Yearning for Home Iṣẹ Abẹnu ti Ile fun Ibugbe láti ọwọ́ Yu Lung Lee jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2022
Yearning for Home Iṣẹ Abẹnu ti Ile fun Ibugbe
látọ̀wọ́ Yu Lung Lee
Oníbàárà: HOLY Design
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #130542Àpẹrẹ Náà
Nípa Yearning for Home Iṣẹ Abẹnu ti Ile fun Ibugbe
Ìfẹ́ Ilé jẹ́ àpẹrẹ abẹnu ibùgbé kan tí ó tún ń ṣètìlẹ́yìn fún iṣẹ́ ìṣẹ́rẹ̀. Ìpìlẹ̀ tó wà télẹ̀ ni a ṣí sílẹ̀, tí a fi yàrá ìsùn kan pọ̀ mọ́ yàrá kejì, kí àyè náà lè fẹ̀ sí i. Àwọ̀ dúdú aró simenti bo ògiri tẹlifíṣàn àti àwọn ìlẹ̀kùn ìkọ̀kọ̀ ti yàrá ìsùn, yàrá ìpamọ́, àti balùwẹ àlejò, ó sì ń fi ìṣàyípadà ìpele ìmọ́lẹ̀ àti òjìji hàn. Àwọn àpẹrẹ arìnàká fi rọ̀ọ́rọ̀ mú ìtannà àti ọ̀wọ̀n rọ̀, nígbà tí a fi ìtànṣán ìmọ́lẹ̀ tààrà bọ inú fún àṣálẹ́. Ọ̀pá àti tábìlì oúnjẹ olóńṣèdí ń ṣiṣẹ́ gẹ́gẹ́ bí ojú-iṣẹ́. Àwọn ògiri tí a dá dúró ń gbé àwọn àkójọpọ̀ iṣẹ́-ọnà oníbàárà náà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Yearning for Home Iṣẹ Abẹnu ti Ile fun Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Yearning for Home Iṣẹ Abẹnu ti Ile fun Ibugbe yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Yearning for Home Iṣẹ Abẹnu ti Ile fun Ibugbe nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The overall spatial broke the rules of traditional residences by knocking through the initial base; only one bedroom area that connects the secondary bedroom is built, allowing the stricture to be more expansive. The private area applied a trap door and cement paints in shades of grey to reflect the television wall of the living room. This space is required for commercial use; therefore, the public area is planned using diagonal methods and placed with counters and dining tables as working tables, allowing the user to maintain a private area within the open-end space.
- Ìwọ̀n àti Àpò
- Applied with curve designs in many ways to soften beam-columns and area division; also, the mottled grey cement paints are used on the television wall towards the trap doors of the bedroom, the storage room, and the guest bathroom. The cement paint also shows different layers of lights and shadows according to the angle of the sunlight. The sofa wall is intermediated with a semi wooden cabinet that embedded wires and electric sockets to satisfy storage needs. Curved designs are applied and extended throughout the television wall and the beam columns.
- Àwọn Àkọlé
- Cement paints, lighting transparent, rust-imitated bricks, trap door designs, curved-shape decorating.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Hardware elements, cement paints, wooden pieces, lightings, dimming roller shades, double-layered sheers, melamine overlay plywood, rust-imitated bricks, hexagonal bricks, through methods, laminate hard plastic sheet in grey tones.
- Ìpèníjà Àpèsè
- To perfectly match the client beloved 20-times-20 sized tiles, the height of the counter is designed to be 80 centimeters. This ingenuity has perfectly fit the sizes of most imported tiles, while the appropriate height has balanced the public area visually without creating abrupt and towering feelings.
- Ìwádìí
- The entryway is embedded with wooden and hardware-made shelves to hang up outer clothes, helmets, and others; a low wooden stool is placed aside to make the shoe-wearing progress more comfortable. Commercial demands are required; therefore, the public area is equipped with two working areas. Embedded electric sockets on the floor have allowed users to work more freely and conveniently. A hallowed area is designed below the counter side; it is specially planned for the client to place the robot vacuum. The ingenuity has allowed the robot to clean the public area without being restricted freely.
- Ìmísí
- Instead of the traditional ways for spatial arrangements, this design is made as an open-end space. The preserved walls, the trap door design, the curves, and the color contrast echo each other; meanwhile, the expansive window has brought in sunlight that outlines the pureness of white, grey, and tones of wood. The designer has given back simplicity to this gallery-like residence, allowing each vista and corner to be appreciated and enjoyed by users.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in April 2020 and finished in August 2020 in Daxi Township, Taoyuan City.
- Ìlànà Ìṣiṣẹ́
- The public area is designed as an open-end area, while a counter and a diagonal dining table slash working table are placed as the center of the room. The walls of the space are also preserved for the client art collection to be hung up. Arc-shaped designs have prevented the dull feeling of right angles, and linear lightings are embedded to create a lively atmosphere during the night. Furthermore, cabinets are placed along the traffic flow behind the sofa to develop spatial transparency; the cabinet is an intermediary and a container to store books.
- Àwọn Ọmọ Ẹgbẹ́
- Yu-Lung Lee, Szu-Hui Wang
- Ìfọwọ́sí Àwòrán
- Chuang-Chieh Chiu
Oníṣọwọ́
Ṣàwárí Ju Designers.org Lọ
Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.
Díẹ̀ Síi Láti Ṣàwárí
Àwọn Àpẹrẹ Tó Jọra
Ṣàwárí àwọn àpẹrẹ mìíràn tó gba àmì ẹ̀yẹ nínú ẹ̀ka kan náà, tí a yàn nípasẹ̀ ìyege.
