Crouching Tiger Hidden Dragon Àpẹẹrẹ Ìṣèwádìí Inú Ilé Ìsinmi láti ọwọ́ He Zhou jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
WúràInú Ilé· 2020
Crouching Tiger Hidden Dragon Àpẹẹrẹ Ìṣèwádìí Inú Ilé Ìsinmi
látọ̀wọ́ He Zhou
Oníbàárà: Zhou He
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #103330Àpẹrẹ Náà
Nípa Crouching Tiger Hidden Dragon Àpẹẹrẹ Ìṣèwádìí Inú Ilé Ìsinmi
Crouching Tiger Hidden Dragon jẹ́ àpẹẹrẹ inú ilé ìsinmi tí ó wà ní Suichang, agbègbè kan tí ó ní ìtàn àṣà pípẹ́. Àpẹẹrẹ náà bo mítà onígun mẹ́rin 483, ó sì fi iṣẹ́ ọnà àti àwọn ohun èlò ayé àtijọ́ sínú ìṣelọ́ṣọ̀ọ́ inú ilé, ní pípa ìwà rírọrùn mọ́ pẹ̀lú ìtura òde òní. Ọ̀pá kèǹgbẹ̀ àdúgbò àti àwọn ohun ọ̀gbìn aláwọ̀ ewé ń ṣe ọ̀ṣọ́ fún àwọn yàrá àlejò, wọ́n sì ń bá àwọn ìran ẹ̀wà tí ó wà lẹ́yìn fèrèsé mu. Wọ́n lo igi elm àtijọ́, celadon àti bíríkì àtijọ́, a sì fi igi àtijọ́ tí a tún lò láti àdúgbò ṣe àwọn ohun èlò ilé, èyí tí a tún gé tí a sì fi ọwọ́ dán. Ilé ìsinmi náà ń fún àwọn olùgbé ìlú ní ibi ìdúró tí ó dákẹ́ tí ó sì jẹ́ ti ẹ̀dá.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Crouching Tiger Hidden Dragon Àpẹẹrẹ Ìṣèwádìí Inú Ilé Ìsinmi jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Crouching Tiger Hidden Dragon Àpẹẹrẹ Ìṣèwádìí Inú Ilé Ìsinmi yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Crouching Tiger Hidden Dragon Àpẹẹrẹ Ìṣèwádìí Inú Ilé Ìsinmi ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The overall design integrates artwork and time-honored objects into the interior decorations, retaining the primitive simplicity as well as the functionality and modern style. Local bamboo and green plants are used as natural decorations of the guest room, echoing with the scenery outside the window.
The past is carved into every old beam and column, brick wall, earth wall, and every hand-polished furniture, which, together with idyllic outdoor scenes, manifests an ideal lifestyle. - Ìwọ̀n àti Àpò
- Project Area: 483 square meter
- Àwọn Àkọlé
- The vitalization of village, traditional culture, old elm, handicraft art, Peony Pavilion, celadon, bamboo craft, time-tested materials
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Materials: old elm, bamboo, celadon, old brick.
The furniture is made of locally recycled aged wood. Those time-tested materials are reborn after re-cutting and fine polishing, engraving signs of age into the design. Learning from the nature, those local natural materials, the featured bamboo and celadon, are applied to interpreting the subtleties of the furnishings. It serves not only as a presentation of local culture but also as a collision of the classic and the modern. - Ìpèníjà Àpèsè
- The project is defined as a resort manor for urban residents to escape from the hustle and bustle of city life and enjoy the natural one. The designers encountered an array of difficulties and challenges in the process of project design on how to integrate the manor with the local ecology and environment while ensuring a comfortable lifestyle, and how to overcome the difficulties brought by the natural geographical barriers and rugged mountainous terrain to the implementation of the project.
- Ìwádìí
- The village where the project is located has always been relatively isolated from the outside and is regarded as an "epitome" of the traditional Chinese rural society. As researches on the history and culture of the village continue, many things can be unveiled, including the utmost caring between the natives, architecture and food. The design is significant as it involves what kind of relationship between future travelers and the inhabitants will be built!
- Ìmísí
- The project lies in Suichang, a county with thousands of years of cultural connotations, where Tang Xianzu, a dramatist of the Ming Dynasty who is known as Oriental Shakespeare, wrote the world-renowned "Peony Pavilion". The village is hidden in the mountains and isolated from the world. The project aims to vitalize the village by art and culture. The designers sought inspiration from history and traditional culture and combined modern design ideas to create a natural and easeful living state.
- Àkókò Iṣẹ́ Àkànṣe
- Project duration: from May 2018 to May 2019
- Ìlànà Ìṣiṣẹ́
- The project site boasts the distinctive Haochuan Culture and Black Pottery Culture, and is the cradle of the Celadon Culture-one of the world's intangible cultural heritage and the world-renowned "Tang Xianzu Culture". Many stories with profound civilization, cultural strength and pedigree connections are worth exploring. Through an in-depth exploration of the local culture, the design team utilized space as the carrier, and abstracted the stories into every detail though technology and design.
- Àwọn Ọmọ Ẹgbẹ́
- Soft outfit: HLD Wanjing Design
Chief designer: Zhou He - Ìfọwọ́sí Àwòrán
- N/A
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