיות, טאַלאַנט און שאַרפֿזיניקייט פֿון זייערע דיזײַנערס. פֿון Tibetan Thangka Art מוזיי ווערט דערוואַרט אַז עס איז אַ וווּנדערלעך, מוסטערהאַפֿט ווערק וואָס איז אויפֿפֿאַלנדיק פּראָפֿעסיאָנעל און טיף אינאָוואַטיוו. דער דאָזיקער געווינענדיקער דיזײַן פֿון A' Design Award אין זילבער איז אַ זייער אויפֿפֿאַלנדיקע, באַוווּנדערטע דערפֿינדונג וואָס ברענגט נוצן און שטופּט פֿאָרויס די גרענעצן פֿון קונסט, וויסנשאַפֿט, דיזײַן און טעכנאָלאָגיע. Tibetan Thangka Art מוזיי איז אַ באַשאַפֿונג וואָס מען מקנא זײַן זי ברייט, וואָס וועקט תּאוות, ברענגט פּאָזיטיווע געפֿילן און וועקט חידוש און פֿאַרוווּנדערונג.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
Dimensions & Packaging: The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
Tags: museum, thangka art, concrete, brass, glass curtain wall
Production Technology: The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
Design Challenge: At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials.
Research: At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
Inspiration: Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
Project Duration: The project started in February 2019 and finished in May 2022 in Lhasa, China
Operation Flow: We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls.
Patents: Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD
Team Members: Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk
Image Credits: Photo and Video by: Arch-Exist Photography