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National Gallery Athens Ilé-Ìkànṣe láti ọwọ́ Parmenidis Longuepee Mari Team

National Gallery Athens Ilé-Ìkànṣe láti ọwọ́ Parmenidis Longuepee Mari Team jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


WúràInú Ilé· 2022

National Gallery Athens Ilé-Ìkànṣe

látọ̀wọ́ Parmenidis Longuepee Mari Team

Oníbàárà: National Gallery of Greece

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #129529

Àwọ̀

Àpẹrẹ Náà

Nípa National Gallery Athens Ilé-Ìkànṣe

Nínú ilé ìgbàlódé àwọn ọdún 1960 ti Ilé-Ìkànṣe Orílẹ̀-èdè ní Athens, àwọn yàrá ìfihàn ti ṣe àpẹẹrẹ bí ìrìnkiri nínú aayè gbangba. A ṣe àpẹẹrẹ inú ilé náà gẹ́gẹ́ bí ìtẹ̀síwájú àwọn agbègbè ìyípadà tí a fi igi bò fún ìfitọ́nísọ́nà, àti àwọn yàrá ìfihàn funfun pẹ̀lú àwọn àjà-ilé pàtàkì tí a ṣe àpẹẹrẹ tí wọ́n so rọ̀ fún iṣẹ́ ìfihàn kọ̀ọ̀kan. Nípa ṣíṣe ìṣàkóso ọ̀nà ìwòye, ìjìnlẹ̀ ìran nínú àwọn yàrá àti sí ọ̀nà ìlú, ìmọ́lẹ̀ gbogbogbo ní ìbámu pẹ̀lú ìmọ́lẹ̀ òde-òní, àti dídín àwọn ohun èlò àti àwọn àlàyé ìmọ̀-ẹ̀rọ kù láti ṣe afihàn àwọn iṣẹ́-ọnà, aayè náà fún ni ní ìrílárá ti ìyàn-òmìnira.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

National Gallery Athens Ilé-Ìkànṣe jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé National Gallery Athens Ilé-Ìkànṣe yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. National Gallery Athens Ilé-Ìkànṣe ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Ìwọ̀n àti Àpò
Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Àwọn Àkọlé
museography, interior space, gaze, minimalism
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Ìpèníjà Àpèsè
The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Ìwádìí
Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Ìmísí
The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Àkókò Iṣẹ́ Àkànṣe
The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Ìlànà Ìṣiṣẹ́
The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Àwọn Ọmọ Ẹgbẹ́
architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Ìfọwọ́sí Àwòrán
All photos own to the team.

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