Under the Bodhi Tree Primary Function: Àwòrán Inú Ilé Fúláàtì láti ọwọ́ Joyce Yi-Ching Yang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2022
Under the Bodhi Tree Primary Function: Àwòrán Inú Ilé Fúláàtì
látọ̀wọ́ Joyce Yi-Ching Yang
Oníbàárà: Heng G Design
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #132432Àpẹrẹ Náà
Nípa Under the Bodhi Tree Primary Function: Àwòrán Inú Ilé Fúláàtì
Book Text: Under the Bodhi Tree jẹ́ àwòrán inú fúláàtì ìbùgbé kan ní Taichung, Taiwan, tí ó bo àyè inú tí ó tó mítà onígun mẹ́rin 114. Idẹ, igi àti àwọ̀ dúdú ń gba gbogbo ilé náà kọjá. A fi ohun ọ̀ṣọ́ ilé àti àwòrán rọ́po àwọn ògiri ìpínyà tí kò pọ̀n dandan, tí ó mú kí gbàngàn ìjókòó gbòòrò tí ó sì pín àwọn iṣẹ́ rẹ̀ sí ọ̀tọ̀ọ̀tọ̀. Àwọn ògiri, òrùlé àti ilẹ̀ gbé àwọn ìṣètò igi onígun mẹ́ta tí ó ń fikún ìbámu àti ìjìnlẹ̀. Gbàngàn Búdà náà rọrùn tí ó sì jẹ́ ọ̀kan péré. Àkójọ àwọ̀ ilẹ̀ tí ó dàbí erùpẹ̀ fún àyè náà ní ìwà ìdákẹ́jẹ́ẹ́ àti aláìlópin ó sì rọ àlàfo tí ó wà láàrin ilé àti àyíká àdánidá.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Under the Bodhi Tree Primary Function: Àwòrán Inú Ilé Fúláàtì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Under the Bodhi Tree Primary Function: Àwòrán Inú Ilé Fúláàtì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Under the Bodhi Tree Primary Function: Àwòrán Inú Ilé Fúláàtì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Three elements brass, wood and black flow throughout the entire apartment. Unnecessary partition walls were replaced with furniture and screens, so as to enlarge the living room space, while also differentiating between its various functions. In a departure from tradition, the Buddha hall is both minimalist and monolithic. The aura like glow of the Buddha provides a sense of warmth, gently drawing people into the space. Surrounded by natural elements, from both within and outside, the occupant might feel as though they are bearing witness to the buddha achieving enlightenment under the Bodhi tree all those years ago.
- Ìwọ̀n àti Àpò
- This project covers an internal space totaling 114 square meters, excluding balconies. The layout comprises an entry corridor, living room, dining room, 1 bedroom, 1 bathroom, 1 guest toilet and a sky outdoor garden.
- Àwọn Àkọlé
- Open layout, interior design, volume, minimalism, timber ceiling, simplicity, residential apartment living.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Wood element is also a key feature in this project. Walls, ceilings and floors are adorned with three dimensional wooden structures, creating a sense of consistency as well as depth. The untamed lines that run through every panel of wood can be compared to a fingerprint each one unique from the next, as if handcrafted by Mother Nature herself.
- Ìpèníjà Àpèsè
- Different textures and tones of the wood reveal the beauty of natural materials and lets the elegance of the stunning spatial layout speak for itself. Meanwhile, the earthy colour palette not only brings a timeless character to the space, but also blurs the lines between the home and natural environment.
- Ìwádìí
- The elements of wood, black and brass enhance design styles, so as to create a warm and welcoming interior, and also complement most styles of furniture. It explores the interdependence between the spiritual and material, inside and outside, nature and what we call home.
- Ìmísí
- Paying homage to the Buddha perfect enlightenment, calmness, simplicity, and openness have been the guiding lights for this project. It explores the interdependence between the spiritual and material, inside and outside, nature and what we call home. The earthy colour palette not only brings a timeless character to the space, but also blurs the lines between the home and natural environment. Most importantly, these colours and materials reveal the elegance that lies in simplicity.
- Àkókò Iṣẹ́ Àkànṣe
- This project started in September 2020 and completed in December 2020 in Taichung, Taiwan.
- Ìlànà Ìṣiṣẹ́
- The predominantly wooden interior creates an atmosphere filled with wonder, enchantment and warmth. Consistent use of material creates dimension and depth, with natural wooden texture direction and tone gradient. This continual flow creates frame openings, drawing the occupant attention to the detail found in the interior and its landscape, without being overly-imposing. The large generous open volume is designed to bring out the occupants gregarious nature during the day, while also preparing them for rest in the evening.
- Àwọn Ọmọ Ẹgbẹ́
- Joyce Yi-Ching Yang
- Ìfọwọ́sí Àwòrán
- YHLAA
Oníṣọwọ́
Ṣàwárí Ju Designers.org Lọ
Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.
Díẹ̀ Síi Láti Ṣàwárí
Àwọn Àpẹrẹ Tó Jọra
Ṣàwárí àwọn àpẹrẹ mìíràn tó gba àmì ẹ̀yẹ nínú ẹ̀ka kan náà, tí a yàn nípasẹ̀ ìyege.
