Penumbra Fọtoyiya láti ọwọ́ Maja Zinczuk

Penumbra Fọtoyiya láti ọwọ́ Maja Zinczuk jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Fọ́tò Yíya àti Àtúnṣe Fọ́tò.

FàdákàFọ́tò Yíya· 2021

Penumbra Fọtoyiya

látọ̀wọ́ Maja Zinczuk

Oníbàárà: Maya Zet

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Fọ́tò Yíya

27,800

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #123551

Kẹ́kọ̀ọ́ Síi Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àpẹrẹ Náà

Nípa Penumbra Fọtoyiya

Apẹrẹ ya awọn fọto ni akoko kan nigbati nlọ ile ati ipade eniyan jẹ ipenija, ie lakoko ajakaye-arun naa. Duro ni ile fun igba pipẹ ṣe okunfa ẹda onkọwe & # 039; Nitorina awọn ohun elo ojoojumọ ti a ri ni ile, gẹgẹbi awọn abọ omi, awọn ohun elo ti n ṣe afihan, awọn ferese inu ile naa ni a lo lati ṣe apẹẹrẹ ina. Awọn iṣẹ rẹ ti ya ni awọ akọkọ, lẹhinna yipada si dudu ati funfun. Ohun gbogbo ti a ṣe digitally. Fọto kan ṣoṣo ti o ya pẹlu ina atọwọda lati atupa ati pe o jẹ aworan ti ọmọkunrin kan. Silhouettes nigbagbogbo han farasin.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Penumbra Fọtoyiya jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Penumbra Fọtoyiya yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Penumbra Fọtoyiya jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The photos were taken during the global pandemic. The most important challenge of this project was the limitations of leaving the house and meeting people.The point was to show, with minimal resources, what our life was like then.Everyday items were used for this photo session
Ìwọ̀n àti Àpò: Nikon D800 camera, black and white mode for most of the photos. Some photos were taken in color, then changed to black and white.
Àwọn Àkọlé: contrast, light, chiaroscuro, black and white, mood, Poland, portraits
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Fot photography were used various objects found in the house: bowls of water, reflective materials, decorative lamps, sometimes it was also the setting sun or elements of the architecture of buildings. These photos were taken in homes of photographed people or close to them.
Ìpèníjà Àpèsè: The biggest difficulty was the constraints of a global pandemic and finding the right means to tell a story when you are limited in moving.
Ìwádìí: Type of study was: how can you capture fleeting moments in our everyday life? When we stop for a moment and start looking more closely. We can then notice things that we have missed so far.When you look at these photos, you will see not only light contrasts, but that opposites attract.
Ìmísí: Caravaggio's paintings were the inspiration for these photos. Especially his passion for sharp contrasts and sharp chiaroscuro. In his paintings, many things remained in the dark, but nevertheless revealed what was most important. He modeled the silhouettes in a theatrical way, giving them a slightly religious expression.The clash of reality and spirituality was the most important. These were main subjects when shooting.People around the photographer were also an inspiration.These are the people she knows well.During the shooting, she was able to show some of the nature of the photographed people, their interests and feelings that accompanied them at that time.
Àkókò Iṣẹ́ Àkànṣe: The works were photographed in 2019 in Białystok Poland.The most common places were the homes of the photographed people and their surroundings.
Ìlànà Ìṣiṣẹ́: It was a big challenge to wait for the right moment during the day to capture the right light.
Ìfọwọ́sí Àwòrán: Image#1:Białystok,Poland,Joanna in her studio, 2019
Image#2:Białystok,Poland,Singer,2019
Image#3:Białystok,Poland,My son,2019
Image#4:Białystok,Poland,Paulina in garden,2019
Image#5:Białystok,Poland,Cecylia,2019