The Armor Primary Function: Aṣọ Eré Orí Ìtàgé láti ọwọ́ Samantha Chijona Garcia and Vladimir Cuenca

The Armor Primary Function: Aṣọ Eré Orí Ìtàgé láti ọwọ́ Samantha Chijona Garcia and Vladimir Cuenca jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Iṣẹ́ Ọnà Aṣàfihàn, Ìtàgé, Àṣà àti Àyíká.

FàdákàIṣẹ́ Ọnà Aṣàfihàn· 2020

The Armor Primary Function: Aṣọ Eré Orí Ìtàgé

látọ̀wọ́ Samantha Chijona Garcia and Vladimir Cuenca

Oníbàárà: Jazz Martinez Gamboa

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Aṣàfihàn

59,168

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #102743

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa The Armor Primary Function: Aṣọ Eré Orí Ìtàgé

Ìhámọ́ra náà jẹ́ aṣọ eré orí ìtàgé tí a ṣe fún ẹ̀dá Richard III nínú eré orí ìtàgé ti ọ̀kan lára àwọn eré Shakespeare. A fi àwọn ohun èlò tí a tún lò àti èyí tí kò sí ní lílò mọ́ ṣe aṣọ náà. A rán àwọn okùn irin sí orí jákẹ́ẹ̀tì tí a fi twill ṣe, nígbà tí àwọn gaiter awọ tí ó bora ara wọn dá àdámọ̀ ọ̀tọ̀ tí a fi okùn awọ àti báokù dì pọ̀. Ìbọ̀wọ́ ẹ̀wọ̀n irin ni ó ti apá aṣọ náà, nígbà tí fìlà velvet tí a fi àwọn ṣẹ́ẹ́lì irin fẹ́sẹ̀ ń ṣiṣẹ́ gẹ́gẹ́ bí àṣíborí. A lè fi àwọn apá mẹ́fà náà kún un tàbí kí a yọ wọ́n kúrò bí ẹ̀dá náà ṣe ń yí padà nígbà eré. Àpẹẹrẹ náà fi ọba náà àti ọkùnrin aláìlágbára tí ó wà nínú rẹ̀ hàn.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

The Armor Primary Function: Aṣọ Eré Orí Ìtàgé jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé The Armor Primary Function: Aṣọ Eré Orí Ìtàgé yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. The Armor Primary Function: Aṣọ Eré Orí Ìtàgé jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Ìwọ̀n àti Àpò: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Àwọn Àkọlé: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Ìpèníjà Àpèsè: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Ìwádìí: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Ìmísí: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Àkókò Iṣẹ́ Àkànṣe: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Ìlànà Ìṣiṣẹ́: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyrights belong to Chijona, Samantha, 2018
Àwọn Ọmọ Ẹgbẹ́: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Ìfọwọ́sí Àwòrán: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018