Reflections of Tomorrow Ilana Inu Ile Ibugbe láti ọwọ́ Yan Lin Wu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2022
Reflections of Tomorrow Ilana Inu Ile Ibugbe
látọ̀wọ́ Yan Lin Wu
Oníbàárà: AS Interior Design
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #128082Àpẹrẹ Náà
Nípa Reflections of Tomorrow Ilana Inu Ile Ibugbe
Reflections of Tomorrow jẹ́ ilana ilé ìbùgbé kan tí a parí ní Taiwan ní ọdún 2020. Ìtòlẹ́sẹẹsẹ náà so ẹnu-ọ̀nà, yàrá ìjẹun, yàrá ìjókòó àti yàrá ìkẹ́kọ̀ọ́ tí ó ṣí sílẹ̀ pọ̀ mọ́ agbègbè gbogbo-ènìyàn kan tí ó ń bá ara wọn lọ, nígbà tí yàrá-ìsùn àkọ́kọ́, yàrá-ìsùn kejì àti balùwẹ̀ dá agbègbè àdáni sílẹ̀. Àwọn àpẹrẹ tí kò dọ́gba tí a gé sí igun kọjá àwọn ògiri, tí ó so wallpaper, pákó símẹ́ǹtì, dígí aláwọ̀ tawny, dígí dúdú àti awo irin pọ̀. Àjà náà ń gòkè ní kẹ̀rẹ̀kẹ̀rẹ̀ láti igun kan sí ìhà òdìkejì láti yẹra fún àwọn ìtì-ilé. Àwọn fèrèsé ńlá gbé ìmọ́lẹ̀ ọ̀sán wọlé sí àwọn apá ìnú ilé tí ó jinlẹ̀ jùlọ.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Reflections of Tomorrow Ilana Inu Ile Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Reflections of Tomorrow Ilana Inu Ile Ibugbe yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Reflections of Tomorrow Ilana Inu Ile Ibugbe nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The designer applied (special days) to extend the ideas, hoping that the existence of the space is not only a living space for people but also a window and mirror. Looking inward through the area, one sees the longing and yearning for a better life; yet when the night comes, and the light and shadow reflect themselves, one could see their extraordinary figures in the day. After the concept was formed, the idea of implementation came from the designer initial observation of the space.
- Ìwọ̀n àti Àpò
- The interior space of 25 level grounds includes a public area, an entrance, a dining room, a living room, and an open-end study; as for the private area: a master bedroom, a secondary bedroom, and a bathroom are included.
- Àwọn Àkọlé
- comfortable, cozy atmosphere, beveled shape, open-end methods to link each area
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Wallpaper, Cement board, Metal plate, Black glass, Mirror, System cabinet.
- Ìpèníjà Àpèsè
- The designer used an open-end design method to connect the entrance, dining room, living room, and open study. A round table is supplemented to facilitate circulation. At the same time, the beveled shape from the beginning of the entryway and the wallpapers, tawny glass, and black glass material shifting cut out the irregular beveled geometry. After connecting the space, the daylight from the window edge glows into the transparent interior space, also solving the problem of shading in the deep area.
- Ìwádìí
- Irregular beveled geometries cut the wallpapers, tawny glass, and black glass on the facade to outline interesting visual layers and create connections. Large windows are applied to draw the abundant natural sunlight and broaden the vision of the public area. Although the facade and cabinets are made of low-limit dark materials, the ceiling is still gradually raised from one corner to the rest. The inverted slant on both the facade and the ceiling is the designer expression to find a special form of interest in the solidified, hard rules of a straight and square building in the city.
- Ìmísí
- For the design of this case, the designer compared the design to a window and a mirror. Through design, people have developed a beautiful imagination of tomorrow while reflecting on one small but particular figure in ordinary days. The designer took this as a metaphor; with the design of the facade and the ceiling made of different materials with inverted slope, a slight vividness is created within the square and linear spaces and buildings that can be seen often in the city. The designer also hoped that the client could feel and enjoy the unique details in the ordinary days through the design.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in June 2020 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- Beveled-shaped elements can also be seen in the master bedroom; although the beveled shapes on the wall have changed to vertical lines, the ceiling still had to be raised from the right side of the bed to the opposite corner to avoid the beam-columns. The room also echoes with the beveled-shaped theme in the public area. In consideration of the need for storage, the designer used sliding doors to form a cutting ratio at the back of the bed to place storage volume and used gray cabinets and paints to balance the lively feeling brought by the ceiling, presenting a comfortable and cozy atmosphere.
- Àwọn Ọmọ Ẹgbẹ́
- Yan-Lin Wu, Xiu-Na Xu, Yu-Cheng You
- Ìfọwọ́sí Àwòrán
- AS Interior Design
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