Raw Iṣẹ Pataki: Iṣeṣain Inu Ile fun Ibugbe láti ọwọ́ Erian Yen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2023
Raw Iṣẹ Pataki: Iṣeṣain Inu Ile fun Ibugbe
látọ̀wọ́ Erian Yen
Oníbàárà: Triple men design studio
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #145040Àpẹrẹ Náà
Nípa Raw Iṣẹ Pataki: Iṣeṣain Inu Ile fun Ibugbe
Ọrọ Iwe: Raw jẹ́ iṣeṣain inu ilé kan tí ó ní ilẹ̀ mẹ́rin ní Taiwan. Iṣeṣain náà ń lo èrò wabi-sabi nípasẹ̀ àwọn ìlà tí ó rọrùn, àwọn àwọ̀ fẹ́ẹ́rẹ́, àti ohun ọ̀ṣọ́ tí ó kéré jùlọ. Ìlẹ̀mọ́ ohun alumọ́ni tí ó ní ìhun tí kò dọ́gba bo àwọn ògiri wíwọ́ àti àjà, nígbà tí a tẹ́ ilẹ̀ igi tí ó ní àwọ̀ ìpilẹ̀ṣẹ̀ rẹ̀ ní àwọn àpẹẹrẹ tí ó yàtọ̀ sí ara wọn tí ó sì dàbí àìmọ̀ọ́mọ̀. Àwọn ibi ìkówèésí tí ó ṣí sílẹ̀ àti àwọn kọbínẹ́ẹ̀tì tí a fi pamọ́ ń dín ìwọ̀n òjú-ìran ti àwọn ojú-ilé kù. Ilẹ̀ àkọ́kọ́ ni ó ní ibi ìjókòó àti ibi jíjẹun, nígbà tí àwọn ilẹ̀ òkè ní àwọn yàrá ìsùn, ibi ìpamọ́ àti yàrá ìkẹ́kọ̀ọ́. A pín ìmọ́lẹ̀ àdánidá ní ìdọ́gba láti pa àyè tí ó dán mọ́rán mọ́ láàrin àwọn nǹkan.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Raw Iṣẹ Pataki: Iṣeṣain Inu Ile fun Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Raw Iṣẹ Pataki: Iṣeṣain Inu Ile fun Ibugbe yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Raw Iṣẹ Pataki: Iṣeṣain Inu Ile fun Ibugbe nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The images of 'wabi-sabi' and 'raw' are fully expressed. The 'wabi-sabi' is embodied in the inlay of open bar shelving and hidden cabinets, which weaken the volume of the space. In this way, the blank space between objects creates a sense of solitude, revealing the concepts of minimalism, low profile, and plainness. The arc design with mineral paint at the turning point presents a natural visual, and the irregular texture of the mineral lacquer is a metaphor for the imperfect aesthetics of Japanese life. As for the ceiling, it is designed with a curved shape.
- Ìwọ̀n àti Àpò
- The project is a four-story newly completed house. The first floor is the public area, including the garage, balcony, and 46 square meters of living and dining space. The second floor is the private area, which includes a toilet, terrace, bathroom, and 28 square meters of bedroom. The third floor contains the second bedroom and storage space. The fourth floor is a multi-functional space with a toilet, balcony, terrace, staircase, and a 21-square-meter study room.
- Àwọn Àkọlé
- Wabi-sabi, raw, arc elements, mineral paint, light color.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Building materials: mineral paint, original color wood floor, grille, mirror, iron parts, white honeycomb blinds, etc. The building materials used in a large area of the space are pure. Because of the minimalist design of the space, the design team took the textures of the materials and added delicate details at the same time. For example, the flooring is made of wood grain with 1/2 tile, staggered tile, and random tile, and the natural lines have an extended visual effect.
- Ìpèníjà Àpèsè
- The challenge of this project is the constricted layout, which is a common problem in single-family houses in Taiwan. The rectangular shape of the space limits the route and the planning of the area, so the design team focused on maximizing the light in the light-facing area to allow natural light to fall evenly in the room and leave a wabi-sabi distance between objects. In the end, the design team used the texture of the building materials to present the design in a standardized pattern and used distance planning to mitigate the disadvantages of the site.
- Ìwádìí
- The design team used a single color to present the whole space and created details to make the space fit both the empty feeling of wabi-sabi and the pure sense of rawness. The project is presented with a minimum of decoration in terms of materials, layout, and design techniques. The natural texture of the mineral paint is like washed-out skin, and its natural pores are the most beautiful highlight through the reflection of light and material. On the other hand, the warm texture of the wood flooring adds vitality to the light-colored space. The facades are designed with hidden cabinets to eliminate the bulkiness of the volume.
- Ìmísí
- The design team used mineral paint and wood to bring the silent beauty of wabi-sabi into the space, while the arcs allow people to feel the beauty of nature and roundness together. The light color reflects the texture of the mineral paint, and the original wood color retains the purest appearance. The raw texture of the material brings a different look to the space. The design team eliminated the complicated design to present raw imagery and finally used simple lines and layouts to form a pure wabi-sabi impression.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in August 2022 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- Compared with nothingness, wabi-sabi leaves the purest impression in space. The function is clear at a glance, the facade is not overly decorated, the cabinetry is not complicated, and there is a clear theme in each area. Everywhere one looks, there is a unique beauty, and one can enjoy the quiet beauty of the space away from the hustle and bustle.
- Ìfọwọ́sí Àwòrán
- Triple men design studio
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