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Forte Forte Roma Iṣẹ Akọkọ: Apẹrẹ Inu Ilé fun Itaja Ọjà láti ọwọ́ Robert Vattilana

Forte Forte Roma Iṣẹ Akọkọ: Apẹrẹ Inu Ilé fun Itaja Ọjà láti ọwọ́ Robert Vattilana jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IrinInú Ilé· 2022

Forte Forte Roma Iṣẹ Akọkọ: Apẹrẹ Inu Ilé fun Itaja Ọjà

látọ̀wọ́ Robert Vattilana

Oníbàárà: Forte Forte

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Àwọ̀

Àpẹrẹ Náà

Nípa Forte Forte Roma Iṣẹ Akọkọ: Apẹrẹ Inu Ilé fun Itaja Ọjà

Ọrọ Ìwé: Forte Forte Roma jẹ́ apẹrẹ inu ilé fun ile itaja aṣọ oniruuru ni ilu Rome. Ààyè náà bo mita mẹẹdọgbọn-le-mọkanla (71) lápapọ̀, pẹ̀lú agbègbè títà tí ó jẹ́ mita mẹẹdọgbọn-le-mẹta (53). Òkúta onyx aláwọ̀ ewé láti Afghanistan, tí a gé sí àwọn bulọọki ńlá tí ó ní ìwọ̀ntúnwọ̀nsì, tí a sì fún ní ìparí tí kò dán, ni ó bo àwọn ilẹ̀ àti àwọn ògiri. Ìṣàn ìtànṣán ìmọ́lẹ̀ kan sàmì sí àyíká ilé náà. Àwọn pátákó idẹ tí a dán, tí a ṣàwẹ̀ tí a sì fi dì mọ́ pẹ̀lú aṣọ́rí idẹ, ló ṣe àgbékalẹ̀ ògiri ẹ̀yìn. Àwọn àjà funfun gbé àwọn ọ̀nà tí ó bẹ́ àti àwọn ihò ìmọ́lẹ̀ tí ń tàn. Àwọn yàrá ìmúra ní àwọn ilẹ̀kùn idẹ àti inú tí a fi aṣọ velvet aláwọ̀ sage tí a rẹ́ (capitonne) ṣe.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Forte Forte Roma Iṣẹ Akọkọ: Apẹrẹ Inu Ilé fun Itaja Ọjà jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Forte Forte Roma Iṣẹ Akọkọ: Apẹrẹ Inu Ilé fun Itaja Ọjà yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Forte Forte Roma Iṣẹ Akọkọ: Apẹrẹ Inu Ilé fun Itaja Ọjà nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The eternal city in which the stratigraphy of eras and styles can be read at every corner, in every stone, induces a reflection on matter. The focus is on contrast, because in rome contrast has always been harmony.
In the city of travertine, we renounces one of the essential materials of its own grammar of elements in order to place amazement before redundancy. The boutique looks like a vibrant monolith of green onyx, a precious material with a unique design that contains thousand–year history.
Ìwọ̀n àti Àpò
Total net area m2 71; Sales area m2 53
Àwọn Àkọlé
Forte Forte Roma, Retail Design, Green Onyx treated in large symmetrical blocks, Brass, Boudoir–like changing rooms in sage–colored capitonné velvet, Eternal City, Artisanal, Historic Building
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The sense of the entire project is permeated by the respect for the location, the design of every single detail and the attention of the forms and materials. The execution was made thanks to skilled craftsmen who were able to assemble and model unique pieces, creating an immersive atmosphere in which to enjoy the pleasure of the space and experience of design.
Ìpèníjà Àpèsè
The challenging moment is about the concept itself which take in consideration a complete custom made and artisanal project located in a historic building under the protection of the city superintendence of fine arts.
Working with the green onyx treated in large symmetrical blocks means to design the whole space counting every single millimeters. A great artisanal team made this project possible.
During this period of global pandemic and lock–down safety was maintained at first while time and budget remained under control.
Ìwádìí
From the creative dialogue between Robert Vattilana and Giada Forte a language is born which, following a rhythm and a metric that is different each time and locations, becomes a lingo. The opening of the new Roman boutique, at number 4c in via Borgognona, in the heart of what was once the Campo Marzio, in a street full of character marks a new chapter and affirms a new idiom, made of extreme synthesis, of a desire for intime permanence. A sense of gentle power, of timeless lightness pervades the whole.
Ìmísí
The spatial narrative is an ongoing path in which powerful and present materials and pure forms – now airy and impalpable, now solid – are molded on the unique characteristics of the place. Meaning by locus, not so much, or not only, the immediate surroundings, as the genius loci itself, and with it the city.
Àkókò Iṣẹ́ Àkànṣe
The project started in december 2019 in Rome and finished in october 2020
Ìlànà Ìṣiṣẹ́
The green onyx, which thanks to the particular mineral structure dematerializes in contact with the light in a nuanced transparency.
It is a stone that comes from Afghanistan, an area of extinct volcanoes, and whose history is at least as long as that of the city. Treated in large symmetrical blocks and worked to obtain a matte surface, green onyx creates a total immersion in the shop: it drowns the entire space, from floors to walls.
The entire perimeter of the scenic box is illuminated and marked by a cascade of light, while panels of polished brass folded in on themselves and anchored by brass stitching make up the back wall. In contrast, the ceilings are white in the initial part of the shop,
with inclined and dynamic bands, while in the second they open in a geometric composition of luminous portholes. In such an affirmative space, the dressing rooms closed by brass hinged doors opened by portholes are a mysterious presence, which reveals feminine, boudoir–like interiors in sage–colored capitonné velvet.
Àwọn Ọmọ Ẹgbẹ́
Lead Designers, Creative Ditectors: Robert Vattilana and Giada Forte
Ìfọwọ́sí Àwòrán
All photos credit: Danilo Scarpati Photographer

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