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Jysan Bank Iṣẹ́ Ìbánisọ̀rọ̀ fún Ìṣòwò Báńkì láti ọwọ́ Gayane Belonovich

Jysan Bank Iṣẹ́ Ìbánisọ̀rọ̀ fún Ìṣòwò Báńkì láti ọwọ́ Gayane Belonovich jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ojú-ìbáṣepọ̀, Ìbáṣepọ̀ àti Ìrírí Olùlò.


FàdákàOjú-ìbáṣepọ̀· 2021

Jysan Bank Iṣẹ́ Ìbánisọ̀rọ̀ fún Ìṣòwò Báńkì

látọ̀wọ́ Gayane Belonovich

Oníbàárà: First Heartland Jusan Bank

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ojú-ìbáṣepọ̀

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Àpẹrẹ Náà

Nípa Jysan Bank Iṣẹ́ Ìbánisọ̀rọ̀ fún Ìṣòwò Báńkì

Jysan Bank jẹ́ ìbánisọ̀rọ̀ ìṣòwò báńkì fún àwọn ohun èlò wẹ́ẹ̀bù àti alágbèéká. Àpẹrẹ náà ń sìn àwọn olùdarí ilé-iṣẹ́ àti àwọn olùṣírò owó. A lè wo àwọn ìwé àkọsílẹ̀ àkántì, tí a lè ṣ' àyẹ̀wò rẹ̀ tí a sì lè fi ránṣẹ́ sí ímeèlì lójoojúmọ́ tàbí lóṣooṣù. A lè parí àwọn fọ́ọ̀mù ìsanwó fúnra rẹ̀ nípa ṣíṣe àyẹ̀wò ìwé owó. A dín iye àwọn àyè tí ó pọn dandan nínú àwọn fọ́ọ̀mù ìsanwó kù, a sì ṣe àwọn àyẹ̀wò lórí àwọn ìsanwó òkèèrè lọ́nà aládàáṣiṣẹ́. Ìbánisọ̀rọ̀ náà dá lórí àwọn ìfọ̀rọ̀wánilẹ́nuwò, àwọn ẹgbẹ́ àfojúsùn àti ìdánwò. Àfojúsùn ni láti ní irinṣẹ́ báńkì tí ó mọ́ tí ó sì rọrùn.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Jysan Bank Iṣẹ́ Ìbánisọ̀rọ̀ fún Ìṣòwò Báńkì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Jysan Bank Iṣẹ́ Ìbánisọ̀rọ̀ fún Ìṣòwò Báńkì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Jysan Bank Iṣẹ́ Ìbánisọ̀rọ̀ fún Ìṣòwò Báńkì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Clean and simple WEB and App interface for CEOs and accountants, based on their needs.
Noticeable features: Account statement auto-export (on a daily/monthly basis); Easy statement control; Scanning the invoice to automatically fill out the payment form; In cooperation with the FX transactions department, the number of required fields in payment forms have been cut; Manual validation of Foreign payments have been automated, etc.
Ìwọ̀n àti Àpò
Over 2000 pages in iOS, Android, web have been created and the number of pages is still increasing. Figma files have been structured on the project sections and scenarios, to make it easy to use them. Explanation and link with requirements on Confluence is over each screen. Also, binding Figma and Slack has been linked up to trace the comments in Figma. Design library was created to reuse components. Illustrations and icons were created in Illustrator software.
Àwọn Àkọlé
Bank, Banking, Fin Tech, Finance, B2B, Interface, UX/UI, Web, app, mobile
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The project was emphasized on the researches: Stakeholders interview; Competitor analysis; Focus groups, etc. Tools: Confluence; Jira; Miro; Design with flow description, design library for iOS, Android, web and CJMs, all of that in Figma; Illustrations and icons in Illustrator; Structure of events for analytics in Google Sheets, etc.
Ìpèníjà Àpèsè
The biggest challenge was to draw the design foreign payments . Working without manager, leads to getting information by own means. Cooperation with FX transactions department and the Currency control of the bank gave data on problems and optimization possibilities via banking. Due to that a part of validation was possible to place on the front and banking backend. Thus, it unloaded the back office of the bank and simplified the form of foreign payments for customers.
Ìwádìí
Stakeholder interview: It was requited to understand the business goals, the target audience of the product etc. Focus group: Firstly, It was nesessery to understand the main criteria of choosing the bank and who makes that decision, company accountant or company CEO. Also, it was needed to identify problems which the target audience faced in rival banks. Other researshes: Target Audience Interview, Testing, Customer journey map, Data search in different sources, Data from Analytics etc.
Ìmísí
Motivation was conditioned by the identified problems through research, data collection, specifically stakeholders interviews, target audience interviews etc. Inspiration was taken a lot by the City Bank, because they have a highly flexible functional for b2b clients. Collaboration with backend developers and different bank departments was done to work out optimizations. As for UI design, the cleanness and simplicity of the Revolut Bank was taken as an example.
Àkókò Iṣẹ́ Àkànṣe
The project started in February 2020 in Almaty and launched in December 2020 in Almaty. Now the project is underway.
Ìlànà Ìṣiṣẹ́
WEB.The main page all accounts with balances are displayed.
Falling into the account, a statement can be viewed and the most common filters can be used. Also, a statement unloading can be set to the email both on a daily basis and on a monthly basis.
App.
At the falling into Payment order from Create tab a user may not fill out the form manually, but scan the invoice for payment and the form shall be filled out automatically, that saves users from the tedious filling out the forms.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
For iPhone iPad and MacBook mockups the following resource was used: http://www.ls.graphics with Subscription on Unlimited Access To All Products. Copyrights for design belong to the First Heartland Jusan Bank.
Àwọn Ọmọ Ẹgbẹ́
Illustrator: Moldir Zhannatova
Developers: STRONG
Ìfọwọ́sí Àwòrán
Image #1: Illustrator Moldir Zhannatova, icons, 2020.
Image #2: Illustrator Moldir Zhannatova, icons and illustrations, 2020.
Image #3: Illustrator Moldir Zhannatova, icons, 2020.
Image #4: Illustrator Moldir Zhannatova, icons, 2020.
Video Credits: Illustrator Moldir Zhannatova, icons and illustrations, 2020.

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