Idẹ Inú Ilé · 2022
Fujifilm Clay Studio2 Iṣẹ Abẹnu Ọfiisi
by Koji Aoki, Lin Su and Atsushi Fujita
- Àmì-ẹ̀yẹ Idẹ A' Design Award 2022 in Inú Ilé
- CLIENT: Fujifilm Corporation
- Estimated Number of Design Views: 10,402
- Verification code A29002A4FB · Verify this award
Colors
About Fujifilm Clay Studio2 Iṣẹ Abẹnu Ọfiisi
Clay Studio 2 jẹ apẹrẹ inu ọfiisi ti a ṣe fun iṣẹ apẹrẹ ọja ati apẹrẹ wiwo ni Tokyo. Aaye mita onigun mẹrin 300 ni a ṣe eto gẹgẹ bi agbegbe tutu fun ifọkansi ọkan, ni ìyàtọ̀ sí àwọn ọ́fíìsì tí wọ́n ṣe àkọ́kọ́ lórí ìjùmọ̀sọ̀rọ̀pọ̀. A fi kọ́ńkíríìtì, àwọ̀ àti pákó igi-símẹ́ntì sílẹ̀ láìṣàtúnṣe, tí ó mú kí yàrá náà farahàn bí ẹni pé ó ní kìkì àwọn bíìmù àti ọ̀wọ́n. Ètò ọgbà àti ìran àdánidá ṣe ìpìlẹ̀ẹ̀yìn, tí wọ́n sì mú ìyípadà àsìkò wọlé sí inú àyè náà. Àwọn tábìlì kọojú sóde, tábìlì mítà méje sì fàyè gba ìpàdé kúkúrú nígbà tí ó ń pa àyè jìnà sáàrin àwọn ènìyàn mọ́.
About the Àmì-ẹ̀yẹ Idẹ A' Design Award
Fujifilm Clay Studio2 Iṣẹ Abẹnu Ọfiisi jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Fujifilm Clay Studio2 Iṣẹ Abẹnu Ọfiisi yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Fujifilm Clay Studio2 Iṣẹ Abẹnu Ọfiisi ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Press Kit
- Unique Properties
- It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
- Dimensions & Packaging
- The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
- Tags
- a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
- Production Technology
- concrete, painting, wood cement board
- Design Challenge
- It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition. - Research
- This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26 - Inspiration
- The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine. - Project Duration
- Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo - Operation Flow
- While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
