Next 1 Ìṣàpẹẹrẹ Ilẹ̀ láti ọwọ́ Fu Chu Hsu

Next 1 Ìṣàpẹẹrẹ Ilẹ̀ láti ọwọ́ Fu Chu Hsu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìgbéró Ilẹ̀ àti Ọgbà.

IrinÀpẹẹrẹ Ilẹ̀· 2021

Next 1 Ìṣàpẹẹrẹ Ilẹ̀

látọ̀wọ́ Fu Chu Hsu

Oníbàárà: G Design

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àpẹẹrẹ Ilẹ̀

13,278

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #119979

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Next 1 Ìṣàpẹẹrẹ Ilẹ̀

Next 1 jẹ́ ìṣàpẹẹrẹ ilẹ̀ ibùgbé kan tí ó bo agbègbè tí ó tó mítà onígun 2300 ní Taichung, Taiwan. Ìlànà rẹ̀ tẹ̀lé àwọn ìlà jiometirika àti gbígbìn ní ìpele-ìpele tí ó ń dá ìjìnlẹ̀ tí ó lọ́po lórí ara wọn. Àwọn ọ̀nà tí ó yíká máa ń darí ìrìnkiri ní ẹ̀gbẹ́ òpópónà, tí ó sì ń mú ìrọ̀rùn bá àyè ìrìnkiri. Gbígbìn ní onírúurú ìpele máa ń yí padà bí àkókò mẹ́rin ọdún ń yí, àwọn àga tí ó rọrùn sì ni a gbé sí àwọn àyè tí ó ṣí sílẹ̀. Àyè ńlá tí ó ṣí sílẹ̀, àwọn ìpele gbígbìn tí ó ń tún ṣe àti àwọn adágún omi ń ṣèrànwọ́ láti ṣàtúnṣe ojú-ọjọ́ agbègbè kékeré àti láti dín iye ìtànṣán inú ilé kù. Ìṣàpẹẹrẹ yìí mú ètò ìṣèdálẹ̀-ẹ̀dá tí ó jọ ìletò abúlé wá sínú àdúgbò náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Next 1 Ìṣàpẹẹrẹ Ilẹ̀ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Next 1 Ìṣàpẹẹrẹ Ilẹ̀ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Next 1 Ìṣàpẹẹrẹ Ilẹ̀ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This project uses geometric linear frames and overlapping levels of depth of field design techniques, introduces the concept of contrast between virtual and reality, the beauty of ambiguous, outlines a unique artistic charm, creates a humanistic and artistic mixed residential, having rich exquisite abstract space aesthetics.
Ìwọ̀n àti Àpò: The project is 2300 square meter.
Àwọn Àkọlé: Landscape, Garden Design, Design, Space, Planning
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: In response to the irregular corner-cutting space created by the surrounding natural environment of the site and the volume turning configuration of the building, the overall layout adopts a geometric linear method and a layered overlapping depth of field layout method.
Ìpèníjà Àpèsè: The backyard space is a private space for residents, where the depth of the restricted base is short.The surrounding wall with the neighboring area makes the space more malleable and interesting through a large area of mirror reflection. The corner space will be decorated with geometric framed scenery and green spots. The stepped grass slopes and green scenery are set up, except for the gym.
Ìwádìí: With the lowest impact land development method, the establishment of a friendly environment base configuration, leaving a large area of open space, using a large number of repeated layers of planting and pool settings, as a base to adjust the microclimate and save energy. Reduce the time of indoor lighting to achieve a friendly environment and ease the phenomenon of urban warmer temperature. At the same time, the humanistic aesthetics is put into the community in the form of a village in traditional life, forming a humanistic living environment that can be continued for future generations.
Ìmísí: The humanistic aesthetics is put into the community in the form of a village in traditional life, forming a humanistic living environment that can be continued for future generations.
Àkókò Iṣẹ́ Àkànṣe: The project finished in September 2020 in Taichung, Taiwan.
Ìlànà Ìṣiṣẹ́: The street surface uses a curve as a guide for the continuity of the moving line. The open space in this friendly and retreat shopping block, through the lingering geometric curves to soften and extend the walking space, with the multi-layer planting design that changes in four seasons, the simple and artistic seats, and the fashionable and interesting sharpie store’s sign with fashionable panda artworks, vaguely telling visitors to come to the fashion toy area for adults.
Àwọn Ọmọ Ẹgbẹ́: Designer: Fu-Chu Hsu
Ìfọwọ́sí Àwòrán: Image #1-5: Photographer Chi-Min Wu, Next 1, 2020.