The Bridge Ohun Ipamọ láti ọwọ́ Acrylber Furniture jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
IrinOhun-èlò Ilé· 2021
The Bridge Ohun Ipamọ
látọ̀wọ́ Acrylber Furniture
Oníbàárà: Acrylber Designer Furniture Gallery
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #109562Àpẹrẹ Náà
Nípa The Bridge Ohun Ipamọ
Bridge jẹ́ ohun ìpamọ́ tí a ṣe àpẹrẹ rẹ̀ fún lílò nínú àwọn ilé àti ọ́fíìsì. A ṣe àpótí náà láti inú igi jarrah aláìlẹ́gbin tí ó nípọn ní 30 mm, tí a mú padà wá láti inú àwọn ìtẹ́rí orí ilé tí a ti wó lulẹ̀ ní Perth, Western Australia. A tì àpótí náà kọ́ sórí àwọn ẹsẹ̀ aṣeríbi ìdojúkọ funfun tí a fi acrylic ṣe, èyí tí ó tún gba inú ohun èlò náà kọjá tí ó sì di apá kan orí rẹ̀. Àwọn ọwọ́ mimu tí a fi sínú ara àpótí àti àwọn etí àpótí ìwọ̀ tí a gé lẹ́wa ṣẹ̀dá ìrísí tí ó rọrùn tí kò sí àsopọ̀ àṣejù. Àwọn àpótí ìwọ̀ ń rìn pẹ̀lú ẹ̀rọ ìdásílẹ̀ jẹ́jẹ́ tí ó ń pa ní kíkún, àwọn ìdè ìbílẹ̀ sì gbà á láàyè kí àwọn ìlẹ̀kùn ṣí sí ìwọ̀n 160 ìyí. Ìparí polyurethane tí ó mọ́ràn dáàbò bo àwọn ohun èlò méjèèjì.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
The Bridge Ohun Ipamọ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé The Bridge Ohun Ipamọ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún The Bridge Ohun Ipamọ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The 30mm thick, solid, reclaimed jarrah cupboard is suspended by the white acrylic solid surface legs which also forms part of the top. A sleek, minimalist look is created thanks to the recessed handles and the bevelled edge of the drawers. A fusion of contemporary and traditional style, The furniture piece combines beauty with practicality, and is finished with a two pack clear polyurethane. The way the two products intertwine provides a different visual effect when viewed from various angles.
- Ìwọ̀n àti Àpò
- White acrylic solid surface,
Reclaimed jarrah roof beams from demolished houses from Perth, Western Australia, suburbs.
Width 1850mm
Depth 500mm
Height 850mm
Blum Movento softclose runners
Traditional butt higes - Àwọn Àkọlé
- Furniture, sideboard, acrylic, solid timber, solid surface, furniture design, freestanding furniture
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Before construction could begin, careful planning was needed to ensure the angle elements would fit together seamlessly and the doors and drawers would open and close effortlessly. The drawers are fitted with Blum Movento, soft close, full-extension runners while traditional butt hinges were chosen for the doors to allow them to open 160 degrees. The angle drawers are solid jarrah with mortise and tennon together, finished with black velvet bases.
- Ìpèníjà Àpèsè
- The challenge was in combining the modern material (solid surface) with the traditional material (solid timber) in a way that both elements were highlighted and looked as though they belonged together. There were many revisions of the design to ensure the minute details were perfect before any construction was attempted. I was conscious that each material has different properties and restrictions in the way they can be manufactured so part of the process was experimentation and refinement.
- Ìwádìí
- My research came from years of trial and error using both solid timber and acrylic solid surfaces. I had to research the different characteristics of both and how they're effected by the environment, who they move due to moisture content in the air. I glued together some timber pieces and placed them in different heat/moisture circumstances to gauge the timber movement. the same was done with the solid surface. The timber had a greater movement due to environmental factors, than the solid surface. In conducting such research I was able to determine that they would have to be allowances for the timber expanding and retracting at different rates to the acrylic solid surface, to make sure there would be any cracking in the future.
- Ìmísí
- The inspiration was to provide an ultra-modern twist on a traditionally-designed sideboard to create a piece that would be at home in any contemporary home or office. The sharp angular form of the sideboard highlights the crisp white of the acrylic where it intersects rich tones of the timber to provide a strongly contrasting visual effect which sets it apart from more traditional furniture.
- Àkókò Iṣẹ́ Àkànṣe
- The idea for the project was conceived in September 2019. From there, design and technical drawings took a further four months. Construction began in April 2020 and the piece was completed in June later that year and has been on exhibition in the Acrylber showroom from January 2021.
- Ìlànà Ìṣiṣẹ́
- This product was designed primarily as a sideboard or hall table in a home but also has applications as a credenza or storage unit in an office or reception space. The drawers are fitted with runners that allow the drawer to open to its fullest extend and door hinges that provide full access to the interior, for maximum functionality. It was specifically designed to allow the height to provide an additional set down area and to be optimally positioned at an ergonomic height from the floor.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Trademark 2020 David Nesbit
- Àwọn Ọmọ Ẹgbẹ́
- David Nesbit
- Ìfọwọ́sí Àwòrán
- Photos by Kash Photography
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