Evd Àgbékalẹ̀ Inú Ọ́fíìsì láti ọwọ́ Yang Bing and Hao Liyun jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
WúràInú Ilé· 2021
Evd Àgbékalẹ̀ Inú Ọ́fíìsì
látọ̀wọ́ Yang Bing and Hao Liyun
Oníbàárà: EVD Design
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #112174Àpẹrẹ Náà
Nípa Evd Àgbékalẹ̀ Inú Ọ́fíìsì
EVD jẹ́ àgbékalẹ̀ inú ọ́fíìsì àti ibi ìfihàn tí ó wà ní Shanghai, orílẹ̀-èdè Ṣáínà. Àyè náà gba ọ̀ọ́dúnrún (300) mítà onígun mẹ́rin. Èdè ìṣàpẹẹrẹ ìgbàanì ni a fi ṣe àpẹẹrẹ ìrísí àyè náà, a sì lo àwọn èròjà ilé kíkọ́ ti ìgbàanì pẹ̀lú àwọn ọ̀nà ìgbàlódé láti fi kún ìmọ̀lára àìnípẹ̀kun. A so agbègbè oníṣe-U kan pọ̀ mọ́ ẹ̀gbẹ́ gígùn kan àti fèrèsé ńlá márùn-ún, nítorí náà ìmọ́lẹ̀ àdánidá ń wọlé, ó sì ń tàn kálẹ̀ lọ́fẹ̀ẹ́. A fi àwọn ìrísí ribiti kún un láti mú inú ilé náà lẹ́wà sí i. Àgbékalẹ̀ náà bẹ̀rẹ̀ nípa yíyanjú àwọn ìdíwọ́ tí àwọn páìpù ìdáàbòbò iná àti àwọn ihò afẹ́fẹ́ ẹ̀rọ amúlétutù fà. Ọ̀pọ̀lọpọ̀ àwọn ògiri ló lo àwọn ọ̀dà iṣẹ́-ọnà tí a fi ìyẹ̀fun ìkarahun àti oje igi àdánidá ṣe.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Evd Àgbékalẹ̀ Inú Ọ́fíìsì jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Evd Àgbékalẹ̀ Inú Ọ́fíìsì yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Evd Àgbékalẹ̀ Inú Ọ́fíìsì ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
- Ìwọ̀n àti Àpò
- Type: office and exhibition area
Area: 300 sqm - Àwọn Àkọlé
- Evd, office, workplace, classical aesthetics, Classical spatial languages
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
- Ìpèníjà Àpèsè
- Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
- Ìwádìí
- Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
- Ìmísí
- The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
- Àkókò Iṣẹ́ Àkànṣe
- April 2019-September 2019, Shanghai
- Ìlànà Ìṣiṣẹ́
- The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
- Àwọn Ọmọ Ẹgbẹ́
- Design team: Yang Bing, Hao Liyun
- Ìfọwọ́sí Àwòrán
- Super Yingxiang
Oníṣọwọ́
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