Jian Sushi Primary Function: Àpẹẹrẹ Inú Ilé Oúnjẹ láti ọwọ́ Chun-Yu Chang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2022
Jian Sushi Primary Function: Àpẹẹrẹ Inú Ilé Oúnjẹ
látọ̀wọ́ Chun-Yu Chang
Oníbàárà: Wu-Su Interior Design
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #136445Àpẹrẹ Náà
Nípa Jian Sushi Primary Function: Àpẹẹrẹ Inú Ilé Oúnjẹ
Jian Sushi jẹ́ inú ilé oúnjẹ ará Japan tí a parí ní Taiwan ní ọdún 2021. Àyè tó ní mítà onígun 135 náà ní agbègbè ìjẹun, yàrá VIP, kọ́ntà itamae, yàrá ìkó-nǹkan pamọ́ sí, ilé ìdáná, agbègbè ìwẹ̀-ọwọ́ àti balùwẹ̀. Àwọn àwọ̀ dúdú àti eérú so inú ilé náà pọ̀, nígbà tí kọ̀ǹkẹ́tì ìkọ́lé, pákó yakisugi àti irin tí ó ti gbọ̀n ń dá àbùdá tó rọrùn tí ó sì fara balẹ̀. A darí ìmọ́lẹ̀ sí àwọn iṣẹ́ ọnà àti àwọn oúnjẹ. Àwọn nǹkan tó ń fa ariwo mú dín ìró tí ń padà. Àpẹẹrẹ náà ṣàfihàn àkójọpọ̀ iṣẹ́ ọnà ẹni tó ni ín papọ̀ pẹ̀lú àwọn oúnjẹ.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Jian Sushi Primary Function: Àpẹẹrẹ Inú Ilé Oúnjẹ jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Jian Sushi Primary Function: Àpẹẹrẹ Inú Ilé Oúnjẹ yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Jian Sushi Primary Function: Àpẹẹrẹ Inú Ilé Oúnjẹ jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- When one arrives at the dining area, the theme of the space comes clear suddenly. The black-grey leading tonal emits a steady vibe and highlights the directions of the lightings, which are all pointed towards various art pieces and cuisines. These effects arent all built up through visual experiences but are also created by hearing senses. Specially set up numerous absorptive materials to avoid sounds being spread out or diffracted. Art decorations are placed behind the itamae as symbols of the beautiful creatures that swim along with the movements and sounds of the sea.
- Ìwọ̀n àti Àpò
- The 135-square-meter space (around 40 pings) is equipped with a dining area, a VIP room, an itamae, a pantry, a kitchen, a hand-washing area, and a bathroom.
- Àwọn Àkọlé
- Japanese restaurant, craftsman spirit, modern Japanese aesthetic, Japanese style, artistic restaurants.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Architectural concrete (symbolizing the client insist on using natural ingredients without being processed)
Yakisugi bans (Japanese traditional building material)
Rusted ironware (natural processing methods are used to deal with the rustiness instead of using organic protection coats)
Non-formaldehyde and non-VOC cement paints
Metal-imitating tiles
Absorptive materials (prevent sounds from being spread out or diffracted) - Ìpèníjà Àpèsè
- Vision wise, how to create a personal and steady spatial feeling within an open-end space. Solution: Representative building materials and lighting are set up in the long hallway of the entrance. The open-end space used black and grey colors as divisions while lightings are pointed towards each private space direction. Sound-wise, The echoing sounds are prevented by setting up absorptive materials. To create rough yet textured architectural concrete that embodies the main concept of the space, several experiments have progressed to achieve the perfect balance between the concrete and the cement.
- Ìwádìí
- The overall is decorated with blacks and greys, while dark yakisugi bans, rough architectural concrete, and rust oxidated ironware are used to create a simple and peaceful spatial feeling. While equipped with a consistent visual experience, the client collectibles are used as the main decorations of the space. Less is more would be the most representative concept for this project; overmuch elements are eliminated to highlight the main roles, cuisines and art strongly.
- Ìmísí
- This project is a Japanese restaurant, and its owner is a professional craftsman who loves to collect antiques and art pieces. Hence, the designer focused on creating a space that can perfectly combine artwork with cuisines while delivering the essence of the Japanese spirit in a modern and aesthetic way.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in September 2021 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- To the client a neat operational counter is necessary to give convenience when checking out. Hence, an itamae area in line with ergonomics and the traffic flow is specially constructed, embodying the essence of the client traditional Japanese craftsman spirit.
As for customers, a push door is set up at the VIP area to increase privacy; the precise lighting arrangements have also given guidance and directions towards the art pieces and cuisines. - Àwọn Ọmọ Ẹgbẹ́
- Wu-Su Interior Design, Chun-Yu Chang
- Ìfọwọ́sí Àwòrán
- Wu-Su Interior Design
Oníṣọwọ́
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