Whale Tail Àga Ìjókòó láti ọwọ́ Enrique Minguez

Whale Tail Àga Ìjókòó láti ọwọ́ Enrique Minguez jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ọgbà àti Ohun-èlò Ìta Ilé.

FàdákàOhun-èlò Ìta Ilé· 2021

Whale Tail Àga Ìjókòó

látọ̀wọ́ Enrique Minguez

Oníbàárà: QZ Urban Furniture

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ìta Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #118288

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Whale Tail Àga Ìjókòó

Àga ìlú yìí jẹ́ ohun èlò oríṣiríṣi tí ó wúlò fún inú ilé àti ìta gbangba. Àpẹrẹ àga náà àti ìtìlẹ́yìn rẹ̀ mú kí ó jọ ìrù ẹja ńlá láìdín ìrọ̀rùn àti ìdúró ṣinṣin rẹ̀ kù. Ipá fẹ́lẹ́fẹ́lẹ́ faiba-gíláàsì kan bo àárín igi tàbí kọ́ńkírítì tí a fi pílásítíìkì àtúnlò ṣe àfikún sí. A lè gbé e kalẹ̀ nìkan tàbí ní ọ̀wọ́ kékeré.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Whale Tail Àga Ìjókòó jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Whale Tail Àga Ìjókòó yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Whale Tail Àga Ìjókòó jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This single support design, allows for elegance and sobriety in both urban and natural environments. It can be placed either by itself or in small groups, enabling the seating space to resemble the vision of a single whale or of a whole pod swimming in harmony. It allows for different options in use of materials. It can be made of fiberglass reinforced either with wood or concrete. Yet, in its most environmentally efficient version, it can also be made of fiberglass reinforced with concrete and recycled plastic. All of these combinations enable the seat to follow a clean and ergonomic shape. Depending on the materials chosen it can resist up to 310kg.
Ìwọ̀n àti Àpò: The maximum measures are 80cm width, 54cm depth and 51cm height. The width varies in a smooth transition from the tail (seat) of 80 cm to the neck of the tail (base) of just 16 cm.
Àwọn Àkọlé: WhaleTailBench, WhaleTail, Bench, SeaBench, PortBench, Seafront
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: It can be made from three different processes:
A. Fiberglass reinforced with wood. Fiberglass painted thick between 8 and 12 mm. Interior reinforced with high density compact laminated wood frame.
B. Fiberglass with reinforced concrete and recycled plastic. Fiberglass painted thick between 4 and 8 mm. Interior reinforced with polymer concrete and recycled HPDE.
C. Reinforced concrete. Concrete finish, reinforced with fibers of very high performance and great plasticity, which gives it great resistance.
Ìpèníjà Àpèsè: Once the molds were made, the main problem was maintaining the beauty in all the surface of the element. The solution to the problem was found adapting the manufacturing process to the different materials. It needed to be done in two parts that had to be joined later, working on the partition line. In the case of fiberglass reinforced with concrete and recycled plastic, the problem resided in the breathability of the concrete. To avoid it penetrating the fiber, the element was painted after finishing the piece. Finally, in the version with only concrete, the opening in the surface to pour the concrete was too small and the figure needed to be vibrated, so the solution involved changes in the pouring method and a concrete grain reduction.
Ìwádìí: The type of research used was data collection by observation, as the main objective was to create a piece based on marine life. Design Thinking Methodology was then used to ensure that ergonomics was present, but always framed by the connection to the sea. Bearing that in mind, whales, dolphins, seahorses, waves and other remarkable marine items were studied to abstract their basic shapes. The aim was to establish a relationship between those shapes and the forms produced by the human body, in search of a practical figure. After some failed initial creations, the focus turned to capturing the aerodynamic and organic essence of the marine environment. Thus, it was concluded that the tail of a whale resembled the basic ergonomics of a seat. The first version was designed with bigger cantilevers but did not pass the strength simulation program test since the bending movement was too big for the desired single support. In order to solve this key part, the cantilever was shortened and the structure reinforced with an internal frame of wood. In the final model, this frame runs through the entire central part of the piece, being the connecting component between the two faces of the bench.
Ìmísí: This piece of furniture takes its inspiration from the ocean and one of the most iconic images it offers us: the whale tails.
Àkókò Iṣẹ́ Àkànṣe: The project started in September 2019 and finished in March 2020 in Cartagena (Spain), and it was exhibited in the port of Cartagena in June 2020. Currently it has been proposed for a large-area shopping center.
Ìlànà Ìṣiṣẹ́: Sitting bench. This piece not only fulfils the function of a seat, it also provides an aesthetic value when it is placed in the urban space: seafronts, ports, parks, squares, streets and boulevards. When t it is not occupied, its soft undulating shapes make it a sculptural element.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Patented. 08/2020/435. Enrique Mínguez Ros. 2020. Intellectual property.
Àwọn Ọmọ Ẹgbẹ́: Designer: Enrique Mínguez
Ìfọwọ́sí Àwòrán: Image #1: Photographer David Frutos, Whale Tail Bench, 2020.
Image #2: Photographer David Frutos, Whale Tail Bench, 2020.
Image #3: Photographer David Frutos, Whale Tail Bench, 2020.
Image #4: Photographer Mario González, Whale Tail Bench, 2020.
Image #2: Photographer Enrique Mínguez, Whale Tail Bench, 2020.