Ice Cave Ọfiisi Presales láti ọwọ́ Omid Amini and Fatemeh Salehi Amiri jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
WúràInú Ilé· 2021
Ice Cave Ọfiisi Presales
látọ̀wọ́ Omid Amini and Fatemeh Salehi Amiri
Oníbàárà: Sizan
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #107297Àpẹrẹ Náà
Nípa Ice Cave Ọfiisi Presales
Ice Cave jẹ yara iṣafihan fun alabara kan ti o nilo aaye kan pẹlu didara alailẹgbẹ. Lakoko, ti o lagbara lati ṣafihan Awọn ohun-ini oriṣiriṣi ti Ise agbese Oju Tehran. Gẹgẹbi iṣẹ akanṣe naa, oju-aye ti o wuyi sibẹsibẹ didoju fun iṣafihan awọn nkan ati awọn iṣẹlẹ bi o ṣe nilo. Lilo pọọku dada kannaa wà awọn oniru agutan. Ipilẹ apapo apapo ti wa ni tan kaakiri gbogbo aaye. Awọn aaye ti a beere fun awọn oriṣiriṣi awọn lilo ti wa ni akoso ti o da lori awọn ologun ajeji ni oke ati isalẹ itọsọna ti o ṣiṣẹ lori oju. Fun iṣelọpọ, ilẹ yii ti pin si awọn panẹli 329.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Ice Cave Ọfiisi Presales jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Ice Cave Ọfiisi Presales yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Ice Cave Ọfiisi Presales ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The need for an exhibition space and the potential to provide features, details, and replicas of the Tehran Eye project. Also, this section's location on the first floor and the use of two skylights for natural light provided very exclusive conditions for the design of a cave space, which provided a ceiling property or a free form as opposed to neutral walls. The emphasis of the space design was focused on the roof and columns, elements that provided a suitable basis for the design of this space.
- Ìwọ̀n àti Àpò
- Ceiling: 290 m2
Ceiling Composite panels: 329
Floor: 200 m2 - Àwọn Àkọlé
- Minimal Surface, Digital fabrication, computational design, Digital design
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The logic of minimal surfaces was used according to the project's need for an attractive yet neutral atmosphere for showing the project's predicted function.
For Fabrication, this surface has been divided into several panels (329 double curve composite panels). The main constraint for products these panels is using a three-axis CNC machine (Styrofoam block with a density of 37 kg-m3, 1.1.2 m3). At the same time, the method of installing panels and details of connecting to the main structure has also been taken into consideration. - Ìpèníjà Àpèsè
- construction, a few points, needed research, at least the change in the size of the parts based on climate change that sometimes reaches forty degrees Celsius, on the other hand, due to the general use of this project and the rapid flammability of the composite Need fire retardant or fire-retardant compounds.
facilities, due to the middle space between the shell and the structural roof, this section was used to reduce the energy required for air circulation.
green wall section, the use of the most suitable type of these walls, as well as plants and irrigation conditions and light required by plants, are among the items studied. - Ìwádìí
- Type of research: Use of current world articles and journals
Objectives of the research: Making a free-form shell with the least use of materials and in the shortest possible time, using the project facilities to save more energy consumption for the cooling and heating system, using green space with optimal irrigation in mind.
Due to the different parts of the project, several topics were important for initial research and studies.
-design section, what needed more research and study in this section was the optimization of consumables and construction stages according to local materials and devices. - Ìmísí
- Icy cave project has been designed and built in order to presell commercial units of a commercial-recreational Tehran Eye complex. In its early years of operation, this space will be used for selling commercial units. Then, it will be transformed into an event hall. Therefore, this issue has been taken into consideration in the design of this project, and it's fixed as well as the mobile layout of the furniture.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in April 2016 in Tehran, Iran, and finished in June 2018, and was a sale office for selling stores of Tehran eye Commercial and entertainment complex.
- Ìlànà Ìṣiṣẹ́
- Visitors are first confronted with a section that can personally use the provided tools to overview the different sections and general and technical information of the Tehran Eye.
then they introduced the project with the guidance of staff using wall-mounted displays. In the second part, customers can sit next to fixed and movable furniture, and listen to the sales manager's explanations. In the final stage, visitors face sitting or standing with a large screen that is projected. - Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- For copyrights: "Copyrights belong to Fatemeh Salehi Amiri, 2018."
For trademarks: "Sizan (2011) Fatemeh Salehi Amiri, Omid Amini, Avid Amini" - Àwọn Ọmọ Ẹgbẹ́
- Architecture Firm:
Omid Amini and Partners
Architects in charge:
Omid Amini
Fatemeh Salehi Amiri
Design Team:
Mehrad Mahnia
Fatemeh Salehi Amiri
Executive Manager:
Fatemeh Salehi Amiri
Omid Amini
Supervisor:
Fatemeh Salehi Amiri
Mehrad Mahnia
Contractor:
Sizan Company - Ìfọwọ́sí Àwòrán
- Image #1: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #2: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #3: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #4: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #5: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Other Images: Photographer Masih Mostajeran (Deed Studio)
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