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The Ark of Future Ìlànà Abẹ́nú Ilé Ibùgbé láti ọwọ́ Kun Tang

The Ark of Future Ìlànà Abẹ́nú Ilé Ibùgbé láti ọwọ́ Kun Tang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2021

The Ark of Future Ìlànà Abẹ́nú Ilé Ibùgbé

látọ̀wọ́ Kun Tang

Oníbàárà: Mr. Zhang

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #118455

Àwọ̀

Àpẹrẹ Náà

Nípa The Ark of Future Ìlànà Abẹ́nú Ilé Ibùgbé

Ọkọ̀ Ọjọ́ Ọ̀la jẹ́ ìlànà abẹ́nú fún ilé ìbùgbé aládàáni tí ó ní àyè tó jẹ́ mítà onígun mẹ́rin méjìdínlọ́gọ́rùn-ún ó lé mẹ́jọ (188). A ṣe ètò ilé náà fún ìdílé ọ̀dọ́ kan tí ó máa ń gba àwọn àlejò nígbà gbogbo. Ìṣètò tí a pín ní ààbọ̀ so ilé ìdáná, yàrá jíjẹun àti sítòọ̀lù pọ̀ sí àyè gbogbogbò kan tí ó ṣí sílẹ̀. A gbé yàrá sísùn mẹ́rin sí ẹ̀gbẹ́ ètò náà, tí ó sì kojú sí ìwòye odò àti òkè ńlá. Àwọn ojú ilé lo símẹ́ǹtì, igi àti òkúta ní ipò tí ó súnmọ́ ìrísí wọn ìpilẹ̀ṣẹ̀. Àwọn ohun èlò ìtọ́sọ́nà èéfín àti àwọn àṣíborí adiro ṣiṣẹ́ pọ̀ láti kóso èéfín sísè nínú ilé ìdáná tí ó ṣí sílẹ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

The Ark of Future Ìlànà Abẹ́nú Ilé Ibùgbé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé The Ark of Future Ìlànà Abẹ́nú Ilé Ibùgbé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. The Ark of Future Ìlànà Abẹ́nú Ilé Ibùgbé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
It is an interior design case for a residential lived a young couple and two children.
The owner often holds home parties. Thus, they want an open public space but ensure the living function for the family simultaneously.
The designer uses a semi-partitioned space-cutting method to build a public area with great interaction and transparent vision.
The designer applied the technique of Chinese painting in the space, so that the river landscape outside the window is more eye-catching.
Ìwọ̀n àti Àpò
Indoor Area: 188 square meters
Àwọn Àkọlé
Interior Design, The Space of Flows, Kitchen, The Disposal of Oil Fume
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The designer positioned this space as a carrier of day-to-day life. The sense of existence of the space is minimized through simple spatial structure and lots of blank space. It leaves a free framework for the changing living conditions of the owners, so as to provide more possibilities for the enhancement of the space.
Almost all planes and facades are composed of pure vertical segments. A large number of squares and golden section matrix are used for composition, which is fashionable and full of balanced aesthetic features of "Neoplasticism".
In order to create a simple, natural and bright space atmosphere, the surface of the space uses cement, wood, stone and other building materials which are close to the original state.
The designer rationally uses linear light sources and reflected light sources in different functional spaces in the interior. By expressing the inherent colors, textures and textures of the building materials themselves, a natural atmosphere in the space has been created.
Ìpèníjà Àpèsè
In this case, the open kitchen provides plenty of social and living functions.
For Chinese kitchens, the disposal of oil fume in cooking is a huge challenge. The designer uses both smoke guiding equipment and range hoods to prevent oil fume from spreading through secondary filtration.
Ìwádìí
The application of flowing space design concept in a residential project
The processing for lampblack in a Chinese-style open kitchen
Ìmísí
The inspiration comes from Ludwig Mies van der Rohe's design concept, the Space of Flows. After a moderate space transformation, the designer connects the kitchen, dining room, and living room into a public activity space with an area of more than 100 square meters. The public area provides decent space for family interaction and gatherings of friends.
The four bedrooms are set on the edge of the public space and facing the river and mountain views to ensure customer's privacy and comfort.
Àkókò Iṣẹ́ Àkànṣe
Design Duration: October 2019 to November 2019
Date of Completion: October 2020
Project Address: Yunyan District, Guiyang City, China
Ìlànà Ìṣiṣẹ́
The designer has expanded the kitchen functions by setting up hidden wine cabinets and cigar cabinets in the kitchen area. By setting open leisure areas around the kitchen, the kitchen becomes a restaurant, bar, tearoom and rest hall. The integrated area has also become the main area for family communication and gatherings of relatives and friends. This conversion of kitchen functions makes a fantastic life for residents and closer communication between family members.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Copyrights belong to Guizhou Tangkai Design and Engineering Ltd.
Àwọn Ọmọ Ẹgbẹ́
Kun Tang
Ìfọwọ́sí Àwòrán
Photographer: Brenda Xiong

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